For 551 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 551
551 movie reviews
    • 41 Metascore
    • 50 Joe Leydon
    A few good laughs but few surprises in Next Friday, an amiably unfocused sequel.
    • 41 Metascore
    • 40 Joe Leydon
    A classically low-tech monster mash.
    • 41 Metascore
    • 60 Joe Leydon
    A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.
    • 41 Metascore
    • 60 Joe Leydon
    Unfortunately, the new pic never really achieves maximum velocity as a full-throttle action-adventure opus, despite game efforts by returning star Milla Jovovich, still a lithe and lethal dynamo when it comes to butt-kicking, zombie-slicing derring-do.
    • 41 Metascore
    • 70 Joe Leydon
    A frenetic but undeniably funny follow-up that offers twice the number of singing-and-dancing rodents in another seamless blend of CGI and live-action elements.
    • 40 Metascore
    • 60 Joe Leydon
    Too muted to have much lasting impact, and remains modestly diverting only on a scene-to-scene basis. There's no quotable dialogue, no standout action sequence, no flashy supporting performances -- in short, nothing to lift Illegal Tender from the level of competent but inconsequential B-movie.
    • 40 Metascore
    • 50 Joe Leydon
    Psychopathia Sexualis exists in the gray area between ponderous stylization and campy affectation.
    • 40 Metascore
    • 30 Joe Leydon
    Far too aggressively seamy (and ferociously foul-mouthed) to please diehard fans of traditional sagebrush sagas, this misfire offers nothing in the way of wit, innovation or even marquee allure to interest auds accustomed to edgier revisionist oaters.
    • 40 Metascore
    • 50 Joe Leydon
    The documentary works best when it simply offers a concise and cogent account of epochal events.
    • 40 Metascore
    • 20 Joe Leydon
    The term “freewheeling” does not begin to describe the slapdash, anything-goes quality of the screenplay co-written by Troma mogul Kaufman.
    • 40 Metascore
    • 40 Joe Leydon
    Despite a few grace notes and mildly clever twists, this handsomely produced indie is such a grating turnoff throughout its first third that its minor virtues may be discovered only by insomniac latenight cable viewers.
    • 40 Metascore
    • 60 Joe Leydon
    By turns defiant and apologetic, gleefully raunchy and anxiously defensive.
    • 40 Metascore
    • 70 Joe Leydon
    Surprisingly amusing.
    • 40 Metascore
    • 50 Joe Leydon
    A wildly uneven, sporadically slapdash action-adventure that amuses in fits and starts.
    • 39 Metascore
    • 40 Joe Leydon
    The makers of Grace Unplugged deserve at least some credit for resisting temptations toward melodramatic excess.
    • 39 Metascore
    • 60 Joe Leydon
    A harmless and frequently humorous trifle.
    • 39 Metascore
    • 50 Joe Leydon
    A slackly paced but modestly diverting trifle, with cameos by recording artists Beck, Beth Orton and Hank Williams III to elevate the hipper-than-thou quotient.
    • 39 Metascore
    • 70 Joe Leydon
    Working from a script by Lou Berney, which in turn was adapted from a novel by Turk Pipkin, director Tim McCanlies maintains an even hand throughout, so that neither the moments of broad comedy nor the stretches of tearjerking sentimentality get out of hand.
    • 39 Metascore
    • 40 Joe Leydon
    Some viewers may feel as though, instead of watching a feature, they're paging through a book of rough sketches by a deranged Disney alumnus.
    • 39 Metascore
    • 70 Joe Leydon
    A slickly entertaining piece of work that will doubtless delight the young pop star’s fan base, and possibly engage curiosity-seekers who have heretofore remained immune or indifferent to Bieber Fever.
    • 39 Metascore
    • 40 Joe Leydon
    fFat-footed and ham-handed in its attempt to reconstitute a popular '70s TV cartoon show as a full-length, family-skewing feature.
    • 39 Metascore
    • 60 Joe Leydon
    An uncommonly satisfying mix of medieval fantasy, high-tech military action and "Mad Max"-style misadventure.
    • 39 Metascore
    • 70 Joe Leydon
    Once again, Beckinsale brings an impressive physicality and subzero cool to her portrayal of Selene.
    • 39 Metascore
    • 60 Joe Leydon
    Based loosely and playfully on Jane Austen's "Sense and Sensibility," From Prada to Nada is a predictable but pleasant comedy.
    • 38 Metascore
    • 40 Joe Leydon
    Emerges as a curiously mild-mannered if not downright tepid drama.
    • 38 Metascore
    • 50 Joe Leydon
    For those who felt insufficiently uplifted by "Invincible" and "Gridiron Gang," here comes Facing the Giants, an aggressively inspirational drama about a born-again high school football coach.
    • 38 Metascore
    • 60 Joe Leydon
    Choreographer-turned-filmmaker Franc. Reyes covers familiar ground without stumbling or dazzling.
    • 38 Metascore
    • 60 Joe Leydon
    A one-joke comedy that is good for more than a few good laughs.
    • 38 Metascore
    • 50 Joe Leydon
    La Scala is able to maintain interest and sustain narrative momentum throughout his fantastical narrative, even while he covers overly familiar territory. In this, he gets immeasurable aid from the sincere performances by his game cast.
    • 38 Metascore
    • 50 Joe Leydon
    While marred by cheap tricks and borderline camp, picture comes off as a largely low-key, intelligent effort.

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