For 641 reviews, this critic has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 5.3 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 89 out of 641
641 movie reviews
    • 33 Metascore
    • 60 Joe Leydon
    Lightweight but likable entertainment.
    • 40 Metascore
    • 60 Joe Leydon
    Too muted to have much lasting impact, and remains modestly diverting only on a scene-to-scene basis. There's no quotable dialogue, no standout action sequence, no flashy supporting performances -- in short, nothing to lift Illegal Tender from the level of competent but inconsequential B-movie.
    • 57 Metascore
    • 60 Joe Leydon
    For most of its running time, Fordson wanders far from the gridiron to offer overall impressions of a close-knit community of Arab-Americans who, in the wake of 9/11, often have found themselves targeted and stereotyped as militant Islamists or worse.
    • 36 Metascore
    • 60 Joe Leydon
    This two-seated star vehicle for top-billed Ashton Kutcher and Cameron Diaz wrings a respectable number of laughs from a formulaic scenario about attracted-opposites who bicker and back-stab their way toward happily-ever-aftering.
    • 54 Metascore
    • 60 Joe Leydon
    Its low-key charms are considerable enough to engage venturesome ticketbuyers.
    • 36 Metascore
    • 60 Joe Leydon
    By turns poignant and plodding, affecting and affected, Ithaca is the sort of frustrating movie that’s just good enough to make you wish it were a lot better.
    • tbd Metascore
    • 60 Joe Leydon
    A strictly members-only entertainment for a dedicated target audience, Dragon Ball Z: Resurrection ‘F’ will impress the uninitiated as very loud and very colorful, but not nearly fast-paced enough.
    • 45 Metascore
    • 60 Joe Leydon
    There’s really nothing new here. Still, it’s hard to deny the sporadically satisfying nostalgic appeal of this dash down memory lane.
    • 39 Metascore
    • 60 Joe Leydon
    An uncommonly satisfying mix of medieval fantasy, high-tech military action and "Mad Max"-style misadventure.
    • 54 Metascore
    • 60 Joe Leydon
    Ticket buyers get two Jackie Chans for the price of one in Twin Dragons, but the pic itself is no great bargain.
    • 44 Metascore
    • 60 Joe Leydon
    Wrestler-turned-actor Dwayne "The Rock" Johnson is the most valuable player here, revealing impressive comic chops and megawatt charisma even while serving as a human punchline for many of the pic's predictable sight gags.
    • 48 Metascore
    • 60 Joe Leydon
    An initially intriguing but ultimately exhausting tale of grieving parents left quite literally dazed and confused in the wake of their young son’s death.
    • 80 Metascore
    • 60 Joe Leydon
    Has a washed-out look that may be off-putting to auds who might otherwise enjoy the pic's uncondescending view of Southern characters and customs.
    • 47 Metascore
    • 60 Joe Leydon
    A tickle-and-tease teen sex comedy that plays like a late-night channel-surf through soft-core sitcoms, "American Pie" wannabes and '80s Brat Pack romances.
    • 32 Metascore
    • 60 Joe Leydon
    Despite all the flash and filigree, this monster movie is curiously -- and conspicuously -- lacking in heart.
    • 32 Metascore
    • 60 Joe Leydon
    Even when the blood-and-thunder hokiness of the over-the-top plot tilts perilously close to absurdity, the admirably straight-faced performances by well-cast lead players provide just enough counterbalance to sustain audience curiosity and sympathy.
    • 69 Metascore
    • 60 Joe Leydon
    Fortunately, helmer Michele Ohayon ("Cowboy del Amor") treats her tricky subject matter with sufficient sensitivity to keep doc from ever seeming offensively flip or overly sentimental.
    • 50 Metascore
    • 60 Joe Leydon
    An engagingly rambunctious toon Western that likely will attract herds of family auds, if not multitudes of teens and tweeners, to megaplex corrals.
    • 46 Metascore
    • 60 Joe Leydon
    Agreeably amusing but unduly extended, Matru ki Bijlee ka Mandola suggests what might have resulted had Rodgers and Hammerstein lived long enough to attempt a Broadway musical about the Occupy Wall Street movement.
    • 67 Metascore
    • 60 Joe Leydon
    A beautifully lensed but ploddingly paced tribute.
    • 81 Metascore
    • 60 Joe Leydon
    Earnest and understated, Weekend has the intimate look and feel of a two-character stage play that has been opened up -- but only slightly, with minimal addition of supporting players -- for a mostly faithful filmization.
    • 37 Metascore
    • 60 Joe Leydon
    It's almost impossible to enjoy this uneven but mostly exciting popcorn pic without flinching at a few plot elements that feel a bit too real for comfort.
    • 49 Metascore
    • 60 Joe Leydon
    By turns comical and compassionate.
    • 58 Metascore
    • 60 Joe Leydon
    Distinctive, physically ravishing indie is a natural for fests, but it's questionable whether this sometimes involving, sometimes obscure pic will have appeal beyond the specialty market.
    • 65 Metascore
    • 60 Joe Leydon
    Small children who will accept it as rock-'em, sock-'em excitement with a touch of gender-specific empowerment, and hipper teens and grown-ups who can appreciate the whole thing as a semisatirical hoot.
    • 57 Metascore
    • 60 Joe Leydon
    As discomfortingly fascinating as listening to a couple's heated argument at a table near yours in a restaurant.
    • 51 Metascore
    • 60 Joe Leydon
    At heart an unabashedly retro work, reveling in the cliches and conventions of the slasher horror pics that proliferated in the early 1980s.
    • 78 Metascore
    • 60 Joe Leydon
    Will please devotees without attracting many, if any, new converts.
    • 41 Metascore
    • 60 Joe Leydon
    The screenplay by Chris Dowling and Tyler Poelle is, at best, predictable pulp with a smidgen of religion. Indeed, the characters are so thinly written that they are defined entirely by the actors portraying them. But director Ben Smallbone (brother of the movie’s lead player) is adept at generating suspense.
    • 32 Metascore
    • 60 Joe Leydon
    Newcomer Rachel Hendrix grabs attention and sustains sympathy as a lovely yet troubled 19-year-old student determined to unlock the secrets of her past after learning the circumstances of her birth.

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