Jeannette Catsoulis
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For 949 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.6 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Three Sisters
Lowest review score: 0 Awakened
Score distribution:
949 movie reviews
    • 70 Metascore
    • 100 Jeannette Catsoulis
    Brilliant, bizarre, dazzling and utterly demented, The Last Circus views Franco-era Spain through the crazed eyes of two clowns doing battle for the love of one magnificent woman.
    • 81 Metascore
    • 100 Jeannette Catsoulis
    By introducing funky licks, fancy footwork and many of his own compositions to the band's stodgy set list of jazz standards, this indomitable leader (whose declining health adds a poignant twang to the film's final scenes) instilled racial pride alongside musical competency.
    • 51 Metascore
    • 100 Jeannette Catsoulis
    A vibrantly vulgar comedy that never hangs around to admire its own cleverness.
    • 87 Metascore
    • 100 Jeannette Catsoulis
    With marvelous discipline, Mr. Shapiro crams a wealth of material into a tight 77 minutes, smoothly communicating the group effort required to achieve the perfect shot.
    • 76 Metascore
    • 100 Jeannette Catsoulis
    Bathed in the flamingo colors and Caribbean rhythms of its location, this deeply personal debut from the writer and director Mariette Monpierre develops with a lingering attention to sensation and sound.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    The Girls in the Band is everything a worthwhile documentary should be, and then some: engaging, informative, thorough and brimming with delightful characters.
    • 72 Metascore
    • 100 Jeannette Catsoulis
    Morally cunning and with a tone as black as pitch, Pieta, the 18th film from the South Korean director Kim Ki-duk, is a deeply unnerving revenge movie in which redemption is dangled like a cat toy before a cougar.
    • 92 Metascore
    • 100 Jeannette Catsoulis
    A fascinating study of a man, and a firm, deeply changed by catastrophe.
    • 60 Metascore
    • 100 Jeannette Catsoulis
    Remarkable as much for its insights as for its audacity, The Dirties approaches school violence with a comic veneer that slowly shades into deep darkness.
    • 90 Metascore
    • 100 Jeannette Catsoulis
    Dropping us into a perfect storm of avarice, this cool and incisive snapshot of global capitalism at work is as remarkable for its access as for its refusal to judge.
    • 86 Metascore
    • 100 Jeannette Catsoulis
    Gentle on the eyes but stirring to the mind, What Now? Remind Me is an extraordinary, almost indescribably personal reflection on life, love, suffering and impermanence.
    • 95 Metascore
    • 100 Jeannette Catsoulis
    Showcasing the best and the worst in human nature, Orlando von Einsiedel’s devastating documentary “Virunga” wrenches a startlingly lucid narrative from a sickening web of bribery, corruption and violence.
    • 72 Metascore
    • 90 Jeannette Catsoulis
    Featuring exceptional people doing extraordinary things, Blindsight is one of those documentaries with the power to make you re-examine your entire life -- or at least get off the couch.
    • 47 Metascore
    • 90 Jeannette Catsoulis
    This is no splatter movie: spare, suspenseful and brilliantly invested in silence, Bryan Bertino's debut feature unfolds in a slow crescendo of intimidation.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Cool-headed, lighthearted and outrageously entertaining.
    • 72 Metascore
    • 90 Jeannette Catsoulis
    Exquisitely captured in natural light by the cinematographer Alexis Zabé, Juan’s journey is framed by sherbet-colored houses and lemon sidewalks, dipping palm fronds and a burnished, turquoise horizon. The director calls his style "artisan cinema"; I just call it dreamy.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Like the director's cover story, the movie is a Trojan horse: an exceptionally well-made documentary that unfolds like a spy thriller, complete with bugged hotel rooms, clandestine derring-do and mysterious men in gray flannel suits.
    • 70 Metascore
    • 90 Jeannette Catsoulis
    This strikingly humane film may function as a prequel to Animal Planet’s “Whale Wars” but is light years ahead in visual clarity and narrative ambition.
    • 70 Metascore
    • 90 Jeannette Catsoulis
    Epic in scope but intimate in theme, The Warlordsheaves with spectacular battles and the relentless sway of self-interest over conscience.
    • 73 Metascore
    • 90 Jeannette Catsoulis
    Educates without lecturing and engages without effort.
    • 85 Metascore
    • 90 Jeannette Catsoulis
    Exit could be a new subgenre: the prankumentary. Audiences, however, would be advised simply to enjoy the film on its face -- even if that face is a carefully contrived mask.
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable patchwork of unremarkable lives.
    • 56 Metascore
    • 90 Jeannette Catsoulis
    Strongly acted and beautifully photographed (by Virgil Mirano), Spoken Word is a quietly resonant family drama about the tug of old habits and the difficulties of escaping the past.
    • 65 Metascore
    • 90 Jeannette Catsoulis
    Sweet, generous and tonally sure, Patrik, Age 1.5 has a nostalgic feel, and not just because of a soundtrack skewed toward last-millennium tunes and a hyperreal suburban setting lifted straight from "Pleasantville."
    • 88 Metascore
    • 90 Jeannette Catsoulis
    Remarkable as much for its speculative restraint as for its philosophical reach.
    • 83 Metascore
    • 90 Jeannette Catsoulis
    Four years in the making, Marwencol emerges as a number of things: an absorbing portrait of an outsider artist; a fascinating journey from near-death to active life; a meditation on the brain's ability to forge new pathways when old ones have been destroyed.
    • 71 Metascore
    • 90 Jeannette Catsoulis
    The focus of this bizarre Finnish fairy tale - as black as anything the Brothers Grimm could have dreamed up - is a sinister old codger who chews off ears and whose demon minion kidnaps innocent children. Ho ho no!
    • 62 Metascore
    • 90 Jeannette Catsoulis
    Like the best westerns, Red Hill is a stripped-down morality tale; like the best horror movies, its true monsters remain cloaked until the final reel.
    • 65 Metascore
    • 90 Jeannette Catsoulis
    The filmmaking is rough and rather clumsy, but by ceding the floor to his open, highly articulate sisters, Mr. Colvard has created a fascinatingly raw study of ferociously wielded male power.
    • 84 Metascore
    • 90 Jeannette Catsoulis
    Visually distinctive and aurally delightful, "Guy and Madeline on a Park Bench" has style to burn. A soulful black-and-white commentary on love, art and their competing demands, this Boston-based musical from Damien Chazelle floats on a wave of spontaneity and charm.

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