For 542 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 Knocked Up
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 542
542 movie reviews
    • 73 Metascore
    • 80 Joe Leydon
    The human dramas of individual gamers are what really make this technically polished documentary so fascinating and potentially commercial.
    • 73 Metascore
    • 70 Joe Leydon
    A solid and affecting piece of work.
    • 73 Metascore
    • 80 Joe Leydon
    A stealthy neo-noir drama that isn't afraid to take its time developing characters on the way to the payoff of a neatly designed caper scenario.
    • 73 Metascore
    • 90 Joe Leydon
    At once raucously free-wheeling and meticulously contrived, picture satisfies as a boys-gone-wild laff riot that also clicks as a seriocomic beat-the-clock detective story.
    • 72 Metascore
    • 80 Joe Leydon
    An engrossing and satisfying picture, one that can be enjoyed even by people who have never before heard of its subject.
    • 72 Metascore
    • 70 Joe Leydon
    Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.
    • 72 Metascore
    • 80 Joe Leydon
    With equal measures of prickly wit, gleeful pride and bemused gratitude, Charles Nelson Reilly looks back at his life, and invites his audience to share the view, in this thoroughly engaging filmization of his one-man stage show.
    • 72 Metascore
    • 70 Joe Leydon
    Quaid's effortlessly compelling and engagingly earnest performance keeps pic grounded in down-to-earth reality.
    • 72 Metascore
    • 70 Joe Leydon
    What it doesn't have, to its credit, is a neat conclusion. In the end, the film appears to suggest that Aura likely will feel free to keep searching for herself, repeating mistakes and making new ones, because she has all the time in the world.
    • 72 Metascore
    • 70 Joe Leydon
    Some movie buffs will be amused to note slight but perceptible plot similarities between Daylight and, of all things, "The Tall T," Budd Boetticher's classic 1957 Western. To their credit, the filmmakers more or less acknowledge the influence in the closing credits.
    • 72 Metascore
    • 70 Joe Leydon
    Looks, sounds and fascinates like an exceptional episode of a true-crime TV series.
    • 71 Metascore
    • 80 Joe Leydon
    Enjoyably upbeat and intelligently inspiring.
    • 71 Metascore
    • 90 Joe Leydon
    Having earned his stripes by directing a few TV episodes, Frakes makes an auspicious debut as a feature filmmaker, sustaining excitement and maintaining clarity as he dashes through a two-track storyline.
    • 71 Metascore
    • 80 Joe Leydon
    An improbably effective and affecting mix of raw emotions and exciting smackdowns.
    • 71 Metascore
    • 80 Joe Leydon
    Beautifully lensed and intelligently crafted.
    • 71 Metascore
    • 90 Joe Leydon
    Ingeniously conceived and impressively executed, Pleasantville is a provocative, complex and surprisingly anti-nostalgic parable.
    • 71 Metascore
    • 90 Joe Leydon
    Immensely entertaining and unabashedly inspirational.
    • 71 Metascore
    • 50 Joe Leydon
    Feels achingly sad and frustratingly incomplete.
    • 70 Metascore
    • 70 Joe Leydon
    The Motel offers a fresh take on characters and conventions, and compels interest with shrewd, sympathy-inspiring storytelling.
    • 70 Metascore
    • 90 Joe Leydon
    Stevens offers a couple of revelations that bring the documentary to a dramatically and emotionally satisfying conclusion — and, not incidentally, leave a viewer with the pleasing sensation of discovering a worthy individual.
    • 70 Metascore
    • 80 Joe Leydon
    One of the holiday movie season's more pleasant surprises. A mischievously clever and slickly commercial sci-fi comedy.
    • 70 Metascore
    • 80 Joe Leydon
    Genuinely clever switched-identities romp.
    • 69 Metascore
    • 80 Joe Leydon
    Slither begins briskly, gradually accelerates and eventually achieves a breakneck momentum that makes the wild ride even more exhilarating.
    • 69 Metascore
    • 60 Joe Leydon
    Grim but engrossing.
    • 69 Metascore
    • 80 Joe Leydon
    A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.
    • 69 Metascore
    • 80 Joe Leydon
    A sly curve ball of a documentary best described as a sports-themed "Rashomon" with an O. Henry twist.
    • 69 Metascore
    • 80 Joe Leydon
    An impressively polished documentary by Bob Hercules and Cheri Hughes. Perhaps even more thought-provoking than its co-helmers intended, pic is bound to spark conversations and debate.
    • 69 Metascore
    • 80 Joe Leydon
    Arguably the best sports-oriented documentary since "Hoop Dreams."
    • 69 Metascore
    • 60 Joe Leydon
    Fortunately, helmer Michele Ohayon ("Cowboy del Amor") treats her tricky subject matter with sufficient sensitivity to keep doc from ever seeming offensively flip or overly sentimental.
    • 68 Metascore
    • 80 Joe Leydon
    Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.