For 545 reviews, this critic has graded:
  • 66% higher than the average critic
  • 3% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 545
545 movie reviews
    • 53 Metascore
    • 70 Joe Leydon
    Formulaic but effectively gritty inner-city crime drama.
    • 53 Metascore
    • 70 Joe Leydon
    Uplifting and entertaining feel-good, fact-based sports drama.
    • 53 Metascore
    • 50 Joe Leydon
    Result: An undeniably clever commingling of a new cast (and spoken dialogue) with a silent classic. But pic fails to engage consistently on its own terms, and begins to coast on novelty value around the midway point.
    • 53 Metascore
    • 20 Joe Leydon
    A numbingly pretentious approach to a moldy premise -- a handful of strangers interacting amid rubble in wake of WWIII.
    • 53 Metascore
    • 50 Joe Leydon
    A modestly inventive, sporadically exciting thriller that nonetheless proves too faithful to its central conceit for its own good.
    • 53 Metascore
    • 40 Joe Leydon
    Earnest but prosaic.
    • 53 Metascore
    • 80 Joe Leydon
    A cleverly constructed, sensationally stylish and often darkly hilarious seriocomic caper.
    • 53 Metascore
    • 90 Joe Leydon
    Deftly mixing alternating tracks of playful rowdiness, thoughtful introspection, ferociously slamming rock and not-so-quiet desperation, helmer Manu Boyer scores impressively with I Trust You to Kill Me, arguably the best rockumentary since "Some Kind of Monster."
    • 53 Metascore
    • 50 Joe Leydon
    Trouble is, apart from some modestly inventive carnage and an undeniably humorous hambone turn by Malcolm McDowell, there's really nothing here to make genre fans dash through the snow (or maneuver through traffic) to megaplexes before the low-budget, high-concept Canadian production's Dec. 4 homevid release.
    • 53 Metascore
    • 70 Joe Leydon
    A sunny and sassy comedy that somehow manages to breathe fresh life into familiar stereotypes and stock situations.
    • 53 Metascore
    • 50 Joe Leydon
    Too narratively disjointed to achieve maximum impact, but too emotionally potent in fits and starts to be dismissed out of hand. Ultimately, Over the GW resembles nothing so much as a rough draft for a more conventional feature.
    • 53 Metascore
    • 50 Joe Leydon
    Once you get past an incredibly self-indulgent intro — an uncomfortably long mash-up of comedy sketch and road-trip-with-entourage doc that seems simultaneously apologetic and arrogant — you can enjoy approximately an hour of boisterously freewheeling and unabashedly raunchy funny stuff in Kevin Hart: Let Me Explain.
    • 53 Metascore
    • 70 Joe Leydon
    The overlong but involving drama has obvious cross-generational appeal.
    • 52 Metascore
    • 40 Joe Leydon
    Would have worked better with a few more ersatz coming-attraction trailers and considerably less filler. More than likely, it would have worked best of all as an hourlong special on Comedy Central.
    • 52 Metascore
    • 60 Joe Leydon
    May be too grisly to extend its appeal beyond its fan base.
    • 52 Metascore
    • 50 Joe Leydon
    Modestly engaging but thoroughly predictable.
    • 52 Metascore
    • 40 Joe Leydon
    Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.
    • 52 Metascore
    • 50 Joe Leydon
    While The Longshots is by no means an unpleasant experience, it feels like a project carried out by people who began with the best of intentions but weren't quite able to sustain their initial enthusiasm.
    • 52 Metascore
    • 70 Joe Leydon
    Strikes a deft balance of chase-movie suspense and wisecracking humor, with a few slam-bang action setpieces that would shame the makers of more allegedly grown-up genre fare.
    • 52 Metascore
    • 70 Joe Leydon
    Nacho Libre strikes a delicate balance of whimsy and absurdity that may surprise auds primed to expect wall-to-wall slapstick.
    • 51 Metascore
    • 70 Joe Leydon
    Despite the over-familiarity of its once-trendy time-tripping plot structure, 96 Minutes maintains a brisk pace and generates a satisfying degree of suspense with its credibly contrived tale of disparate lives forever changed by a violent carjacking.
    • 51 Metascore
    • 70 Joe Leydon
    Result is an unusually likeable family-friendly comedy.
    • 51 Metascore
    • 50 Joe Leydon
    Neither a grand slam nor a strikeout, Everyone's Hero is minor-league animated entertainment.
    • 51 Metascore
    • 70 Joe Leydon
    Even though it sprints along a well-trod path through familiar territory, Saint Ralph remains surprisingly compelling.
    • 51 Metascore
    • 60 Joe Leydon
    Infused with a strong sense of moral outrage, The Empire in Africa provides more heat than light while attempting to explain the motives and methods of combatants who waged the 1991-2002 civil war in Sierra Leone.
    • 51 Metascore
    • 70 Joe Leydon
    A modestly engaging domestic drama that earns few points for originality but rewards aud attention with persuasive performances, outbursts of robust humor and a vivid yet understated evocation of time and place.
    • 51 Metascore
    • 60 Joe Leydon
    At heart an unabashedly retro work, reveling in the cliches and conventions of the slasher horror pics that proliferated in the early 1980s.
    • 51 Metascore
    • 40 Joe Leydon
    The fragrant aroma of magnolias is undercut by the distinct smell of mothballs throughoutThe Loss of a Teardrop Diamond, an admirably earnest but curiously flat attempt to film a long-unproduced scenario by Tennessee Williams.
    • 50 Metascore
    • 40 Joe Leydon
    An unappetizing mix of raucously vulgar comedy and teen-angst melodrama.
    • 50 Metascore
    • 70 Joe Leydon
    This latest entry in the 11-year-old horror series duly adheres to tradition by providing inventively grisly demises for various characters.