For 599 reviews, this critic has graded:
  • 66% higher than the average critic
  • 4% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 79 out of 599
599 movie reviews
    • 37 Metascore
    • 70 Joe Leydon
    A genuinely clever kidpic that should delight moppets, please parents -- and maybe tickle a few tweens.
    • 46 Metascore
    • 70 Joe Leydon
    An engaging crazy-quit of comedy.
    • 48 Metascore
    • 70 Joe Leydon
    Manages an impressively huge score in the hit-or-miss gag ratio.
    • 43 Metascore
    • 70 Joe Leydon
    Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.
    • 49 Metascore
    • 60 Joe Leydon
    Director Vincenzo Natali (“Splice”) is more effective at sustaining clammy suspense than hiding all the holes in Brian King’s script. But top-billed Abigail Breslin (“Little Miss Sunshine”) is effective enough to generate a rooting interest in the plucky protagonist of the piece, and to sustain interest when narrative logic turns fuzzy.
    • 31 Metascore
    • 60 Joe Leydon
    Helmer John Luessenhop ("Takers") and a small army of scripters go back to the bloody roots of the long-running franchise to concoct a better-than-average horror-thriller that relies more on potent suspense than graphic savagery or stereoscopic tricks.
    • 35 Metascore
    • 60 Joe Leydon
    More than passably amusing.
    • 48 Metascore
    • 60 Joe Leydon
    More hagiography than history, Heather Rae's long-in-production portrait of Native American activist and poet John Trudell has the uncritically admiring feel of authorized biography.
    • 34 Metascore
    • 60 Joe Leydon
    Perfectly harmless, often humorous, featherweight confection -- think "Serendipity" re-imagined as a teen-skewing Saturday morning sitcom.
    • 46 Metascore
    • 60 Joe Leydon
    Manages to amuse as a cleverly concocted hybrid of conventional romantic comedy and mistaken-identity farce.
    • 40 Metascore
    • 60 Joe Leydon
    By turns defiant and apologetic, gleefully raunchy and anxiously defensive.
    • 63 Metascore
    • 60 Joe Leydon
    The tone of Reel Injun is respectfully serious, though well short of angry, while focusing on how the stereotypical depictions of marauding redskins affected the self-images of Native Americans.
    • 25 Metascore
    • 60 Joe Leydon
    Shamelessly sappy and emotionally manipulative, Patch Adams is an aggressively heartwarming comedy-drama that may be roasted by critics but embraced by ticketbuyers.
    • 54 Metascore
    • 60 Joe Leydon
    Lightweight but likable.
    • 38 Metascore
    • 60 Joe Leydon
    An undemanding dramedy.
    • 41 Metascore
    • 60 Joe Leydon
    A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.
    • 73 Metascore
    • 60 Joe Leydon
    It’s an occupational hazard of rambling psychogeography that the unwary traveller will find themselves irritated as often as they are enthralled: One man’s trash is another man’s treasure. Gee negotiates this hurdle with variable success.
    • 44 Metascore
    • 60 Joe Leydon
    Neatly balancing brightly sentimental comedy with slightly edgier funny business, The Incredible Burt Wonderstone pulls off the impressive trick of generating laughs on a consistent basis while spinning a clever scenario about rival magicians waging a Las Vegas turf war with a wide multi-demographic appeal.
    • 54 Metascore
    • 60 Joe Leydon
    The Legend of Ron Jeremy is, at a brisk 75 minutes, long enough to get the job done.
    • 36 Metascore
    • 60 Joe Leydon
    Offers a largely satisfying mix of broad slapstick, seriocomic sentimentality and mostly amusing satirical thrusts at easy targets.
    • 54 Metascore
    • 60 Joe Leydon
    While there's something undeniably fascinating about the way Fairhaven repeatedly avoids predictable payoffs for portentous dramatic setups, narrative momentum is conspicuous by its absence.
    • 38 Metascore
    • 60 Joe Leydon
    A one-joke comedy that is good for more than a few good laughs.
    • 43 Metascore
    • 60 Joe Leydon
    How much mileage can a comedy get from a single joke? Quite a bit, judging from the guffaws-to-groaners ratio in MacGruber.
    • 57 Metascore
    • 60 Joe Leydon
    A lightly engaging bilingual trifle that benefits greatly from the charm of lead player Jaime Camil, a Mexican TV and film star who evidences smooth self-assurance at the wheel of what could be his crossover vehicle.
    • 69 Metascore
    • 60 Joe Leydon
    Grim but engrossing.
    • 54 Metascore
    • 60 Joe Leydon
    The deliberately jittery hand-held lensing enhances the mockery in this mockumentary.
    • 52 Metascore
    • 60 Joe Leydon
    May be too grisly to extend its appeal beyond its fan base.
    • 39 Metascore
    • 60 Joe Leydon
    Based loosely and playfully on Jane Austen's "Sense and Sensibility," From Prada to Nada is a predictable but pleasant comedy.
    • 41 Metascore
    • 60 Joe Leydon
    Neatly avoiding temptations toward mawkish excess, writer-director Chris Dowling hits a solid double with Where Hope Grows, his intelligently affecting faith-based drama.
    • 74 Metascore
    • 60 Joe Leydon
    Documentarian Jessica Yu employs everything from animation and voiceover thesping to archival documents and eyewitness accounts while examining Henry Darger, a self-taught artist who has been posthumously lionized as a visionary genius.

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