For 104 reviews, this critic has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

Jean Oppenheimer's Scores

  • Movies
Average review score: 62
Highest review score:
Lowest review score:
Score distribution:
  1. Positive: 54 out of 104
  2. Negative: 11 out of 104
104 movie reviews
    • Metascore: 80
    • Jean Oppenheimer 100
    A riveting movie that's as entertaining as it is socially and politically important.
    • Metascore: 92
    • Jean Oppenheimer 100
    So enchanting it takes your breath away.
    • Metascore: 86
    • Jean Oppenheimer 100
    Turns out to be more than simply a near-miracle of filmmaking, however; it is also an astonishing work of art, a historical epic that drifts through one's consciousness like a reverie.
    • Metascore: 78
    • Jean Oppenheimer 90
    It's the best thing Wong has done in years--perhaps ever.
    • Metascore: 70
    • Jean Oppenheimer 90
    A delicious little thriller about an uptight, ill-humored English mystery writer who becomes enmeshed in murder, Swimming Pool is at once comical, contrary, resourceful and ambiguous.
    • Metascore: 59
    • Jean Oppenheimer 90
    So inventive, confident, and accomplished is the production that it's a shock to learn Sliding Doors is the work of a first-time director-screenwriter.
    • Metascore: 83
    • Jean Oppenheimer 90
    While Sollett provided cast members with a detailed breakdown of the story--a kind of narrative guide--he wanted them to improvise their own dialogue based on how they would react to a similar situation in their own lives....The result is quite extraordinary.
    • Metascore: 79
    • Jean Oppenheimer 90
    This engaging film proves a total pleasure, suitable for moviegoers who like their films a bit old-fashioned but still mainstream.
    • Metascore: 71
    • Jean Oppenheimer 90
    A gentle, beautifully realized tale of love and intimacy...It moved me to tears.
    • Metascore: 74
    • Jean Oppenheimer 90
    The acting is remarkable across the board, undoubtedly a combination of a strong script, gifted actors and exceptional direction.
    • Metascore: 72
    • Jean Oppenheimer 90
    Pure joy to watch -- and an invaluable documentary record of a bygone era.
    • Metascore: 76
    • Jean Oppenheimer 90
    It is that rare find: a film that is as emotionally truthful as it is satisfying.
    • Metascore: 79
    • Jean Oppenheimer 90
    Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten.
    • Metascore: 88
    • Jean Oppenheimer 80
    A beautiful but depressing film.
    • Metascore: 75
    • Jean Oppenheimer 80
    A character study, the film succeeds in large measure due to the kinetically charged performance of Romain Duris.
    • Metascore: 66
    • Jean Oppenheimer 80
    Alternately heartrending and buoyant, tragic and sweetly humorous, the film leaves an indelible impression on the heart and mind. It's among the best of the year.
    • Metascore: 76
    • Jean Oppenheimer 80
    Though we know the story's final outcome, the trial scene and its aftermath are no less shocking and affecting.
    • Metascore: 70
    • Jean Oppenheimer 80
    Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously.
    • Metascore: 75
    • Jean Oppenheimer 80
    Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.
    • Metascore: 74
    • Jean Oppenheimer 80
    Sly and corrosively funny political black comedy.
    • Metascore: 79
    • Jean Oppenheimer 80
    Fascinating and engrossing on every conceivable level
    • Metascore: 80
    • Jean Oppenheimer 80
    A beautiful film from Iran explores beauty both physical and spiritual.
    • Metascore: 51
    • Jean Oppenheimer 80
    This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted.
    • Metascore: 71
    • Jean Oppenheimer 80
    In her first major role, Ferrera is amazing -- It is a wonderfully natural performance. To top it all off, she and Ontiveros are completely believable as mother and daughter.
    • Metascore: 52
    • Jean Oppenheimer 80
    Audiences will leave the theater ready to sign up for some dance classes themselves.
    • Metascore: 67
    • Jean Oppenheimer 80
    It's a melodrama more than a drama, a light thriller –- which is not to say that it is not wonderfully entertaining and satisfying. In fact, it is both.
    • Metascore: 60
    • Jean Oppenheimer 80
    Viewers with a low tolerance for sentiment may balk, but the emotions are so true and the characters so appealing that the film should completely win you over.
    • Metascore: 64
    • Jean Oppenheimer 80
    An engaging, family-oriented romantic comedy that should appeal as much to fans of the original movie as to viewers unfamiliar with the 1961 Hayley Mills version.
    • Metascore: 58
    • Jean Oppenheimer 80
    On one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself.
    • Metascore: 75
    • Jean Oppenheimer 80
    Both actors are marvelous, and the film, low-key but heartfelt, is a gem.