For 538 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 73 out of 538
538 movie reviews
    • 59 Metascore
    • 60 Joe Leydon
    Modestly engaging but mostly unexceptional.
    • 62 Metascore
    • 60 Joe Leydon
    Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.
    • 55 Metascore
    • 60 Joe Leydon
    Character's multiple mid-life crises could make this genuinely engaging drama especially appealing to older viewers.
    • 74 Metascore
    • 60 Joe Leydon
    There's no denying the pic's overall impact as a compelling study of art as a source of transcendence. And it will come as no surprise if this well-crafted doc eventually serves as source material for a dramatic feature.
    • 54 Metascore
    • 60 Joe Leydon
    The deliberately jittery hand-held lensing enhances the mockery in this mockumentary.
    • 49 Metascore
    • 60 Joe Leydon
    By turns comical and compassionate.
    • 44 Metascore
    • 60 Joe Leydon
    A slight but lightly amusing sitcom-style comedy, strongly recalls dinner theater fodder of three decades ago.
    • 67 Metascore
    • 60 Joe Leydon
    A beautifully lensed but ploddingly paced tribute.
    • 40 Metascore
    • 60 Joe Leydon
    Too muted to have much lasting impact, and remains modestly diverting only on a scene-to-scene basis. There's no quotable dialogue, no standout action sequence, no flashy supporting performances -- in short, nothing to lift Illegal Tender from the level of competent but inconsequential B-movie.
    • 41 Metascore
    • 60 Joe Leydon
    Unfortunately, the new pic never really achieves maximum velocity as a full-throttle action-adventure opus, despite game efforts by returning star Milla Jovovich, still a lithe and lethal dynamo when it comes to butt-kicking, zombie-slicing derring-do.
    • 44 Metascore
    • 60 Joe Leydon
    Wrestler-turned-actor Dwayne "The Rock" Johnson is the most valuable player here, revealing impressive comic chops and megawatt charisma even while serving as a human punchline for many of the pic's predictable sight gags.
    • 39 Metascore
    • 60 Joe Leydon
    A harmless and frequently humorous trifle.
    • 45 Metascore
    • 60 Joe Leydon
    Often plays more like "Tyler Perry's Greatest Hits" as it recycles various elements from the writer-director's earlier works.
    • 36 Metascore
    • 60 Joe Leydon
    This two-seated star vehicle for top-billed Ashton Kutcher and Cameron Diaz wrings a respectable number of laughs from a formulaic scenario about attracted-opposites who bicker and back-stab their way toward happily-ever-aftering.
    • 51 Metascore
    • 60 Joe Leydon
    At heart an unabashedly retro work, reveling in the cliches and conventions of the slasher horror pics that proliferated in the early 1980s.
    • 42 Metascore
    • 60 Joe Leydon
    Performances are unremarkable but acceptable pretty much across the board, and the vocal talents -- particularly Thomas Haden Church as the belligerent Tazer and Josh Peck as the lovable Sparks -- are well cast.
    • 48 Metascore
    • 60 Joe Leydon
    Although closer in tone to "Office Space" than Herman Melville, Jonathan Parker's absurdist update of Bartleby is surprisingly faithful to the spirit, if not the letter, of the "Moby-Dick" author's 1853 novella about an under-achieving Wall Street copy clerk.
    • 38 Metascore
    • 60 Joe Leydon
    A one-joke comedy that is good for more than a few good laughs.
    • 54 Metascore
    • 60 Joe Leydon
    The Legend of Ron Jeremy is, at a brisk 75 minutes, long enough to get the job done.
    • 54 Metascore
    • 60 Joe Leydon
    Ticket buyers get two Jackie Chans for the price of one in Twin Dragons, but the pic itself is no great bargain.
    • 38 Metascore
    • 60 Joe Leydon
    Choreographer-turned-filmmaker Franc. Reyes covers familiar ground without stumbling or dazzling.
    • 37 Metascore
    • 60 Joe Leydon
    It's almost impossible to enjoy this uneven but mostly exciting popcorn pic without flinching at a few plot elements that feel a bit too real for comfort.
    • 40 Metascore
    • 60 Joe Leydon
    By turns defiant and apologetic, gleefully raunchy and anxiously defensive.
    • 46 Metascore
    • 60 Joe Leydon
    Well-cast relationship comedy-drama is played too broadly in the early going, but gradually settles into a more appealing groove as a glossy date-movie.
    • 32 Metascore
    • 60 Joe Leydon
    Despite all the flash and filigree, this monster movie is curiously -- and conspicuously -- lacking in heart.
    • 34 Metascore
    • 60 Joe Leydon
    Perfectly harmless, often humorous, featherweight confection -- think "Serendipity" re-imagined as a teen-skewing Saturday morning sitcom.
    • 41 Metascore
    • 60 Joe Leydon
    A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.
    • 69 Metascore
    • 60 Joe Leydon
    Grim but engrossing.
    • 54 Metascore
    • 60 Joe Leydon
    Lightweight but likable.
    • 64 Metascore
    • 60 Joe Leydon
    Even though Frakes is back, Star Trek: Insurrection plays less like a stand-alone sci-fi adventure than like an expanded episode of "Star Trek: The Next Generation."