Jessica Kiang
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For 127 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 10.2 points higher than other critics. (0-100 point scale)

Jessica Kiang's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Foxcatcher
Lowest review score: 25 Woman in Gold
Score distribution:
  1. Positive: 86 out of 127
  2. Negative: 7 out of 127
127 movie reviews
    • 28 Metascore
    • 33 Jessica Kiang
    It only ever connects in the small moments that fall through the cracks of the supposed formal and thematic experimentation—when the fine actors are allowed to walk and talk like real human beings, rather than a collection of tropes.
    • 54 Metascore
    • 33 Jessica Kiang
    Michael Almereyda’s Cymbeline works best as a cautionary tale concerning the dangers of of believing that everything written by The Bard is “timeless.”
    • 49 Metascore
    • 25 Jessica Kiang
    Strangely old-fashioned in its construction and requiring a Golden Gate-level feat of engineering to achieve the suspension of disbelief necessary to unironically enjoy it.
    • 34 Metascore
    • 25 Jessica Kiang
    The film is awful, but it is not unwatchable.
    • 24 Metascore
    • 25 Jessica Kiang
    The choking pictorialism of the sets and CG backgrounds, coupled with the barely-there performances, contribute to an inescapable sense of lifelessness and sterility.
    • 36 Metascore
    • 25 Jessica Kiang
    Retreading "Prisoners" territory to an extent that at times makes you wonder if they’re two parts of some sort of Canadian auteur experiment that no one else is in on, what is lost in the transfer, however, is any of the Villeneuve film’s subtlety or shading, and we are left only with its most lurid, credulity-stretching highlights, with all other textures blasted out to snowy blankness.
    • 30 Metascore
    • 25 Jessica Kiang
    Is it fair to make Woman in Gold representative of the failings of the whole historical-true-story-designed-to-remind-an-older-skewing-middle-class-white-audience-that-people-have-triumphed-over-adversity genre? Perhaps not, but as one of its most egregious and fallacious examples, it's as good a line to draw in the sand as any.

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