Joe Morgenstern
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For 1,832 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Amores Perros
Lowest review score: 0 Flipped
Score distribution:
1,832 movie reviews
    • 49 Metascore
    • 30 Joe Morgenstern
    If glum were good and bleak were best, Hart's War would be a standout.
    • Wall Street Journal
    • 33 Metascore
    • 30 Joe Morgenstern
    Five months after Sept. 11, the movie inevitably echoes those events, but in a loud and extremely cheesy way.
    • Wall Street Journal
    • 35 Metascore
    • 30 Joe Morgenstern
    I've been a Vanessa Redgrave fan for such a long time that I would have been happy to watch her beautifully weathered face without much happening around her.
    • Wall Street Journal
    • 66 Metascore
    • 30 Joe Morgenstern
    The worst part of Ms. Zellweger's plight is that she, along with others in the cast, has fallen victim to a first-time feature director whose vocabulary doesn't seem to include the word "simplicity."
    • Wall Street Journal
    • 49 Metascore
    • 30 Joe Morgenstern
    There's no transcending a prosaic plot and several flat performances.
    • Wall Street Journal
    • 37 Metascore
    • 30 Joe Morgenstern
    A rube's-eye view of Hollywood, but the rube is weary, and those around him seem to be suffering from terminal torpor.
    • Wall Street Journal
    • 42 Metascore
    • 30 Joe Morgenstern
    Joyless and largely witless sci-fi fantasy.
    • Wall Street Journal
    • 58 Metascore
    • 30 Joe Morgenstern
    Mr. Li is a master not only of martial arts, but of composure; no one does nothing better. The film itself is no great shakes.
    • Wall Street Journal
    • 63 Metascore
    • 30 Joe Morgenstern
    A good subject has been ill-served by Ms. Greenwald's cliched script and clumsy direction.
    • Wall Street Journal
    • 33 Metascore
    • 30 Joe Morgenstern
    Goes down fighting, but it goes down just the same.
    • Wall Street Journal
    • 20 Metascore
    • 30 Joe Morgenstern
    As the hilariously foul-mouthed, sweet-souled Dr. S, he (Wayans) slaps Marci X to life every time he's on screen.
    • Wall Street Journal
    • 60 Metascore
    • 30 Joe Morgenstern
    Comes briefly to life, after many longeurs -- many large longeurs in IMAX -- with the discombobulated entrance of B.E.N., a dysfunctional, hyperverbal robot voiced by Martin Short.
    • Wall Street Journal
    • 35 Metascore
    • 30 Joe Morgenstern
    A turgid recycling of Mr. Carpenter's remake of "The Thing."
    • Wall Street Journal
    • 73 Metascore
    • 30 Joe Morgenstern
    Ordinary moviegoers, on the other hand, may wonder what they're supposed to feel, apart from bored.
    • Wall Street Journal
    • 60 Metascore
    • 30 Joe Morgenstern
    The blithely dishonest script would have us believe that the real Napoleon can't prove his identity when the fake Napoleon refuses to come clean. Not only is that patent nonsense, it's cockeyed dramaturgy.
    • Wall Street Journal
    • 53 Metascore
    • 30 Joe Morgenstern
    Not a pretty sight, any of it.
    • Wall Street Journal
    • 35 Metascore
    • 30 Joe Morgenstern
    This horror-free horror flick sent me wandering through my own memory warehouse, where, at every turn, I bumped into images from similar -- and mostly superior -- entertainments.
    • Wall Street Journal
    • 31 Metascore
    • 30 Joe Morgenstern
    Has many more downs than ups, but this ragged action comedy, with Martin Lawrence and Steve Zahn as mismatched buddies, rings some outrageously funny changes on a deadly serious genre of amateur video that began with Rodney King.
    • Wall Street Journal
    • 46 Metascore
    • 30 Joe Morgenstern
    All that's missing is wit and humanity.
    • Wall Street Journal
    • 47 Metascore
    • 30 Joe Morgenstern
    There's nothing wrong with the structure of Heartbreakers, but David Mirkin's direction is woefully clumsy -- and the movie's tone is nasty.
    • Wall Street Journal
    • 56 Metascore
    • 30 Joe Morgenstern
    What's new here is a severe deficit of style, or even craftsmanship, both in the action sequences and what passes for human interludes.
    • Wall Street Journal
    • 57 Metascore
    • 30 Joe Morgenstern
    Won't kill you, but it could bore you half to death.
    • Wall Street Journal
    • 48 Metascore
    • 30 Joe Morgenstern
    What's missing is an emotional center. This Sinbad, with its flying ship and becalmed script, seems destined to be DreamWorks's version of Disney's "Treasure Planet."
    • Wall Street Journal
    • 35 Metascore
    • 30 Joe Morgenstern
    Stinker doesn't begin to describe this movie's character -- both frenzied and dispiriting.
    • Wall Street Journal
    • 63 Metascore
    • 30 Joe Morgenstern
    The script is dead in the water, and most of the misanthropic repartee rings resoundingly false.
    • Wall Street Journal
    • 32 Metascore
    • 30 Joe Morgenstern
    Another dim adaptation of a bright comic novel.
    • Wall Street Journal
    • 30 Metascore
    • 30 Joe Morgenstern
    Knows that it's junk and tries feebly to rejoice in its junkiness.
    • Wall Street Journal
    • 53 Metascore
    • 30 Joe Morgenstern
    For all its video-game bedazzlements, Attack of the Clones suffers from severe digital glut, periodically relieved, if you can call it that, by amateur theatrics.
    • Wall Street Journal
    • 65 Metascore
    • 30 Joe Morgenstern
    A grim disappointment for grown-ups, and far too violent for young kids. I found it to be clumsy, misanthropic and intractably lifeless.
    • Wall Street Journal
    • 57 Metascore
    • 30 Joe Morgenstern
    If only Brotherhood of the Wolf had the wit and grace to match its exceptional physical beauty.
    • Wall Street Journal