For 150 reviews, this critic has graded:
  • 50% higher than the average critic
  • 0% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Janice Page's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 88 Marooned in Iraq
Lowest review score: 12 Alone in the Dark
Score distribution:
  1. Positive: 85 out of 150
  2. Negative: 32 out of 150
150 movie reviews
    • 41 Metascore
    • 38 Janice Page
    In the end, the thing that Cussler's fans will probably object to most is the nonsensical way Sahara manhandles his story.
    • 40 Metascore
    • 25 Janice Page
    • 40 Metascore
    • 38 Janice Page
    You can't blame John Cusack for jumping at the chance to play Igor.
    • 40 Metascore
    • 50 Janice Page
    Kevin James's latest comedy doesn't promise any bing or bang, only boom. Take it at its word.
    • 40 Metascore
    • 63 Janice Page
    Assassin is funnier and less awkward than her last concert film, 2004's ''CHO Revolution," but nowhere near as consistently gut busting as 2002's ''Notorious C.H.O." or (first and still best) 2000's ''I'm the One That I Want."
    • 39 Metascore
    • 50 Janice Page
    Despite being well acted and sweetly moving when it strips down to the tender poem at its heart, Till Human Voices Wake Us spends too much time playing to an otherworldly suspense that simply isn't there.
    • 38 Metascore
    • 38 Janice Page
    When the big twist is revealed at the end of The Life Before Her Eyes, you might think the only way to appreciate its cleverness is to see the film again. I did that. It didn't help.
    • 37 Metascore
    • 38 Janice Page
    Underdog! Rest assured, there is no superhero cliche left unchewed; they even manage to slide in a "Lady and the Tramp" homage while they're at it.
    • 37 Metascore
    • 38 Janice Page
    Though Murray and Curry gamely deliver some chuckle-worthy one-liners along the way, they're mostly leashed to material as moldy and uninspired as the "Jeffersons" theme song.
    • 36 Metascore
    • 75 Janice Page
    Actually an above-average farce, at least as featherweight chick flicks go.
    • 36 Metascore
    • 75 Janice Page
    This is a ride, a video game, a soundtrack -- unapologetic and clearly labeled as such. It has no middle speed.
    • 36 Metascore
    • 50 Janice Page
    Ladling in so much schmaltz that even his in-house critic says, ''This thing's worse than `Terms of Endearment.'''
    • 36 Metascore
    • 38 Janice Page
    An overwrought story of American politics and image-making that really only gets interesting in the final act.
    • 36 Metascore
    • 50 Janice Page
    Weintrob's stylish visuals mimic Web technologies, which succeed in making his characters seem all the more removed from reality. Now if someone would find a way to equip theater seats with a ''delete'' key, we could be rid of them completely.
    • 35 Metascore
    • 38 Janice Page
    Ignore the hype. You won't find anything startling or memorable in the derivative Hide and Seek.
    • 35 Metascore
    • 38 Janice Page
    Fienberg’s film spends most of its time trying to convince us that true love starts when you stop playing games. Then, in the final minutes, it reverses itself and puts gamesmanship back up on another wobbly pedestal. The result is hard to cheer.
    • 34 Metascore
    • 38 Janice Page
    Falls flat on two fronts: It's neither deep and interesting enough to be a brainteaser nor sufficiently thrilling to count as a mindless diversion.
    • 32 Metascore
    • 38 Janice Page
    The next time Grodin attempts a comeback, it would be so great if he avoids movies where he might be upstaged by a sandwich stunt.
    • 32 Metascore
    • 50 Janice Page
    Muniz has better secret-agent toys to play with, funnier lines and sidekicks helping him out, and a bit more discerning director in Kevin Allen ("The Big Tease").
    • 32 Metascore
    • 50 Janice Page
    The best thing about Saint John of Las Vegas is that it makes you really appreciate guys like David Lynch and Joel and Ethan Coen.
    • 32 Metascore
    • 38 Janice Page
    It's a warmed-over suspense thriller that's more disturbing than it is surprising or scary.
    • 30 Metascore
    • 50 Janice Page
    Likable performances are critically wounded by implausible scenarios and derivative-minded direction referencing everything from ''Reservoir Dogs'' to ''Fargo.''
    • 30 Metascore
    • 50 Janice Page
    There are moments, too, where the forced hipness falls aside and the two lead characters just plain relate, realistically and maturely, with a seasoned playfulness that is truly charming.
    • 29 Metascore
    • 38 Janice Page
    Serves up a silly story and clunky dialogue that gets better than it deserves from Jennifer Aspen as Lenny's would-be girlfriend.
    • 25 Metascore
    • 25 Janice Page
    It winds up being predictably charmless and forgettable, even as a travelogue or iPod download.
    • 25 Metascore
    • 25 Janice Page
    If ridiculous, hackneyed, gratuitously violent slasher movies aren't your thing, don't go near Venom with a 10-foot snake pole.
    • 23 Metascore
    • 12 Janice Page
    If all the first "Deuce" had going for it was a regular-guy approach to over-the-top humor, that's completely absent in this follow-up.
    • 23 Metascore
    • 50 Janice Page
    So much schlock and melodrama find their way into Darkness Falls that when an exasperated character shouts near the end ''All this over a [expletive] tooth!,'' you know how he feels.
    • 9 Metascore
    • 12 Janice Page
    Think of the lamest horror movie you've ever seen. Now think of Tara Reid in the lamest horror movie you've ever seen. See how much worse it could have been?
    • 6 Metascore
    • 25 Janice Page
    Put it this way: National Lampoon's Gold Diggers makes "The Anna Nicole Show" look sophisticated.

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