Jeannette Catsoulis
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For 989 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 The Girls in the Band
Lowest review score: 0 Oconomowoc
Score distribution:
989 movie reviews
    • 95 Metascore
    • 100 Jeannette Catsoulis
    Showcasing the best and the worst in human nature, Orlando von Einsiedel’s devastating documentary “Virunga” wrenches a startlingly lucid narrative from a sickening web of bribery, corruption and violence.
    • 92 Metascore
    • 100 Jeannette Catsoulis
    A fascinating study of a man, and a firm, deeply changed by catastrophe.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    The Girls in the Band is everything a worthwhile documentary should be, and then some: engaging, informative, thorough and brimming with delightful characters.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    Dropping us into a perfect storm of avarice, this cool and incisive snapshot of global capitalism at work is as remarkable for its access as for its refusal to judge.
    • 89 Metascore
    • 90 Jeannette Catsoulis
    A blue-collar meditation on the meaning of community and the imperative of compassion, one that endures even as an unexpectedly prurient drama unfolds at its center.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Like a Ken Loach drama stripped to bare bones, The Arbor springs to life in the bright bitterness of Dunbar's prose, showcased in alfresco performances of contentious scenes from the play.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable as much for its speculative restraint as for its philosophical reach.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable patchwork of unremarkable lives.
    • 87 Metascore
    • 100 Jeannette Catsoulis
    With marvelous discipline, Mr. Shapiro crams a wealth of material into a tight 77 minutes, smoothly communicating the group effort required to achieve the perfect shot.
    • 86 Metascore
    • 90 Jeannette Catsoulis
    Its violence is low-tech... and its look is old-school, but its message could not possibly be more momentous.
    • 86 Metascore
    • 100 Jeannette Catsoulis
    Gentle on the eyes but stirring to the mind, What Now? Remind Me is an extraordinary, almost indescribably personal reflection on life, love, suffering and impermanence.
    • 86 Metascore
    • 85 Jeannette Catsoulis
    Frequently moving and quietly enlightening, Last Train Home is about love and exploitation, sacrifice and endurance.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Something unexpectedly profound emerges from the flimsiest of stories in Stranger Things, a drama so modest and trusting of its two leads that any directing flourishes might have shattered its spell.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Exit could be a new subgenre: the prankumentary. Audiences, however, would be advised simply to enjoy the film on its face -- even if that face is a carefully contrived mask.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Cool-headed, lighthearted and outrageously entertaining.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Visually distinctive and aurally delightful, "Guy and Madeline on a Park Bench" has style to burn. A soulful black-and-white commentary on love, art and their competing demands, this Boston-based musical from Damien Chazelle floats on a wave of spontaneity and charm.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Like the director's cover story, the movie is a Trojan horse: an exceptionally well-made documentary that unfolds like a spy thriller, complete with bugged hotel rooms, clandestine derring-do and mysterious men in gray flannel suits.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    Unapologetically designed both to inform and affect, Gabriela Cowperthwaite’s delicately lacerating documentary, Blackfish, uses the tragic tale of a single whale and his human victims as the backbone of a hypercritical investigation into the marine-park giant SeaWorld Entertainment.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    Four years in the making, Marwencol emerges as a number of things: an absorbing portrait of an outsider artist; a fascinating journey from near-death to active life; a meditation on the brain's ability to forge new pathways when old ones have been destroyed.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    A film that begins as a family quest but evolves into a gripping study of know-don't-tell reticence and the umbilical tie of a lost homeland.
    • 82 Metascore
    • 90 Jeannette Catsoulis
    Big Words is an engrossing, coming-of-middle-age drama that shows how disappointment can fester and derail a life. By the end, hope and change seem possible but far from guaranteed.
    • 82 Metascore
    • 85 Jeannette Catsoulis
    As its brilliantly choreographed -- and appropriately modest -- climax proves, given the right ingredients, even the simplest story can leave you gasping.
    • 81 Metascore
    • 90 Jeannette Catsoulis
    Unfolding in simple yet wonderfully expressive hand-drawn frames, the film’s unsparingly observant plot depicts the slide into senility with empathy and imagination.
    • 81 Metascore
    • 90 Jeannette Catsoulis
    Buoyed by a fully integrated soundtrack, Kati With an I delivers a lovingly personal observation of young people at a crossroads. The film's sound is not always crisp, but no matter: Kati's story is written in every vital, vérité frame.
    • 81 Metascore
    • 90 Jeannette Catsoulis
    Red White & Blue proves the director a bona fide storyteller with more tools in his arsenal than shock and awe.
    • 81 Metascore
    • 100 Jeannette Catsoulis
    By introducing funky licks, fancy footwork and many of his own compositions to the band's stodgy set list of jazz standards, this indomitable leader (whose declining health adds a poignant twang to the film's final scenes) instilled racial pride alongside musical competency.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    Astonishingly, this is neither as depressing nor as arm-twistingly uplifting as you might expect. Mr. DaSilva’s experience behind a camera shows in his brisk pacing, clear narrative structure and the awareness that a story of sickness needs lighthearted distractions.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    Ms. Scherson’s style — backed wholeheartedly by the cool cinematography of Ricardo de Angelis — may value mood over information, but it’s the perfect vehicle for a portrait of two damaged souls grasping for a security they no longer possess.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    But instead of a dignified stroll down genealogy lane, Mr. Solnicki has made a sparking, gossipy soap opera that’s riddled with emotion and stuffed with strong characters.
    • 79 Metascore
    • 90 Jeannette Catsoulis
    Love is a mournful thriller about the myth of assimilation and the way nurture - or, more precisely, the lack of it - fashions identity and character. Elegantly directed by Vladan Nikolic using multiple viewpoints and an elliptical, nonlinear narrative, the movie presents a New World disrupted by old grievances and a neglected community living by its own rules.

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