Jean Oppenheimer, Dallas Observer
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For 104 reviews, this critic has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this critic grades 2.9 points higher than other critics.
(0-100 point scale)
Jean Oppenheimer's Scores
- Movies
| Average review score: | 62 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 54 out of 104
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Mixed: 39 out of 104
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Negative: 11 out of 104
104
movie reviews
- By critic score
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Jean Oppenheimer 100
A riveting movie that's as entertaining as it is socially and politically important. -
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Jean Oppenheimer 100
Turns out to be more than simply a near-miracle of filmmaking, however; it is also an astonishing work of art, a historical epic that drifts through one's consciousness like a reverie. -
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Jean Oppenheimer 90
A delicious little thriller about an uptight, ill-humored English mystery writer who becomes enmeshed in murder, Swimming Pool is at once comical, contrary, resourceful and ambiguous. -
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Jean Oppenheimer 90
So inventive, confident, and accomplished is the production that it's a shock to learn Sliding Doors is the work of a first-time director-screenwriter. -
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Jean Oppenheimer 90
While Sollett provided cast members with a detailed breakdown of the story--a kind of narrative guide--he wanted them to improvise their own dialogue based on how they would react to a similar situation in their own lives....The result is quite extraordinary. -
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Jean Oppenheimer 90
This engaging film proves a total pleasure, suitable for moviegoers who like their films a bit old-fashioned but still mainstream. -
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Jean Oppenheimer 90
A gentle, beautifully realized tale of love and intimacy...It moved me to tears. -
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Jean Oppenheimer 90
The acting is remarkable across the board, undoubtedly a combination of a strong script, gifted actors and exceptional direction. -
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Jean Oppenheimer 90
Pure joy to watch -- and an invaluable documentary record of a bygone era. -
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Jean Oppenheimer 90
It is that rare find: a film that is as emotionally truthful as it is satisfying. -
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Jean Oppenheimer 90
Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten. -
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Jean Oppenheimer 80
A character study, the film succeeds in large measure due to the kinetically charged performance of Romain Duris. -
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Jean Oppenheimer 80
Alternately heartrending and buoyant, tragic and sweetly humorous, the film leaves an indelible impression on the heart and mind. It's among the best of the year. -
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Jean Oppenheimer 80
Though we know the story's final outcome, the trial scene and its aftermath are no less shocking and affecting. -
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Jean Oppenheimer 80
Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously. -
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Jean Oppenheimer 80
Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström. -
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Jean Oppenheimer 80
Fascinating and engrossing on every conceivable level -
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Jean Oppenheimer 80
A beautiful film from Iran explores beauty both physical and spiritual. -
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Jean Oppenheimer 80
This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted. -
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Jean Oppenheimer 80
In her first major role, Ferrera is amazing -- It is a wonderfully natural performance. To top it all off, she and Ontiveros are completely believable as mother and daughter. -
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Jean Oppenheimer 80
Audiences will leave the theater ready to sign up for some dance classes themselves. -
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Jean Oppenheimer 80
It's a melodrama more than a drama, a light thriller –- which is not to say that it is not wonderfully entertaining and satisfying. In fact, it is both. -
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Jean Oppenheimer 80
Viewers with a low tolerance for sentiment may balk, but the emotions are so true and the characters so appealing that the film should completely win you over. -
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Jean Oppenheimer 80
An engaging, family-oriented romantic comedy that should appeal as much to fans of the original movie as to viewers unfamiliar with the 1961 Hayley Mills version. -
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Jean Oppenheimer 80
On one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself. -
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Jean Oppenheimer 80
Both actors are marvelous, and the film, low-key but heartfelt, is a gem. -