For 551 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 551
551 movie reviews
    • 60 Metascore
    • 70 Joe Leydon
    A frankly formulaic but raucously entertaining action comedy.
    • 60 Metascore
    • 70 Joe Leydon
    An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.
    • 64 Metascore
    • 70 Joe Leydon
    Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
    • 78 Metascore
    • 70 Joe Leydon
    One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
    • 27 Metascore
    • 70 Joe Leydon
    Although it falls far short of fulfilling its full potential as a dark comedy of desperation, Dead Man on Campus is a modestly amusing trifle that merits a passing grade as lightweight entertainment.
    • 37 Metascore
    • 70 Joe Leydon
    Working from a formulaic script by Steven E. De Souza, Hark employs a variety of visual stratagems to keep the action fast and flashy.
    • 72 Metascore
    • 70 Joe Leydon
    Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.
    • 57 Metascore
    • 70 Joe Leydon
    A star vehicle composed of second-hand parts that nevertheless gets great mileage (and big laughs) from its recycled plot.
    • 55 Metascore
    • 70 Joe Leydon
    Gleefully commingles slapstick and scatology, satire and sentiment, in a free-wheeling farce aimed at making auds laugh until they're thoroughly ashamed of themselves.
    • 43 Metascore
    • 70 Joe Leydon
    A smart and snappy drama tinged with dark humor and brimming with self-confidence.
    • 58 Metascore
    • 70 Joe Leydon
    Unquestioning agitprop for vegetarianism, hemp fiber, solar energy, sustainable organic living and other causes espoused by actor-activist Woody Harrelson.
    • 50 Metascore
    • 70 Joe Leydon
    A fey and frisky farce with a fabulous fashion sense, Straight-Jacket artfully balances broadly campy humor and ironically overplayed soap opera.
    • 55 Metascore
    • 70 Joe Leydon
    Be forewarned: After you see Road Trip, it may be months, if not years, before you can order French toast with a straight face and a settled stomach.
    • 43 Metascore
    • 70 Joe Leydon
    Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.
    • 54 Metascore
    • 70 Joe Leydon
    In an era when similar genre pics increasingly resemble videogames, musicvideos or glossy commercials, the blunt, brawny simplicity of helmer Jean-Francois Richet's storytelling style seems positively novel.
    • 32 Metascore
    • 70 Joe Leydon
    Trendy influence of insidiously creepy Japanese horror pics is felt in almost every frame of Boogeyman. The effectively atmospheric and unusually involving thriller tells the story of a distraught young man's protracted duel of wits with the eponymous evildoer.
    • 64 Metascore
    • 70 Joe Leydon
    Has some genuinely amusing moments of dumb and dumber silliness.
    • 53 Metascore
    • 70 Joe Leydon
    A sunny and sassy comedy that somehow manages to breathe fresh life into familiar stereotypes and stock situations.
    • 62 Metascore
    • 70 Joe Leydon
    Slickly entertaining documentary.
    • 47 Metascore
    • 70 Joe Leydon
    A pleasingly retro recycling of "The Love Bug."
    • 79 Metascore
    • 70 Joe Leydon
    Sometimes harrowing, sometimes hokey, sometimes heartwarming nature documentary.
    • 66 Metascore
    • 70 Joe Leydon
    Skillfully entwines stories of three young women drifting in and out of a Jersey City juvenile detention center.
    • 51 Metascore
    • 70 Joe Leydon
    Even though it sprints along a well-trod path through familiar territory, Saint Ralph remains surprisingly compelling.
    • 49 Metascore
    • 70 Joe Leydon
    With equal measures of rock-the-house vigor and in-your-face attitude, Four Brothers proves usually potent and consistently enjoyable as an old school approach to what might best be described as the urban-Western genre of slam-bang, balls-out action-revenger.
    • 37 Metascore
    • 70 Joe Leydon
    Despite a couple of slow stretches along the way, director Mayfield does a generally fine job of integrating the eye-popping special effects with the simple but serviceable plot. The pace is just brisk enough to satisfy youngsters with short attention spans, and Williams is winning enough to keep audiences of all ages involved.
    • 55 Metascore
    • 70 Joe Leydon
    Unvarnished verisimilitude, visceral impact and vividly evoked emotional and physical extremes distinguish Hooligans, the impressive debut feature by German-born helmer Lexi Alexander.
    • 46 Metascore
    • 70 Joe Leydon
    Amiably slapdash docu about The Comedians of Comedy tour mixes on-stage performances, backstage bull sessions and downtime tomfoolery to generally satisfying and frequently hilarious effect.
    • 38 Metascore
    • 70 Joe Leydon
    Generally pleasant family-friendly fare.
    • 65 Metascore
    • 70 Joe Leydon
    Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.
    • 49 Metascore
    • 70 Joe Leydon
    This understated period drama may lack sufficient star power and emotional wallop to score breakthrough success with mainstream auds during its domestic theatrical run, but pic could find a warmer response in the same international markets where "Kingdom of Heaven" redeemed itself last year.