For 116 reviews, this critic has graded:
  • 75% higher than the average critic
  • 2% same as the average critic
  • 23% lower than the average critic
On average, this critic grades 12.3 points higher than other critics. (0-100 point scale)

Jamie Graham's Scores

  • Movies
  • TV
Average review score: 75
Highest review score: 100 Dear White People
Lowest review score: 40 The Lords of Salem
Score distribution:
  1. Positive: 76 out of 116
  2. Negative: 0 out of 116
116 movie reviews
    • 90 Metascore
    • 100 Jamie Graham
    A lunatic vision, as hilarious as it is hellish. And some of the greatest action ever put on screen.
    • 84 Metascore
    • 100 Jamie Graham
    Full of shivers and subtext, this is scarily good. One of the films – horror or otherwise – of the year.
    • 96 Metascore
    • 100 Jamie Graham
    If ever there was a film that epitomised the saying ‘no pain, no gain’, this is it. Packs a real wallop.
    • 93 Metascore
    • 100 Jamie Graham
    Could have been a grand folly but instead it’s just grand. Will make audiences break into grins like its characters break into song.
    • 88 Metascore
    • 100 Jamie Graham
    Iñárritu ditches time-hopping bleakness for a linear, if loopy, satire that buzzes with brio. If Mel Brooks, John Cassavetes and Terry Zwigoff co-directed a superhero movie, this might be it.
    • 94 Metascore
    • 100 Jamie Graham
    Like the Toy Story trilogy, Inside Out is about leaving childhood behind. It’s not quite as moving as those films but it is A-grade Pixar, full of Sadness and Joy.
    • 82 Metascore
    • 100 Jamie Graham
    I don’t want people to dislike me. I’m indifferent to if they dislike me,” says Jobs. Well, this won’t be for everyone but it dazzles. Markedly better than Ashton Kutcher’s Jobs…
    • 94 Metascore
    • 100 Jamie Graham
    A compassionate, masterful work that deservedly won Haneke a second Palme d'Or after "The White Ribbon's" 2009 victory. Best to avoid on a first date, though.
    • 76 Metascore
    • 100 Jamie Graham
    Isabella Rossellini’s singer Dorothy is a heart-rending open wound, Dennis Hopper’s Frank Booth one of cinema’s great nutjobs, and Lynch’s control a thing of nightmarish beauty.
    • 79 Metascore
    • 100 Jamie Graham
    Dear everyone – stop whatever you’re doing and go see Dear White People. One of the freshest, funniest and most vital films of the year.
    • 87 Metascore
    • 100 Jamie Graham
    A masterpiece of animation and imagination.
    • tbd Metascore
    • 100 Jamie Graham
    Defying all boundaries, Martyrs relentlessly dishes the visceral pain and emerges as a work of not just ceaseless terror but also gravity and beauty.
    • 81 Metascore
    • 100 Jamie Graham
    Star Wars: The Force Awakens is not perfect nor could it ever be. But for every niggle...there are 10 things that are exactly right, and it says much that no one will leave disappointed despite going in with hysterical levels of expectation.
    • 73 Metascore
    • 100 Jamie Graham
    Hilariously infectious and full of hope, Spider-Man’s return to Marvel couldn’t be more welcome.
    • 93 Metascore
    • 100 Jamie Graham
    Strikingly original, brilliantly acted, this serio-comic masterpiece constantly swerves expectations.
    • 71 Metascore
    • 80 Jamie Graham
    The breakneck pace leaves little room for meaningful character development... But there’s imagination, spectacle and thrills to spare.
    • 87 Metascore
    • 80 Jamie Graham
    Good enough to survive evoking "Bicycle Thieves" and "The 400 Blows," this small story contains universal truths, told with irresistible force.
    • 71 Metascore
    • 80 Jamie Graham
    2012 is the year of the Muppet, and we don't mean Ashton Kutcher. After Jason Segel's fur-filled revival, rejoice in a documentary to make you laugh and, yes, cry.
    • 69 Metascore
    • 80 Jamie Graham
    Director Garth Davis’ debut is a touch over-stretched but impossible to resist – a classy crowd-pleaser with an especially magical first half.
    • 88 Metascore
    • 80 Jamie Graham
    Charlie Kaufman shows us what it is to be human. Plus the best use of Cyndi Lauper’s ‘Girls Just Want To Have Fun’ in the movies.
    • 83 Metascore
    • 80 Jamie Graham
    Robert Eggers’ measured, meticulous debut builds into one of the most genuinely scary horror movies of recent years.
    • 77 Metascore
    • 80 Jamie Graham
    Imagine all of D-Fens’ fury in Falling Down squeezed into one short, then times it by six. A gloriously crazed compendium that fizzes with OMG and OTT moments.
    • 71 Metascore
    • 80 Jamie Graham
    Ambiguity is The Falling’s currency, and it’s all the richer for it.
    • 69 Metascore
    • 80 Jamie Graham
    Not up there with key US influences "Annie Hall," "When Harry Met Sally" and "Jerry Maguire," but a romcom Brits can be proud of. Make a date of it.
    • 52 Metascore
    • 80 Jamie Graham
    Scott operates on a suitably Biblical scale and grounds the spectacle with rock-solid turns from Bale and Edgerton.
    • 80 Metascore
    • 80 Jamie Graham
    It’s not iconic sci-fi to match Alien or Blade Runner but it is a topical, supremely crafted, intelligent, heartfelt spectacle with gallows humour to die for. Strap yourself in.
    • 78 Metascore
    • 80 Jamie Graham
    The one-liners are in evidence but this is more abrasive than you might expect. Blends rigour and vigour to join "Vicky Cristina Barcelona" and "Midnight In Paris" as the best of late-period Woody.
    • 65 Metascore
    • 80 Jamie Graham
    A low-budget, highconcept WTF thriller that might have been conceived by Rod Serling in the heyday of his Twilight Zone series. Spread the word.
    • 67 Metascore
    • 80 Jamie Graham
    Wan has fashioned a nitro-fuelled thrill-ride that forms a fitting tribute to its blue-eyed bro.

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