For 727 reviews, this critic has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 6.6 points higher than other critics. (0-100 point scale)

Jay Carr's Scores

  • Movies
Average review score: 66
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 94 out of 727
727 movie reviews
    • Metascore: 76
    • Jay Carr 100
    Stillman has become a master at escalating the laughter by waiting an extra beat and then understating something devastatingly funny, as when someone looks Chris Eigeman's club manager, Des, in the eye and says, "I consider you a person of integrity - except, you know, in the matter of women."
    • Metascore: 73
    • Jay Carr 100
    Films that achieve the dimension of seraphic embrace achieved by 'Innocence, as it explores a return to first love, are the rarest of the rare.
    • Metascore: 56
    • Jay Carr 100
    The sly and subtle Minus Man is a wicked little sidewinder of a black comedy.
    • Metascore: 73
    • Jay Carr 100
    Roberts and Erin Brockovich have Oscar contender written all over them.
    • Metascore: 46
    • Jay Carr 100
    With Carrey hitting a career peak, this Grinch doesn't steal Christmas; it restores the season by helping energize us enough to make it through the whole thing.
    • Metascore: 70
    • Jay Carr 100
    One of the year's most winning performances, Logue's Dex will grow on you as he stumbles toward emotional fullness.
    • Metascore: 78
    • Jay Carr 100
    A civilized delight.
    • Metascore: 93
    • Jay Carr 100
    Slly, sublime, buoyant mischief that is virtually without parallel in 20th-century art, much less 20th-century film.
    • Metascore: 69
    • Jay Carr 100
    A gorgeous autumnal period piece that catches a vanishing proprietary class on the eve of its extinction in Ireland in 1920.
    • Metascore: 80
    • Jay Carr 100
    The story is spun forth ravishingly, tenderly, and urgently, with a captivating mix of beauty, spare sophistication, and profound humanity.
    • Metascore: 72
    • Jay Carr 100
    You can count on the fingers of one hand the number of works in any given year to which one is moved to apply the word ''masterpiece.'' Raul Ruiz's Time Regained is one of them.
    • Metascore: 78
    • Jay Carr 100
    Terrific French film about that most universal of subjects - work.
    • Metascore: 78
    • Jay Carr 100
    Deeper and richer in humanity than all but a handful of the American films released this year.
    • Metascore: 79
    • Jay Carr 100
    Simple, but loaded. It celebrates the humanity and humanism at the heart of Iran's remarkable flow of films, but it's also more of a rebuke to materialistic values than any ideologue could ever hope to be.
    • Metascore: 81
    • Jay Carr 100
    We're in a golden age of comedy, and one of the reasons is Margaret Cho.
    • Metascore: 81
    • Jay Carr 100
    Few, if any, films this year will approach, let alone equal, Autumn Tale in its subtle sparkle.
    • Metascore: 73
    • Jay Carr 100
    A sweet screenful of quirky chaos.
    • Metascore: 76
    • Jay Carr 100
    Not only exhilarating and cathartic. It's too funny to be ignored.
    • Metascore: 85
    • Jay Carr 100
    Satisfying in every respect, it's a piece of blue-collar chamber music, never treating the characters cheaply, allowing them a complex entwinement of emotions.
    • Metascore: 78
    • Jay Carr 100
    Quiet, powerful, contemplative, respectful of stillness, Eureka is the first film this year in which there is obvious greatness.
    • Metascore: 83
    • Jay Carr 100
    An invigoratingly mordant comedy that proves that Alexander Payne's rambunctious debut, "Citizen Ruth," was no fluke.
    • Metascore: 95
    • Jay Carr 100
    In a crisply restored print, it's as joyous as ever. We loved them - yeah, yeah, yeah. Now we can love them all over again.
    • Metascore: 72
    • Jay Carr 100
    A grand, dark, grave, severe piece of first-rate cinema.
    • Metascore: 90
    • Jay Carr 100
    The best film of 2001 was made in 1979.
    • Metascore: 86
    • Jay Carr 100
    "In Cold Blood," "Badlands," "The Executioner's Song," and now, joining those grisly milestones on the heartland hit list, and every bit their equal, is Boys Don't Cry.
    • Metascore: 82
    • Jay Carr 100
    Intriguing, arresting, delightfully refusing to be pigeonholed.
    • Metascore: 94
    • Jay Carr 100
    Music for the eyes. That's why it has become a treasured classic. That's why we'll see it again and again.
    • Metascore: 97
    • Jay Carr 100
    It's terse, atmospheric, fatalistic, with vertiginous camera angles and edits offsetting its gray documentary flatness.
    • Metascore: 86
    • Jay Carr 100
    Farnsworth's embodiment of old American values, with their combination of delicacy, reserve, and stand-alone independence, is a one-of-a-kind treasure.
    • Metascore: 86
    • Jay Carr 100
    The surehandedly wrought, beautifully acted, almost unbearably tense In the Bedroom is a rare film, not to be missed.