Jeannette Catsoulis
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For 989 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Virunga
Lowest review score: 0 The Tiger and the Snow
Score distribution:
989 movie reviews
    • 95 Metascore
    • 100 Jeannette Catsoulis
    Showcasing the best and the worst in human nature, Orlando von Einsiedel’s devastating documentary “Virunga” wrenches a startlingly lucid narrative from a sickening web of bribery, corruption and violence.
    • 92 Metascore
    • 100 Jeannette Catsoulis
    A fascinating study of a man, and a firm, deeply changed by catastrophe.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    The Girls in the Band is everything a worthwhile documentary should be, and then some: engaging, informative, thorough and brimming with delightful characters.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    Dropping us into a perfect storm of avarice, this cool and incisive snapshot of global capitalism at work is as remarkable for its access as for its refusal to judge.
    • 89 Metascore
    • 90 Jeannette Catsoulis
    A blue-collar meditation on the meaning of community and the imperative of compassion, one that endures even as an unexpectedly prurient drama unfolds at its center.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Like a Ken Loach drama stripped to bare bones, The Arbor springs to life in the bright bitterness of Dunbar's prose, showcased in alfresco performances of contentious scenes from the play.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable as much for its speculative restraint as for its philosophical reach.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable patchwork of unremarkable lives.
    • 87 Metascore
    • 80 Jeannette Catsoulis
    Coming in at a tight 75 minutes, this strikingly original travelogue glides on the lovely lilt of Mr. Santos's Portuguese narration.
    • 87 Metascore
    • 80 Jeannette Catsoulis
    The Kid With a Bike feels as vulnerable as Cyril's unformed character. Within its tight 87 minutes, not a lot happens, unless you count the saving of a life.
    • 87 Metascore
    • 100 Jeannette Catsoulis
    With marvelous discipline, Mr. Shapiro crams a wealth of material into a tight 77 minutes, smoothly communicating the group effort required to achieve the perfect shot.
    • 86 Metascore
    • 90 Jeannette Catsoulis
    Its violence is low-tech... and its look is old-school, but its message could not possibly be more momentous.
    • 86 Metascore
    • 100 Jeannette Catsoulis
    Gentle on the eyes but stirring to the mind, What Now? Remind Me is an extraordinary, almost indescribably personal reflection on life, love, suffering and impermanence.
    • 86 Metascore
    • 70 Jeannette Catsoulis
    With its whispery conversations, sepulchral atmosphere and soothing play of light and shadow, Cave of Forgotten Dreams is probably best enjoyed in a chemically enhanced state of mind.
    • 86 Metascore
    • 85 Jeannette Catsoulis
    Frequently moving and quietly enlightening, Last Train Home is about love and exploitation, sacrifice and endurance.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Something unexpectedly profound emerges from the flimsiest of stories in Stranger Things, a drama so modest and trusting of its two leads that any directing flourishes might have shattered its spell.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Exit could be a new subgenre: the prankumentary. Audiences, however, would be advised simply to enjoy the film on its face -- even if that face is a carefully contrived mask.
    • 85 Metascore
    • 80 Jeannette Catsoulis
    Song of the Sea moves delicately but purposefully from pain to contentment and from anger to love. On land and underwater, the siblings’ adventures unfold in hand-drawn, painterly frames of misty pastels, sometimes encircled by cobwebby borders that give them the look of pictures in a locket.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Cool-headed, lighthearted and outrageously entertaining.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Visually distinctive and aurally delightful, "Guy and Madeline on a Park Bench" has style to burn. A soulful black-and-white commentary on love, art and their competing demands, this Boston-based musical from Damien Chazelle floats on a wave of spontaneity and charm.
    • 84 Metascore
    • 75 Jeannette Catsoulis
    Looper, a cocky sci-fi tale with more brass than substance, is rife with these "Say what?" moments.
    • 84 Metascore
    • 80 Jeannette Catsoulis
    Engrossing, poetic and often very funny, "Position," like its predecessors, uses the lens of a single family to view the tumult of an entire country.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Like the director's cover story, the movie is a Trojan horse: an exceptionally well-made documentary that unfolds like a spy thriller, complete with bugged hotel rooms, clandestine derring-do and mysterious men in gray flannel suits.
    • 84 Metascore
    • 80 Jeannette Catsoulis
    There’s a stillness to the filmmaking, coupled with Saunder Jurriaans and David Bensi’s truly lovely original score, that lends specific shots... a near-heartbreaking melancholy.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    Unapologetically designed both to inform and affect, Gabriela Cowperthwaite’s delicately lacerating documentary, Blackfish, uses the tragic tale of a single whale and his human victims as the backbone of a hypercritical investigation into the marine-park giant SeaWorld Entertainment.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    Four years in the making, Marwencol emerges as a number of things: an absorbing portrait of an outsider artist; a fascinating journey from near-death to active life; a meditation on the brain's ability to forge new pathways when old ones have been destroyed.
    • 83 Metascore
    • 80 Jeannette Catsoulis
    Drag Me to Hell has a tonic playfulness that’s unabashedly retro, an indulgent return to Mr. Raimi’s goofy, gooey roots.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    A film that begins as a family quest but evolves into a gripping study of know-don't-tell reticence and the umbilical tie of a lost homeland.
    • 82 Metascore
    • 80 Jeannette Catsoulis
    Propriety and recklessness make for uneasy bedfellows in The Deep Blue Sea, a shimmering exploration of romantic obsession and the tension between fitting in and flying free.
    • 82 Metascore
    • 80 Jeannette Catsoulis
    [A] sneakily compelling documentary.

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