Joe Morgenstern
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For 1,916 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 There Will Be Blood
Lowest review score: 0 Henry Fool
Score distribution:
1,916 movie reviews
    • 33 Metascore
    • 20 Joe Morgenstern
    The movie's smugness is insufferable.
    • Wall Street Journal
    • 33 Metascore
    • 20 Joe Morgenstern
    The best thing about a movie as silly as this is that it makes such modest demands on your attention. As the story unfolded with all the energy of California in a Stage 3 alert, I staved off brain death by trying to imagine an alternate version.
    • Wall Street Journal
    • 33 Metascore
    • 30 Joe Morgenstern
    YEEEEE HAAAAW! They've gone and done it. The feature version of The Dukes Of Hazzard turns a sow's ear into a bigger sow's ear.
    • Wall Street Journal
    • 32 Metascore
    • 20 Joe Morgenstern
    Mr. Scott's idea of making movies is to bludgeon or deafen his audience with every scene. In another line of work he'd be certifiable. [16 Aug 1996, p.A8]
    • Wall Street Journal
    • 32 Metascore
    • 20 Joe Morgenstern
    Mr. Rock's opening scene is very funny. After that it's a steep downhill slide.
    • Wall Street Journal
    • 32 Metascore
    • 10 Joe Morgenstern
    In the 1980 movie “Urban Cowboy,” John Travolta rode a mechanical bull. In The Longest Ride, Scott Eastwood rides real bulls, but everything else is mechanical.
    • 32 Metascore
    • 20 Joe Morgenstern
    A sudsless soap opera with human misery as a backdrop for romantic banality.
    • Wall Street Journal
    • 32 Metascore
    • 0 Joe Morgenstern
    This dramatically, thematically and artistically bankrupt comic fantasy cost something in the neighborhood of $100 million to make and isn't worth the celluloid it's printed on.
    • 32 Metascore
    • 20 Joe Morgenstern
    An ugly exercise in big-budget carnage.
    • Wall Street Journal
    • 32 Metascore
    • 10 Joe Morgenstern
    How could a movie with such likable actors be so deeply dislikable?
    • Wall Street Journal
    • 32 Metascore
    • 30 Joe Morgenstern
    Another dim adaptation of a bright comic novel.
    • Wall Street Journal
    • 32 Metascore
    • 20 Joe Morgenstern
    The writing is semicoherent at best, and the buddies of this meandering road trip are not only mismatched but dislikable.
    • 32 Metascore
    • 0 Joe Morgenstern
    This joyless thriller runs the gamut from unconscionable through unwatchable to unendurable.
    • 32 Metascore
    • 0 Joe Morgenstern
    Basically a soulless slasher flick, and one that demeans its gifted performers.
    • 31 Metascore
    • 0 Joe Morgenstern
    Life is full of choices, and Halle Berry has made another bad one with Perfect Stranger, a perfectly off-putting thriller.
    • Wall Street Journal
    • 31 Metascore
    • 0 Joe Morgenstern
    I have no idea how such shameless prattle found its way to the screen.
    • 31 Metascore
    • 20 Joe Morgenstern
    The movie itself is grotesque, and may drive you nuts as it makes you laugh, mostly at the stupidity of the thing.
    • Wall Street Journal
    • 31 Metascore
    • 0 Joe Morgenstern
    Every now and then, though, a movie comes up with a scene of surpassing stupidity, and then builds from that defining moment to a climax of perfect ineptitude. Life or Something Like It is such an achievement.
    • Wall Street Journal
    • 31 Metascore
    • 30 Joe Morgenstern
    Has many more downs than ups, but this ragged action comedy, with Martin Lawrence and Steve Zahn as mismatched buddies, rings some outrageously funny changes on a deadly serious genre of amateur video that began with Rodney King.
    • Wall Street Journal
    • 31 Metascore
    • 20 Joe Morgenstern
    The best news about this clangorous clunker is that it may well have vanquished the Mummy franchise.
    • 31 Metascore
    • 0 Joe Morgenstern
    Unlike "Dead Man Walking" and many honorable dramas before it, "David Gale" has nothing coherent to say about capital punishment, or anything else. It's a dead film lurching.
    • Wall Street Journal
    • 31 Metascore
    • 30 Joe Morgenstern
    Mr. Goldsman, a first-time director though a veteran screenwriter, has been done in by the source material. Either he climbed aboard a horse that was too much for him, or the universe gave him a bum steer.
    • 30 Metascore
    • 20 Joe Morgenstern
    The kindest context in which to put Over Her Dead Body, which was written and directed by Jeff Lowell, is that of a training film, a public display of people trying to master their craft. The best way to see it is not at all.
    • 30 Metascore
    • 30 Joe Morgenstern
    Knows that it's junk and tries feebly to rejoice in its junkiness.
    • Wall Street Journal
    • 30 Metascore
    • 0 Joe Morgenstern
    Every so often a movie transcends stupidity and soars into the empyrean of true idiocy. John Q. is such a movie.
    • Wall Street Journal
    • 30 Metascore
    • 10 Joe Morgenstern
    It's a terrible life, and a terrible movie.
    • Wall Street Journal
    • 30 Metascore
    • 20 Joe Morgenstern
    In a truly terrible action adventure called The Tuxedo, a high-tech monkey suit turns Jackie Chan into an all-powerful cyborg, and will turn you into a boredborg.
    • Wall Street Journal
    • 29 Metascore
    • 0 Joe Morgenstern
    Pay real money to see this feeble fiasco only if you're in the mood for "Groundhog Day" without the laughs.
    • Wall Street Journal
    • 29 Metascore
    • 20 Joe Morgenstern
    The script is woefully inept, with plot twists that wouldn't pass muster in a high-school drama class.
    • Wall Street Journal
    • 29 Metascore
    • 10 Joe Morgenstern
    It's unfunny at best and borderline-amateur at worst, notwithstanding the desperate efforts of Renée Zellweger.

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