Joe Morgenstern
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For 1,854 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Y Tu Mamá También
Lowest review score: 0 Eight Crazy Nights
Score distribution:
1,854 movie reviews
    • 50 Metascore
    • 30 Joe Morgenstern
    This dreary drama telegraphs every punch, emotion and plot point with a dedication that would have done the old Western Union proud.
    • 65 Metascore
    • 30 Joe Morgenstern
    What's worse, some mysterious movie curse has turned the three once-lively adventurers into wood.
    • 57 Metascore
    • 30 Joe Morgenstern
    The result is a queasy combination of speculation and dramatic invention with the ring of half-truth, though the co-stars, Ryan Gosling and Kirsten Dunst, add as much color as they can - not much - to a monochromatic script.
    • 68 Metascore
    • 30 Joe Morgenstern
    The only reason to see it is Riz Ahmed's performance as Omar, the supposed brains of the operation. Mr. Ahmed reminded me a bit of Robert Carlyle. He's dynamic, quick-tongued and intense. And much too classy for this tatty room.
    • 57 Metascore
    • 30 Joe Morgenstern
    This production is a mess for many reasons, most of them having to do with its frantic efforts to be funny.
    • 51 Metascore
    • 30 Joe Morgenstern
    The basic problem is the script, which is credited to three writers plus the director - seldom a good sign. Never mind that it's a retread of "Planes, Trains & Automobiles" minus the trains, and minus John Candy.
    • 49 Metascore
    • 30 Joe Morgenstern
    It's dispiriting to see how little attention the filmmakers have paid to the dramatic - read human - possibilities of the original, or how much they've been overwhelmed by technology's demands. It's as though rogue programs took over the production.
    • 45 Metascore
    • 30 Joe Morgenstern
    Country Strong comes to spontaneous life from time to time, despite maudlin devices and manipulative set pieces.
    • 49 Metascore
    • 30 Joe Morgenstern
    Mr. Statham, the specialist in English tough guys who was so affecting in "The Bank Job," has more to offer than The Mechanic has the grace to receive.
    • 56 Metascore
    • 30 Joe Morgenstern
    All of the nonsense piled on nonsense does provide some measure of pleasure. Unknown gets better by getting worse.
    • 49 Metascore
    • 30 Joe Morgenstern
    There's nothing to be said in favor of sitting through garbage, and this movie is awash in the stuff, both figuratively and literally: One of its main locales is a vast garbage dump.
    • 45 Metascore
    • 30 Joe Morgenstern
    The IMAX print I saw was so murky as to make you give thanks for the few scenes shot in simple sunlight, the 3-D wasn't worth the bother, and never before have I wanted to chloroform an entire orchestra.
    • 39 Metascore
    • 30 Joe Morgenstern
    Green Lantern was meant to be a sci-fi adventure, but it proves to be a genuine mystery. How could its megamoola budget have yielded a production that looks almost as tacky as "Flash Gordon" (which had the good grace to deprecate itself at every turn)?
    • 57 Metascore
    • 30 Joe Morgenstern
    Horrible Bosses has preposterousness to burn, but no finesse and no interest in having any.
    • 35 Metascore
    • 30 Joe Morgenstern
    The movie transforms a dim idea - "Elmer Gantry" lite - into comedy that's dead in the water and as dull as it is broad.
    • 50 Metascore
    • 30 Joe Morgenstern
    Cowboys versus aliens is a concept that may make you smile in anticipation, but wipe that smile off your face before buying your ticket.
    • 59 Metascore
    • 30 Joe Morgenstern
    Ms. Weisz is always a strong presence, but her talents are wasted here on a naive heroine - the fictional Kathy is exceedingly slow to grasp the extent of the corruption - and a narrative style that turns the horror of the prostitutes' plight into harrowing melodrama.
    • 38 Metascore
    • 30 Joe Morgenstern
    Long after lice from her children's school infested Kate's scalp, I was scratching my head about why a 91-minute movie seemed so long. The answer came from reframing the question. Why was a string of sitcom problems stretched to 91 minutes?
    • 43 Metascore
    • 30 Joe Morgenstern
    The failure lies not with the film's director, Marc Forster, nor with its impressive star, Gerard Butler, but with Jason Keller's dreadfully earnest script, which charts the hero's spiritual journey, and his Rambo-esque exploits, without offering a scintilla of mature perspective on his state of mind.
    • 50 Metascore
    • 30 Joe Morgenstern
    In a movie that rings false at every turn, Ms. Redgrave's Elizabeth is truly and infallibly regal.
    • 65 Metascore
    • 30 Joe Morgenstern
    When bad movies happen to good people, the first place to look for an explanation is the basic idea. That certainly applies to My Week With Marilyn, a dubious idea done in by Adrian Hodges's shallow script and Simon Curtis's clumsy direction.
    • 54 Metascore
    • 30 Joe Morgenstern
    Meryl Streep as Margaret Thatcher is the main reason to see The Iron Lady, which was directed by Phyllida Lloyd - not just the main reason but the raison d'être of an otherwise misconceived movie.
    • 67 Metascore
    • 30 Joe Morgenstern
    In The Hunger Games it's both a feast of cheesy spectacle and a famine of genuine feeling, except for the powerful - and touchingly vulnerable - presence of Jennifer Lawrence.
    • 43 Metascore
    • 30 Joe Morgenstern
    The remake has no grace notes, or grace, no nuance, no humanity, no character quirks, no surprises in the dialogue and no humor.
    • 50 Metascore
    • 30 Joe Morgenstern
    You're tempted to keep watching, even though the running time is a bloated 154 minutes, to see if anyone, or the movie itself, turns remotely likable. The answer to that, alas, is no.
    • 40 Metascore
    • 30 Joe Morgenstern
    Mr. Beall, a former LAPD cop, has written a script so devoid of feeling that the cartoons blur into thin line drawings, while what's been done with the marvelous Ms. Stone - i.e. next to nothing - is downright criminal.
    • 49 Metascore
    • 30 Joe Morgenstern
    The only reason to see this dreary parade of deception and venality is Mark Wahlberg's performance as a disgraced ex-cop caught up in the thick of menacing events he can't understand. It's striking how this tightly focused actor can find his own firmly grounded reality in the falsest of surroundings.
    • 42 Metascore
    • 30 Joe Morgenstern
    The essence of this grindingly violent movie can be summed up by what Parker says of his handgun to a terrified clerk at a check-cashing service: "It's small, but it hurts."
    • 41 Metascore
    • 30 Joe Morgenstern
    It's long on Viagra jokes and whorehouse scenes, and comes up short on plausibility.
    • 52 Metascore
    • 30 Joe Morgenstern
    What a peculiar production this is. Up to a certain point, it really does promise to be romantic.

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