Jean Oppenheimer
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For 144 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.9 points higher than other critics. (0-100 point scale)

Jean Oppenheimer's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Russian Ark
Lowest review score: 0 Superbabies: Baby Geniuses 2
Score distribution:
  1. Positive: 81 out of 144
  2. Negative: 14 out of 144
144 movie reviews
    • 49 Metascore
    • 30 Jean Oppenheimer
    The fact that Romance was written and directed by a woman doesn't make the film any better; it simply makes it objectionable on other grounds.
    • 71 Metascore
    • 30 Jean Oppenheimer
    That this mess should come from the hand of Istvan Szabo, the brilliant Hungarian director of "Mephisto" and "Colonel Redl," is the real shocker.
    • 50 Metascore
    • 30 Jean Oppenheimer
    The picture's biggest problem is that no one is sympathetic.
    • 53 Metascore
    • 30 Jean Oppenheimer
    Proves an absolute chore to sit through.
    • 62 Metascore
    • 30 Jean Oppenheimer
    The Dying Gaul becomes so overwrought in the last act that it ends up as pure histrionics.
    • 22 Metascore
    • 20 Jean Oppenheimer
    Awful narration almost ruins the ghostly, gorgeous Running Free.
    • 33 Metascore
    • 20 Jean Oppenheimer
    Doesn't work as comedy or drama or anything in between.
    • 33 Metascore
    • 20 Jean Oppenheimer
    A wobbly Basinger and a feeble screenplay doom I Dreamed of Africa.
    • 32 Metascore
    • 20 Jean Oppenheimer
    It's like an amateur theater production. Reiner rushes through the setup in such a mad dash that it feels like a cartoon.
    • 43 Metascore
    • 20 Jean Oppenheimer
    Meet Joe Black takes an interesting idea--Death assumes human form and comes to earth to learn about human existence--and reduces it to a flat, uninspired, interminably slow movie.
    • 55 Metascore
    • 20 Jean Oppenheimer
    The predominantly amateur cast is painful to watch, so stilted and unconvincing are the performances. Poor Roth has nobody to play against and flounders in trying to keep the ship upright. Herzog aims for a kind of operatic sweep that he fails to achieve.
    • 36 Metascore
    • 20 Jean Oppenheimer
    There is something distinctly self-satisfied about Amy's Orgasm that rubs the viewer the wrong way. The film should come with a warning label: Vanity project ahead!
    • New Times (L.A.)
    • 18 Metascore
    • 10 Jean Oppenheimer
    Numbingly feeble -- The dialogue is witless, the situations are lame, the humor juvenile and the chemistry between the stars nonexistent.
    • New Times (L.A.)
    • 9 Metascore
    • 0 Jean Oppenheimer
    The first Baby Geniuses, released in 1999, was one of the most inane, humorless, ill-conceived, poorly acted comedies of the year. As difficult as it is to imagine, the sequel is even worse, earning an F.

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