For 1,348 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 12.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 56 Up
Lowest review score: 0 Pixels
Score distribution:
1348 movie reviews
    • 52 Metascore
    • 20 Joe Neumaier
    Only viewers wondering if James Van Der Beek has finally outgrown "Dawson's Creek" will be at all satisfied by this dreadful police procedural that contains good history lessons and bad TV-cop-show drama.
    • 37 Metascore
    • 20 Joe Neumaier
    Muddled and inert despite the best intentions, this inescapably dull thriller plays like a Middle Eastern take on Liam Neeson’s “Taken.”
    • 63 Metascore
    • 20 Joe Neumaier
    It is no summer thriller. It’s an anemic actioner that fosters excitement like dead limbs as it lumbers toward a conclusion.
    • 47 Metascore
    • 20 Joe Neumaier
    Max
    Dullness, as well as hoary preachiness, neuters the family-and-their-war-dog drama Max.
    • 70 Metascore
    • 20 Joe Neumaier
    A documentary with too much dead time between the arduous tasks at hand, never grabs a viewer because -- sad to say -- it's too dull.
    • 42 Metascore
    • 20 Joe Neumaier
    Every scene is entwined in clunkiness.
    • 20 Metascore
    • 20 Joe Neumaier
    Unfortunately, its positive attributes are thrown out of balance by its abundant negatives - including chintzy effects, lumbering storytelling and an overstylized, earnest incompetence that evokes "Speed Racer."
    • 28 Metascore
    • 20 Joe Neumaier
    Hardworking Oscar winner Harden and beguiling Spanish star Watling do nothing for this haphazard film, which belatedly decides it wants to be a stage satire as the women lark into a ridiculous avant-garde production of “MacBeth.” Bloody awful.
    • 64 Metascore
    • 20 Joe Neumaier
    Corey Stoll is the only reason to sit through this muddled Jersey-set drama.
    • 36 Metascore
    • 20 Joe Neumaier
    With the most growling and grunting of any movie this summer - and that includes those apes perched atop the box office - Conan the Barbarian seems at times to have actually been made by barbarians.
    • 32 Metascore
    • 20 Joe Neumaier
    This lumbering, ha-ha-look-what-we-remade action-comedy is a high-concept disaster.
    • 20 Metascore
    • 20 Joe Neumaier
    With a bit less grisliness, it could have been a mystery dinner-theater performance.
    • 19 Metascore
    • 20 Joe Neumaier
    Unpleasantly icy film based on a true story.
    • 21 Metascore
    • 20 Joe Neumaier
    Points for niche audaciousness, but that’s all.
    • 56 Metascore
    • 20 Joe Neumaier
    Will Smith may have run through every trick in his bag. In Focus, the one-time fresh prince and former box-office champ looks tired, bored and, even worse, uninspired.
    • 45 Metascore
    • 20 Joe Neumaier
    It is likely to become an unintended camp classic, something we haven't had since "Showgirls."
    • 67 Metascore
    • 20 Joe Neumaier
    Director Kyle Patrick Alvarez’s film underserves its cast of up-and-comers (Thomas Mann, Ezra Miller, Tye Sheridan), allows the usually solid actor Michael Angarano to go astray with a scenery-chewing role and buries Crudup in fretting and sanctity. Worse, the experiment’s inherent drama is exacted with a tin ear and a cheesy style.
    • 38 Metascore
    • 20 Joe Neumaier
    Terminally silly, even more so for being "inspired by actual events."
    • 29 Metascore
    • 20 Joe Neumaier
    The amazingly awful dramatic thriller Red Riding Hood could, with tweaks, be enjoyably bad in a "Plan 9 From Outer Space" kind of way. Instead, it's M. Night Shyamalan-style bad, which means despite all the unintentional snickers, you feel trapped.
    • 51 Metascore
    • 20 Joe Neumaier
    So that's three snickers, not counting the Bush quote, 'cause including that one ain't fair, man.
    • 53 Metascore
    • 20 Joe Neumaier
    This is perhaps for Shakespeare completists only.
    • 66 Metascore
    • 20 Joe Neumaier
    Alas, this learned woman of letters - her expertise became the work of Dostoyevsky, whose major novels Geier nicknames "the five elephants" - is ill served by a trudging approach and dry-as-dust, procedural style.
    • 55 Metascore
    • 20 Joe Neumaier
    Has warmed-over chills and a muddled, zombie-like execution.
    • 40 Metascore
    • 20 Joe Neumaier
    The problem with this hyper-verbal comedy is in the title.
    • 54 Metascore
    • 20 Joe Neumaier
    Well-intentioned but as earnest as a college freshman discovering campus politics.
    • 40 Metascore
    • 20 Joe Neumaier
    PA 4's best idea, besides reintroducing the slow-walking, statuesque Katie, is a strange video trick involving lots of little lights filling a darkened room. It's tough to describe, but the cameras, of course, capture a figure the characters can't.
    • 49 Metascore
    • 20 Joe Neumaier
    Rote, dull and point-blank obvious.
    • 61 Metascore
    • 20 Joe Neumaier
    Where on the evolutionary scale of wacky-dudes-learn-to-grow-up movies does Role Models fall? Certainly less evolved than "Meatballs," but head and hairy knuckles above "Daddy Day Care" or "The Benchwarmers."
    • 37 Metascore
    • 20 Joe Neumaier
    This smart-looking but empty adventure — with a hero that looks more Tom Ford than John Ford — suffers from a shambling script, shifting tones and a surplus of villains. Clunky and drawn out, “Ranger” shoots blanks, even with the star power of Johnny Depp behind it.
    • 33 Metascore
    • 20 Joe Neumaier
    This odd Dickens-meets-Sunday-school movie is as artless as the setup is muddled.

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