Joe Morgenstern
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For 1,924 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Dangerous Lives of Altar Boys
Lowest review score: 0 Henry Fool
Score distribution:
1,924 movie reviews
    • 47 Metascore
    • 30 Joe Morgenstern
    A remarkably ill-advised remake.
    • Wall Street Journal
    • 68 Metascore
    • 30 Joe Morgenstern
    The only reason to see it is Riz Ahmed's performance as Omar, the supposed brains of the operation. Mr. Ahmed reminded me a bit of Robert Carlyle. He's dynamic, quick-tongued and intense. And much too classy for this tatty room.
    • 51 Metascore
    • 30 Joe Morgenstern
    Depressed and depressing drama.
    • Wall Street Journal
    • 38 Metascore
    • 30 Joe Morgenstern
    Men, Women & Children touches many nerves, but then pinches and twists them with its ham-handed approach to social commentary. I worry about Mr. Reitman, a filmmaker of consequence who is still too young to be so cosmic. Time to lighten up and come back down to Earth.
    • 60 Metascore
    • 30 Joe Morgenstern
    The denizens of Judd Apatow’s Funny People have been pulled every which way to fit a misshapen concept, yet they remain painfully unfunny, and consistently off-putting.
    • 51 Metascore
    • 30 Joe Morgenstern
    The basic problem is the script, which is credited to three writers plus the director - seldom a good sign. Never mind that it's a retread of "Planes, Trains & Automobiles" minus the trains, and minus John Candy.
    • 53 Metascore
    • 30 Joe Morgenstern
    Not a pretty sight, any of it.
    • Wall Street Journal
    • 39 Metascore
    • 30 Joe Morgenstern
    If you go to see this sloppy sitcom, in which Mr. Martin plays a divorced, repressed lawyer named Peter Sanderson, do expect to be surprised, seduced and entertained by Queen Latifah.
    • Wall Street Journal
    • 79 Metascore
    • 30 Joe Morgenstern
    What do the Coen brothers want of us? More specifically, what do they want us to think of the repellent people in this pitilessly bleak movie?
    • 49 Metascore
    • 30 Joe Morgenstern
    Mr. Statham, the specialist in English tough guys who was so affecting in "The Bank Job," has more to offer than The Mechanic has the grace to receive.
    • 35 Metascore
    • 30 Joe Morgenstern
    Ms. Wynter's performance is only one of many failings in a heavily accented costume drama that Bruce Beresford has directed turgidly from Marilyn Levy's amateurish script.
    • Wall Street Journal
    • 64 Metascore
    • 30 Joe Morgenstern
    The video-game sequences are impressive, but you know that a 'toon is in big trouble when its most powerful theme is planned obsolescence.
    • Wall Street Journal
    • 50 Metascore
    • 30 Joe Morgenstern
    You're tempted to keep watching, even though the running time is a bloated 154 minutes, to see if anyone, or the movie itself, turns remotely likable. The answer to that, alas, is no.
    • 45 Metascore
    • 30 Joe Morgenstern
    The movie on the whole is joyless. Whatever Works doesn’t.
    • 50 Metascore
    • 30 Joe Morgenstern
    In a movie that rings false at every turn, Ms. Redgrave's Elizabeth is truly and infallibly regal.
    • 51 Metascore
    • 30 Joe Morgenstern
    I feel for the marketing person charged with devising a tagline for Darren Aronofsky's The Fountain, a fantasy whose turgid pretensions defy the very notion of marketing.
    • Wall Street Journal
    • 52 Metascore
    • 30 Joe Morgenstern
    Nothing stands up to scrutiny -- least of all the lethargic acting and the clumsy script. I was hot to trot for the exit halfway through, but a dogged sense of duty kept me stuck in an endless present.
    • Wall Street Journal
    • 26 Metascore
    • 30 Joe Morgenstern
    Basic Instinct 2 is pretty awful. Rarely has a meaningless thriller had so many meaningful glances, or such arch acting by good actors who know better.
    • Wall Street Journal
    • 49 Metascore
    • 30 Joe Morgenstern
    Operates in a dead zone roughly equidistant between parody and idiocy. You do get the connection between tongue and cheek, but much of the humor still goes thud.
    • 42 Metascore
    • 30 Joe Morgenstern
    Joyless and largely witless sci-fi fantasy.
    • Wall Street Journal
    • 61 Metascore
    • 30 Joe Morgenstern
    A guaranteed downer that's devoid of any upside, and free of dangerously entertaining side effects.
    • Wall Street Journal
    • 64 Metascore
    • 30 Joe Morgenstern
    A slow and lugubrious film about the impact of adoption on the lives of three women.
    • 45 Metascore
    • 30 Joe Morgenstern
    Country Strong comes to spontaneous life from time to time, despite maudlin devices and manipulative set pieces.
    • 63 Metascore
    • 30 Joe Morgenstern
    The script is dead in the water, and most of the misanthropic repartee rings resoundingly false.
    • Wall Street Journal
    • 31 Metascore
    • 30 Joe Morgenstern
    Mr. Goldsman, a first-time director though a veteran screenwriter, has been done in by the source material. Either he climbed aboard a horse that was too much for him, or the universe gave him a bum steer.
    • 41 Metascore
    • 30 Joe Morgenstern
    It's long on Viagra jokes and whorehouse scenes, and comes up short on plausibility.
    • 49 Metascore
    • 30 Joe Morgenstern
    Ever so slightly defective in the area of coherence; it plays as if it should have been written by a committee but they didn't bother to convene one.
    • Wall Street Journal
    • 40 Metascore
    • 30 Joe Morgenstern
    Mr. Beall, a former LAPD cop, has written a script so devoid of feeling that the cartoons blur into thin line drawings, while what's been done with the marvelous Ms. Stone - i.e. next to nothing - is downright criminal.
    • 56 Metascore
    • 30 Joe Morgenstern
    All of the nonsense piled on nonsense does provide some measure of pleasure. Unknown gets better by getting worse.
    • 67 Metascore
    • 30 Joe Morgenstern
    In The Hunger Games it's both a feast of cheesy spectacle and a famine of genuine feeling, except for the powerful - and touchingly vulnerable - presence of Jennifer Lawrence.

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