For 538 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 73 out of 538
538 movie reviews
    • 79 Metascore
    • 100 Joe Leydon
    Trenchantly witty and acutely insightful.
    • 85 Metascore
    • 100 Joe Leydon
    Uproarious. Line for line, minute to minute, writer-director Judd Apatow's latest effort is more explosively funny, more frequently, than nearly any other major studio release in recent memory.
    • 77 Metascore
    • 90 Joe Leydon
    This enjoyable East-meets-Western likely will succeed on its own terms as a sure-fire, long-legged crowd-pleaser.
    • 58 Metascore
    • 90 Joe Leydon
    Evidencing savvy visual flair and compelling storytelling skill, Goyer infuses heart and vigor into material that could have come off as overly familiar at best, sappily improbable at worst.
    • 68 Metascore
    • 90 Joe Leydon
    Imagine a live-action version of the "Dilbert" comic strip with a touch of Hal Hartley's deadpan absurdism, and you're ready for the frequently uproarious "Office Space."
    • 71 Metascore
    • 90 Joe Leydon
    Immensely entertaining and unabashedly inspirational.
    • 71 Metascore
    • 90 Joe Leydon
    Ingeniously conceived and impressively executed, Pleasantville is a provocative, complex and surprisingly anti-nostalgic parable.
    • 74 Metascore
    • 90 Joe Leydon
    A doggone hilarious cartoon extravaganza...virtually bursts at the seams with a supersized abundance of witty wordplay, silly songs and inspired sight gags.
    • 78 Metascore
    • 90 Joe Leydon
    Four excellent lead performances, vividly evoked ambience and a masterfully sustained mood of quiet desperation mark Sydney as an impressive piece of work.
    • 71 Metascore
    • 90 Joe Leydon
    Having earned his stripes by directing a few TV episodes, Frakes makes an auspicious debut as a feature filmmaker, sustaining excitement and maintaining clarity as he dashes through a two-track storyline.
    • 84 Metascore
    • 90 Joe Leydon
    If John Cassavetes had directed a script by Eric Rohmer, the result might have looked and sounded like Mutual Appreciation.
    • 53 Metascore
    • 90 Joe Leydon
    Deftly mixing alternating tracks of playful rowdiness, thoughtful introspection, ferociously slamming rock and not-so-quiet desperation, helmer Manu Boyer scores impressively with I Trust You to Kill Me, arguably the best rockumentary since "Some Kind of Monster."
    • 56 Metascore
    • 90 Joe Leydon
    A smart, subtle and seriously funny dramedy bound to find favor with sophisticated auds.
    • 73 Metascore
    • 90 Joe Leydon
    At once raucously free-wheeling and meticulously contrived, picture satisfies as a boys-gone-wild laff riot that also clicks as a seriocomic beat-the-clock detective story.
    • 75 Metascore
    • 90 Joe Leydon
    Deliberately paced, richly atmospheric drama also boasts first-rate work by a splendid supporting cast and impressive production values.
    • 66 Metascore
    • 90 Joe Leydon
    Equal parts audacious dark comedy, wish-fulfillment fantasy and over-the-top, tongue-in-cheek action-adventure.
    • 88 Metascore
    • 90 Joe Leydon
    A seductive, fascinating tapestry of small-town life.
    • 70 Metascore
    • 90 Joe Leydon
    Stevens offers a couple of revelations that bring the documentary to a dramatically and emotionally satisfying conclusion — and, not incidentally, leave a viewer with the pleasing sensation of discovering a worthy individual.
    • 74 Metascore
    • 90 Joe Leydon
    Equal parts suspenseful road movie, persuasively detailed period drama and emotionally resonant coming-of-age story, The Retrieval is an outstanding example of regional indie filmmaking accomplished with limited resources and an abundance of skill.
    • 64 Metascore
    • 80 Joe Leydon
    Intelligent, involving and intricately plotted thriller.
    • 42 Metascore
    • 80 Joe Leydon
    A sly mix of haunted house melodrama, slasher pic mayhem and retro-blaxploitation iconography, spiced with dollops of grisly, dark comedy.
    • 62 Metascore
    • 80 Joe Leydon
    Harvests a bumper crop of laughs.
    • 79 Metascore
    • 80 Joe Leydon
    For all the pic’s sentimentality, De Felitta refuses to back away from some unpleasantly realistic touches.
    • 57 Metascore
    • 80 Joe Leydon
    Imagine a '30s screwball comedy played to a sensuous Brazilian beat and you're ready for Bossa Nova, a delightfully amusing romantic roundelay.
    • 74 Metascore
    • 80 Joe Leydon
    Well positioned to slake the thirst of action fans for world-class, slam-bang rough stuff.
    • 56 Metascore
    • 80 Joe Leydon
    A crafty and well-crafted wrap-up that really does bring a satisfying sense of closure to the franchise.
    • 75 Metascore
    • 80 Joe Leydon
    Hot-wired, white-knuckle thriller.
    • 66 Metascore
    • 80 Joe Leydon
    Slight but lively sequel. Aimed squarely at moppets with piddling attention spans.
    • 61 Metascore
    • 80 Joe Leydon
    A lavishly mounted and appealingly old-fashioned swashbuckler with nary a trace of wink-wink irony or revisionist embellishment.
    • 77 Metascore
    • 80 Joe Leydon
    An intelligent, well-observed and ineffably poignant study of an Amerasian woman's attempt to trace her roots by journeying back to Vietnam.
    • 85 Metascore
    • 80 Joe Leydon
    Conveys enough of the stirring true-life drama recounted in Butler's other Shackleton docu to satisfy ticketbuyers who demand substance even in larger-than-life entertainment.
    • 47 Metascore
    • 80 Joe Leydon
    Sensationally exuberant, imaginatively crafted and intoxicatingly clever.
    • 69 Metascore
    • 80 Joe Leydon
    A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.
    • 58 Metascore
    • 80 Joe Leydon
    A hugely entertaining and more lavishly mounted follow-up to 2000's "Shanghai Noon," the high-concept East-meets-Western that first teamed top-billed duo, pic rides even taller in the saddle as a fleet and funny crowd-pleaser.
    • 44 Metascore
    • 80 Joe Leydon
    One of the summer's more pleasant surprises. A silly bit of tiptop tomfoolery with cross-generational appeal.
    • 47 Metascore
    • 80 Joe Leydon
    Indie comedy about an unsuccessful playwright who very nearly talks himself out of his last best chance for happiness recalls the early work of Woody Allen. But pic stands on its own merits as witty and well-observed grown-up fare.
    • 67 Metascore
    • 80 Joe Leydon
    Koepp does a masterful job of grounding his intimations of the supernatural in a totally persuasive down-to-earth context.
    • 70 Metascore
    • 80 Joe Leydon
    One of the holiday movie season's more pleasant surprises. A mischievously clever and slickly commercial sci-fi comedy.
    • 30 Metascore
    • 80 Joe Leydon
    A hugely enjoyable romantic comedy that dares to suggest that love can bloom -- and, more important, hormones can rage -- after 50. Smart, sassy and slickly packaged.
    • 70 Metascore
    • 80 Joe Leydon
    Genuinely clever switched-identities romp.
    • 68 Metascore
    • 80 Joe Leydon
    Key to drama's success is the artful underplaying by Kurt Russell in the lead role of Herb Brooks.
    • 54 Metascore
    • 80 Joe Leydon
    Mouse Hunt is the cat's meow. Blending the graceful slapstick of Laurel and Hardy with the mock-Gothic visuals of "The Adams Family," this often screamingly funny comedy about a resilient rodent has enough across-the-board appeal to click with audiences of all ages.
    • 46 Metascore
    • 80 Joe Leydon
    Warm-hearted but clear-eyed indie effort richly repays audience patience during deliberately paced and provocatively allusive early scenes with a cumulative emotional impact that is immensely satisfying.
    • 69 Metascore
    • 80 Joe Leydon
    Arguably the best sports-oriented documentary since "Hoop Dreams."
    • 49 Metascore
    • 80 Joe Leydon
    Even more family-friendly than its immensely popular predecessor.
    • 64 Metascore
    • 80 Joe Leydon
    It's meant as high praise to say that, very early in Robots, the extraordinary starts to seem perfectly ordinary.
    • 82 Metascore
    • 80 Joe Leydon
    By turns amazing, amusing and appalling.
    • 69 Metascore
    • 80 Joe Leydon
    A sly curve ball of a documentary best described as a sports-themed "Rashomon" with an O. Henry twist.
    • 48 Metascore
    • 80 Joe Leydon
    Sandler impressively assumes the Reynolds role here, with strong support by Reynolds himself and a slightly restrained but frequently hilarious Chris Rock.
    • 62 Metascore
    • 80 Joe Leydon
    Smartly written and sprightly played, Sky High satisfies with a clever commingling of spoofy superheroics, school-daze hijinks, and family friendly coming-of-age. dramedydramedy.
    • 84 Metascore
    • 80 Joe Leydon
    A heady spirit of spontaneity permeates the proceedings, suggesting the entire pic, much like the concert it documents, was conceived, planned and completed in a single burst of creative enthusiasm.
    • 69 Metascore
    • 80 Joe Leydon
    An impressively polished documentary by Bob Hercules and Cheri Hughes. Perhaps even more thought-provoking than its co-helmers intended, pic is bound to spark conversations and debate.
    • 69 Metascore
    • 80 Joe Leydon
    Slither begins briskly, gradually accelerates and eventually achieves a breakneck momentum that makes the wild ride even more exhilarating.
    • 66 Metascore
    • 80 Joe Leydon
    An ingeniously twisted mockumentary.
    • 65 Metascore
    • 80 Joe Leydon
    Intelligent, informative and unusually entertaining documentary errs only when it yanks too insistently on heartstrings while focusing on worst-case scenarios involving desperate debtors driven to suicide.
    • 61 Metascore
    • 80 Joe Leydon
    Sandler (never making a false step while maneuvering though vertiginous mood swings) and Cheadle (deftly commingling instinctive decency with quiet desperation) are individually excellent, and bring out the best in each other. And the picture itself transcends its real but relatively minor flaws to score a satisfyingly potent impact.
    • 73 Metascore
    • 80 Joe Leydon
    A stealthy neo-noir drama that isn't afraid to take its time developing characters on the way to the payoff of a neatly designed caper scenario.
    • 65 Metascore
    • 80 Joe Leydon
    Deftly interlaces heart and humor in a witty, warm and well-observed comedy about the unexpected and inconvenient blooming of romance at the weekend gathering of an extended family.
    • 72 Metascore
    • 80 Joe Leydon
    With equal measures of prickly wit, gleeful pride and bemused gratitude, Charles Nelson Reilly looks back at his life, and invites his audience to share the view, in this thoroughly engaging filmization of his one-man stage show.
    • 53 Metascore
    • 80 Joe Leydon
    A cleverly constructed, sensationally stylish and often darkly hilarious seriocomic caper.
    • 73 Metascore
    • 80 Joe Leydon
    The human dramas of individual gamers are what really make this technically polished documentary so fascinating and potentially commercial.
    • 71 Metascore
    • 80 Joe Leydon
    Beautifully lensed and intelligently crafted.
    • 77 Metascore
    • 80 Joe Leydon
    With a mix of sly humor, homespun grace and affecting poignancy, Get Low casts a well-nigh irresistible spell.
    • 66 Metascore
    • 80 Joe Leydon
    Exceptional performances by two femme leads and sensitive but unsentimental storytelling throughout.
    • 71 Metascore
    • 80 Joe Leydon
    An improbably effective and affecting mix of raw emotions and exciting smackdowns.
    • 81 Metascore
    • 80 Joe Leydon
    Mark Landsman's spirited Thunder Soul offers a heaping helping of uplift while documenting the past triumphs and recent reunion of a predominantly black Houston high school's singularly accomplished jazz stage band.
    • 71 Metascore
    • 80 Joe Leydon
    Enjoyably upbeat and intelligently inspiring.
    • 72 Metascore
    • 80 Joe Leydon
    An engrossing and satisfying picture, one that can be enjoyed even by people who have never before heard of its subject.
    • 46 Metascore
    • 80 Joe Leydon
    A slickly produced and brazenly clever piece of work that could attract a cult by sheer dint of its ingenious nastiness and self-aware snark.
    • 68 Metascore
    • 80 Joe Leydon
    Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.
    • 56 Metascore
    • 80 Joe Leydon
    “Portrait” abounds in the sort of ironies and contrasts that can make a biodoc fascinating even to auds totally unfamiliar with its subject.
    • 55 Metascore
    • 80 Joe Leydon
    Costa-Gavras develops such a propulsively suspenseful pace — with no small assist from Armand Amar’s mood-enhancing Euro-tech score — that his drama comes across as the cinematic equivalent of an engrossing page-turner you might purchase off the rack at an airport newsstand.
    • 55 Metascore
    • 80 Joe Leydon
    An ingeniously simple setup is cunningly exploited for maximum suspense in Hours, a slow-building, consistently engrossing drama.
    • 63 Metascore
    • 80 Joe Leydon
    The performances are perfectly attuned to the material, with Koechner dominating his every scene as a kind of demented ringmaster, and Healy adroitly demonstrating the potential for both humor and horror in a character with nothing left to lose.
    • 72 Metascore
    • 70 Joe Leydon
    Quaid's effortlessly compelling and engagingly earnest performance keeps pic grounded in down-to-earth reality.
    • 49 Metascore
    • 70 Joe Leydon
    The 2000 version is louder, broader and much, much bigger.
    • 40 Metascore
    • 70 Joe Leydon
    Surprisingly amusing.
    • 36 Metascore
    • 70 Joe Leydon
    A smart and sassy comedy with a playful sensibility and subtle sensitivity.
    • 62 Metascore
    • 70 Joe Leydon
    Fitfully amusing and two leads generate engaging chemistry.
    • 53 Metascore
    • 70 Joe Leydon
    Formulaic but effectively gritty inner-city crime drama.
    • 58 Metascore
    • 70 Joe Leydon
    Slick, straight-ahead action-thriller that marks a small step back and two bounding leaps forward for toplined Jet Li.
    • 46 Metascore
    • 70 Joe Leydon
    Lightweight but likable romantic comedy about two mismatched gay singletons who are, of course, made for each other.
    • 46 Metascore
    • 70 Joe Leydon
    An extremely enjoyable neo-screwball comedy about attractive opposites on the road.
    • 48 Metascore
    • 70 Joe Leydon
    A golden opportunity to witness the "unplugged," after-hours George W. Bush at his most congenial. "George" offers a portrait of a gregariously charming and self-mocking fellow who's perfectly at ease in his own skin, and who's no less slick and savvy a politician for being willing to make himself the butt of jokes.
    • 64 Metascore
    • 70 Joe Leydon
    Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
    • 48 Metascore
    • 70 Joe Leydon
    Manages an impressively huge score in the hit-or-miss gag ratio.
    • 58 Metascore
    • 70 Joe Leydon
    Uses humor and high spirits to entertain while spreading the Good Word. Much of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings.
    • 63 Metascore
    • 70 Joe Leydon
    Brimming with heart and humor -- Drumline is a formulaic crowdpleaser set in the competitive world of university marching bands at predominantly black universities.
    • 60 Metascore
    • 70 Joe Leydon
    A frankly formulaic but raucously entertaining action comedy.
    • 60 Metascore
    • 70 Joe Leydon
    An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.
    • 64 Metascore
    • 70 Joe Leydon
    Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
    • 78 Metascore
    • 70 Joe Leydon
    One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
    • 27 Metascore
    • 70 Joe Leydon
    Although it falls far short of fulfilling its full potential as a dark comedy of desperation, Dead Man on Campus is a modestly amusing trifle that merits a passing grade as lightweight entertainment.
    • 37 Metascore
    • 70 Joe Leydon
    Working from a formulaic script by Steven E. De Souza, Hark employs a variety of visual stratagems to keep the action fast and flashy.
    • 72 Metascore
    • 70 Joe Leydon
    Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.
    • 57 Metascore
    • 70 Joe Leydon
    A star vehicle composed of second-hand parts that nevertheless gets great mileage (and big laughs) from its recycled plot.
    • 55 Metascore
    • 70 Joe Leydon
    Gleefully commingles slapstick and scatology, satire and sentiment, in a free-wheeling farce aimed at making auds laugh until they're thoroughly ashamed of themselves.
    • 43 Metascore
    • 70 Joe Leydon
    A smart and snappy drama tinged with dark humor and brimming with self-confidence.
    • 58 Metascore
    • 70 Joe Leydon
    Unquestioning agitprop for vegetarianism, hemp fiber, solar energy, sustainable organic living and other causes espoused by actor-activist Woody Harrelson.
    • 50 Metascore
    • 70 Joe Leydon
    A fey and frisky farce with a fabulous fashion sense, Straight-Jacket artfully balances broadly campy humor and ironically overplayed soap opera.