Jesse Cataldo
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For 98 reviews, this critic has graded:
  • 36% higher than the average critic
  • 1% same as the average critic
  • 63% lower than the average critic
On average, this critic grades 4.8 points higher than other critics. (0-100 point scale)

Jesse Cataldo's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Story of My Death
Lowest review score: 12 The Ledge
Score distribution:
  1. Positive: 65 out of 98
  2. Negative: 13 out of 98
98 movie reviews
    • 70 Metascore
    • 63 Jesse Cataldo
    Pascale Ferran's film isn't daring enough to fully embrace the narrative fragmentation that it sporadically assumes.
    • 72 Metascore
    • 63 Jesse Cataldo
    The film puts too many elements into play, which means it ends up darting hopelessly between a series of underdeveloped storylines.
    • 49 Metascore
    • 50 Jesse Cataldo
    Like its sad-sack main character, whose closed-off personality makes him hard to fully understand or sympathize with, The Happy Poet is too reservedly rough around the edges.
    • 63 Metascore
    • 50 Jesse Cataldo
    While Nobody Else But You aspires to a kind of French Fargo, it forgets the primary qualities that made that film work.
    • 49 Metascore
    • 50 Jesse Cataldo
    You can tell a lot about the film from its rough handling of the materials supplied by its predecessor, using these commonalities both to identify the bond between the two and signal how much further it's willing to push things.
    • 52 Metascore
    • 50 Jesse Cataldo
    A movie like this lives and dies by its finer details, and London Boulevard screws up by applying the same broad brush to its entire cast, meaning every character gets the same amount of shading.
    • 46 Metascore
    • 50 Jesse Cataldo
    Where Spielberg has made WWII a venue for his sanctimonious side, a platform to convince viewers that war is indeed hell, Lucas is still in a state of pre-adolescent fascination with the conflict.
    • 63 Metascore
    • 50 Jesse Cataldo
    The film refuses to focus on its core story, hedging its bets with forays into family drama, environmental thriller, and corporate intrigue.
    • 50 Metascore
    • 50 Jesse Cataldo
    The film is ultimately draining because of the way it handles Anne, stranding a potentially dynamic character in two dueling scenarios, both of which are drab and unsurprising.
    • 67 Metascore
    • 50 Jesse Cataldo
    It's disheartening that, despite some half-hearted overtures toward shifting the comedy paradigm, the filmmakers make little attempt to expand their comedic palette.
    • 55 Metascore
    • 50 Jesse Cataldo
    Ultimately crammed at a frustrating juncture between period-piece froth and seriously conceived drama, never tipping its hand toward either.
    • 51 Metascore
    • 50 Jesse Cataldo
    The whole thing comes out feeling kind of featureless, beaten flat by its own sense of fairness.
    • 69 Metascore
    • 50 Jesse Cataldo
    While Steve James's documentary is persuasive on an informational level, it doesn't do enough to explore the human side of its subject matter.
    • 68 Metascore
    • 50 Jesse Cataldo
    Seems to be looking for answers, but the ones it finds are too close to the surface to be satisfying.
    • 50 Metascore
    • 50 Jesse Cataldo
    The film is eventually revealed as less interested in subverting or playing off its influences than rigorously retracing them.
    • 52 Metascore
    • 50 Jesse Cataldo
    George Clooney's film boils a big, messy maelstrom of theft and uncertainty down to a digestible, faintly appetizing mush.
    • 64 Metascore
    • 50 Jesse Cataldo
    The film itself is a lumbering tank of a movie, chunky, loud, and clumsy, mulching down men into meat as proof of its dramatic seriousness and gloomy worldview.
    • 54 Metascore
    • 50 Jesse Cataldo
    Michel Gondry bungles his adaptation of the Boris Vian novel by indulging in homespun craftwork at the expense of plot and character detail.
    • 69 Metascore
    • 50 Jesse Cataldo
    It presents little that wasn't already done better in "Myth of the American Sleepover," an equally evocative tale of longing that was far more successful at matching teen tropes with atmospheric naturalism.
    • 76 Metascore
    • 50 Jesse Cataldo
    A human-interest story that claims spite for human-interest stories, the film has some pretty divisive issues at its core that leave it torn between contrasting approaches.
    • 53 Metascore
    • 50 Jesse Cataldo
    If Takeshi Kitano does go forward with the rumored third volume, hopefully he'll conceive of some fresh angle on this increasingly dry material.
    • 42 Metascore
    • 38 Jesse Cataldo
    Despite gestures toward modernity and clumsy humanism, the film feels regressive, presenting a version of modern China that's as much of an anesthetized fairy tale as its costume-drama past.
    • 48 Metascore
    • 38 Jesse Cataldo
    Although it fancies itself as rigidly complex as a well-played chess match, Nick Tomnay's The Perfect Host is really a game without any rules, one where characters and situations exist in total thrall of the next shocking twist.
    • 59 Metascore
    • 38 Jesse Cataldo
    While his classic hyperbolic visual style is back in force, Stone can't bother to muster any of his usual righteous anger, instead mischanneling his discontent into a kind of zen acceptance of these perpetually tiresome main characters.
    • 59 Metascore
    • 38 Jesse Cataldo
    It certainly suffers from the staleness of its off-the-cuff, improv-inspired mode of comedy, which prizes free-form riffing over organically constructed comedic scenarios.
    • 57 Metascore
    • 38 Jesse Cataldo
    Glomming conceits and situations from a vast range of similarly themed films, it ambles along in a lethargic, good-natured manner, fitfully amusing but never approaching substantial.
    • 60 Metascore
    • 38 Jesse Cataldo
    Covered in tattoos and clinging to wisps of their outsider status, the men profiled here seem assured of the novelty of their dilemma, as if they were the first generation to settle into a middle-class existence after a youth spent on the fringes.
    • 46 Metascore
    • 38 Jesse Cataldo
    Rather than organically develop its characters, it charts their evolution via silly outfit changes, treating the early '80s as a costume bin for flavor-of-the-week aping gags, with the band going from Gary Numan style shirts and skinny ties to lavish glam-rock costumes.
    • 33 Metascore
    • 38 Jesse Cataldo
    Unfortunately, there's little sympathy granted to these people, and the revelation of their hidden vices comes across like an increasingly mean series of punchlines.
    • 49 Metascore
    • 38 Jesse Cataldo
    Spike Lee's version loses the one thing that really worked in the original, the sense of moral complication emerging out of the intertwined action of two men hell-bent on retribution.

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