For 1,166 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Blue Valentine
Lowest review score: 0 Ender's Game
Score distribution:
1,166 movie reviews
    • 25 Metascore
    • 20 Joe Neumaier
    Unfortunately, the whole movie seems constructed just to get the singer/actress into a knock-down catfight, shoehorning one of show business's sexiest entertainers into a scorned-woman role. And even then, the pay-off feels cheap.
    • 31 Metascore
    • 20 Joe Neumaier
    This is one of those films in which almost every element is done in such an embarrassingly amateurish way, you want to put it out of its misery.
    • 7 Metascore
    • 20 Joe Neumaier
    It takes a really bad stupid comedy to make you appreciate well-done stupid comedies. And boy is Miss March a stupid comedy.
    • 48 Metascore
    • 20 Joe Neumaier
    The movie doesn't try for "Airplane!" or even "Scary Movie"-type ribbing, but its adherence to the genre isn't quite pure, either. Despite McCormack's good-natured efforts, this is "MADtv"-quality satire.
    • 62 Metascore
    • 20 Joe Neumaier
    The end result is like Quentin Tarantino reworking a Charles Bukowski story.
    • 27 Metascore
    • 20 Joe Neumaier
    What the movie needs more than anything else is a fast-forward button.
    • 34 Metascore
    • 20 Joe Neumaier
    During all of the film’s oh-so-long 97 minutes, Year One, barely earns a snicker.
    • 32 Metascore
    • 20 Joe Neumaier
    This lumbering, ha-ha-look-what-we-remade action-comedy is a high-concept disaster.
    • 19 Metascore
    • 20 Joe Neumaier
    Unpleasantly icy film based on a true story.
    • 28 Metascore
    • 20 Joe Neumaier
    Flashbacks show samurai shenanigans, but it's all cluttered and rambling. Watch "True Blood," "Let the Right One In" or "Twilight" instead. Or wait for "Thirst" or "New Moon" or "Daybreakers" or ...
    • 37 Metascore
    • 20 Joe Neumaier
    Tis embalmed drama is a ghost from the '80s, a decade that regularly produced surprise-free, caramelized biopics. The airless Amelia is missing practically everything.
    • 47 Metascore
    • 20 Joe Neumaier
    The cozy sentimentality in The Time Traveler's Wife is the only thing that grounds it. Mostly it's just featherheaded.
    • 21 Metascore
    • 20 Joe Neumaier
    As ineffectual police work and broken feet stack up, the silliness gets out of hand.
    • 62 Metascore
    • 20 Joe Neumaier
    Early scenes set up the tragedy, but the majority of Oliver Hirschbiegel's movie is set in a TV studio where the two eventually face each other, and the tension, unfortunately, quickly becomes stagey.
    • 28 Metascore
    • 20 Joe Neumaier
    The movie soon turns into only a production-designed run-and-chase game, and our curiosity about what happened to Earth and the crew is teased and teased again until the movie’s big letdown of a reveal.
    • 30 Metascore
    • 20 Joe Neumaier
    One we wish we hadn't seen
    • 42 Metascore
    • 20 Joe Neumaier
    Peter Jackson siphoned out all the soulfulness that made the author's combination thriller/afterlife fantasy a best-seller. In its place is a gumball-colored potboiler that's more squalid than truly mournful.
    • 17 Metascore
    • 20 Joe Neumaier
    Since Bullock coproduced this masochistic venture, it seems she buys into the idea that fluffer-nut ditziness is what she does best. Except it isn't.
    • 70 Metascore
    • 20 Joe Neumaier
    A documentary with too much dead time between the arduous tasks at hand, never grabs a viewer because -- sad to say -- it's too dull.
    • 49 Metascore
    • 20 Joe Neumaier
    Throughout, Davidson's intentions are honest but become lost in a haze of overly familiar story beats.
    • 49 Metascore
    • 20 Joe Neumaier
    Von Trier ("Breaking the Waves," "Dogville") has no barriers, which absolutely can be a good thing. Here, though, his uninhibited nature is an omen of the pretentious butchery to come.
    • 34 Metascore
    • 20 Joe Neumaier
    Motherhood's litany of complaints and trite comedy-drama comes off as thin, and targeted, as a flyer for The Children's Place.
    • 43 Metascore
    • 20 Joe Neumaier
    Writer-director Sebastian Gutierrez seems to think his characters are oh-so-edgy, and maybe they would be -- if it were 1982.
    • 69 Metascore
    • 20 Joe Neumaier
    The film is an exasperating bore.
    • 36 Metascore
    • 20 Joe Neumaier
    It's also suffocatingly stagy, especially when the husband's new love (Kristen Bell) and a violent thief (Justin Long) show up.
    • 51 Metascore
    • 20 Joe Neumaier
    The overlapping stories, the emotional disconnect, the heavy-handed symbolism -- no, it's not a movie from the makers of "Babel," its a mumbling, stammering copycat drama from Swedish director Lukas Moodysson.
    • 49 Metascore
    • 20 Joe Neumaier
    These actors know how to liven up a room, yet here they're forced to perform in Miller's Theater for the Overwritten.
    • tbd Metascore
    • 20 Joe Neumaier
    Director John Polson's elliptical storytelling style quickly becomes an irritant.
    • 21 Metascore
    • 20 Joe Neumaier
    John Peaslee's Screenwriting 101-style script has merely left everyone floating on their own.
    • 42 Metascore
    • 20 Joe Neumaier
    This sock-it-to-'em souffle falls very quickly, unless watching Travolta trying on another faux-hip look is considered fun.