Jeannette Catsoulis

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For 1,173 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.7 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Gregory Crewdson: Brief Encounters
Lowest review score: 0 Oconomowoc
Score distribution:
1173 movie reviews
    • 86 Metascore
    • 90 Jeannette Catsoulis
    Ms. Story’s unconventional approach provokes responses that a traditional facts-and-figures discussion might not. Yet the film’s formal abstraction, far from creating emotional distance, is unexpectedly moving.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Visually distinctive and aurally delightful, "Guy and Madeline on a Park Bench" has style to burn. A soulful black-and-white commentary on love, art and their competing demands, this Boston-based musical from Damien Chazelle floats on a wave of spontaneity and charm.
    • 82 Metascore
    • 90 Jeannette Catsoulis
    Big Words is an engrossing, coming-of-middle-age drama that shows how disappointment can fester and derail a life. By the end, hope and change seem possible but far from guaranteed.
    • 73 Metascore
    • 90 Jeannette Catsoulis
    Painfully stark yet utterly magnetic, You Don't Like the Truth: 4 Days Inside Guantánamo presents excerpts from the 2003 interrogation of the 16-year-old Omar Khadr, a Canadian citizen accused of killing an American soldier during a firefight in an Afghan village.
    • tbd Metascore
    • 90 Jeannette Catsoulis
    Ape
    A biting, sometimes droll look at the allure of humiliation, Ape appears simple, but its underlying machinery is joltingly clever.
    • 65 Metascore
    • 90 Jeannette Catsoulis
    Mr. Alverson jacks up the tension with exquisite restraint.
    • 69 Metascore
    • 90 Jeannette Catsoulis
    There’s a headlong temerity to Mr. Johnson’s style that places the dippy thrill of moviemaking front and center, revealing a director (and a character) so high on his power to misrepresent reality that a future in politics seems all but assured.
    • tbd Metascore
    • 90 Jeannette Catsoulis
    Unfolding in New England over four vibrantly represented seasons, "Feelings" is a small-scale wonder. Pivotal events play out in the spaces between scenes, leaving only emotional imprints that we interpret within a timeline that may not be entirely linear.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    Impressively lean and rigidly controlled, “The Survivalist” achieves, at times, the primitive allure of a silent movie.
    • 76 Metascore
    • 90 Jeannette Catsoulis
    A mood poem to summer loving and sexual awakening, It Felt Like Love powerfully evokes a time when flesh is paramount, and peer behavior is the standard by which we judge our own.
    • 72 Metascore
    • 90 Jeannette Catsoulis
    Exquisitely captured in natural light by the cinematographer Alexis Zabé, Juan’s journey is framed by sherbet-colored houses and lemon sidewalks, dipping palm fronds and a burnished, turquoise horizon. The director calls his style "artisan cinema"; I just call it dreamy.
    • 81 Metascore
    • 90 Jeannette Catsoulis
    Buoyed by a fully integrated soundtrack, Kati With an I delivers a lovingly personal observation of young people at a crossroads. The film's sound is not always crisp, but no matter: Kati's story is written in every vital, vérité frame.
    • 66 Metascore
    • 90 Jeannette Catsoulis
    A deliciously warped wallow in misogyny, depravity and dead-eyed manipulation, Cold Fish charts the twisted alliance of two tropical-fish salesmen with baleful glee.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    But instead of a dignified stroll down genealogy lane, Mr. Solnicki has made a sparking, gossipy soap opera that’s riddled with emotion and stuffed with strong characters.
    • 69 Metascore
    • 90 Jeannette Catsoulis
    Woven together, these monologues of bereavement and confusion, illustrated with images so terrible they repel rational explanation, form a tapestry of human misery that's impossible to shake off.
    • 70 Metascore
    • 90 Jeannette Catsoulis
    This pull-no-punches portrait shocks and amuses with equal frequency.
    • 78 Metascore
    • 90 Jeannette Catsoulis
    The directors, Brian McGinn and Rod Blackhurst, have produced a tightly edited, coherently structured and ultimately moving reassessment that burrows beneath the lurid in search of the illuminating.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    Astonishingly, this is neither as depressing nor as arm-twistingly uplifting as you might expect. Mr. DaSilva’s experience behind a camera shows in his brisk pacing, clear narrative structure and the awareness that a story of sickness needs lighthearted distractions.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Like a Ken Loach drama stripped to bare bones, The Arbor springs to life in the bright bitterness of Dunbar's prose, showcased in alfresco performances of contentious scenes from the play.
    • 71 Metascore
    • 90 Jeannette Catsoulis
    The focus of this bizarre Finnish fairy tale - as black as anything the Brothers Grimm could have dreamed up - is a sinister old codger who chews off ears and whose demon minion kidnaps innocent children. Ho ho no!
    • 52 Metascore
    • 90 Jeannette Catsoulis
    Ultimately his story draws more energy from class than from criminality: awash in sludgy browns and rotting greens - the colors of poverty and decomposition - this unpredictable oddity is a little bonkers but a lot original.
    • 89 Metascore
    • 90 Jeannette Catsoulis
    A blue-collar meditation on the meaning of community and the imperative of compassion, one that endures even as an unexpectedly prurient drama unfolds at its center.
    • 65 Metascore
    • 90 Jeannette Catsoulis
    While occasionally unpleasant, the film never crosses the line from bearably chilling to unbearably gruesome, keeping its characters credible and its events explicable.
    • 80 Metascore
    • 90 Jeannette Catsoulis
    Ms. Scherson’s style — backed wholeheartedly by the cool cinematography of Ricardo de Angelis — may value mood over information, but it’s the perfect vehicle for a portrait of two damaged souls grasping for a security they no longer possess.
    • 75 Metascore
    • 90 Jeannette Catsoulis
    Carefully assembled and soberly presented, Robert May’s Kids for Cash takes a lacerating look at America’s juvenile justice system.
    • 77 Metascore
    • 90 Jeannette Catsoulis
    The very definition of modest, Las Acacias articulates emotional transformation with simplicity and grace. Rarely has a film managed to say so much while saying so little.
    • 49 Metascore
    • 90 Jeannette Catsoulis
    Gliding from intimate to surreal, from aurally disjunctive to visually seductive, Rubberband is a languorous ballad of sadness and disappointment.
    • 68 Metascore
    • 90 Jeannette Catsoulis
    The title of Terms and Conditions May Apply is unlikely to excite, but the content of this quietly blistering documentary should rile even the most passive viewer.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Like the director's cover story, the movie is a Trojan horse: an exceptionally well-made documentary that unfolds like a spy thriller, complete with bugged hotel rooms, clandestine derring-do and mysterious men in gray flannel suits.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Its violence is low-tech... and its look is old-school, but its message could not possibly be more momentous.

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