For 1,157 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 49
Highest review score: 100 Crazy Heart
Lowest review score: 0 Goats
Score distribution:
1,157 movie reviews
    • 73 Metascore
    • 60 Joe Neumaier
    As a wry, knowing narrator guides us in and out of their symphonic affair, there’s no doubt the trip is worth it.
    • 45 Metascore
    • 60 Joe Neumaier
    Wahlberg and Johnson are the saving graces of an in-your-face movie.
    • 70 Metascore
    • 60 Joe Neumaier
    As a look at how we got from there to here, “Evocateur” is one for the time capsule.
    • 53 Metascore
    • 60 Joe Neumaier
    Weixler is a delight, and director Tom Gammill captures the right level of deadpan to pull this off.
    • 55 Metascore
    • 60 Joe Neumaier
    The serious-minded result has many super-cool moments. But when it gets clunky, it’s super-meh.
    • 56 Metascore
    • 60 Joe Neumaier
    A fascinating, alternate-universe look at the dawn of the music-sharing phenom — once a cause of concern in the industry, yet now a footnote to our all-digital music marketplace.
    • 74 Metascore
    • 60 Joe Neumaier
    A gripping, personal examination of a seemingly unresolvable conflict.
    • 56 Metascore
    • 60 Joe Neumaier
    Some may still be surprised at this fun, well-informed chronicle of what was happening in the U.S. as lighted floors, boogie shoes and Saturday night fevers were the rage.
    • 41 Metascore
    • 60 Joe Neumaier
    Director Cathryne Czubek’s well-researched, incredibly lively chronicle of the way guns are marketed to, coveted by, and portrayed with women is a vital glimpse into a cultural phenomenon.
    • 58 Metascore
    • 60 Joe Neumaier
    Families who have already raced to “Monsters University” and “Despicable Me 2” will find Turbo an acceptable third-place finisher. A sort-of escargot-meets-“Cars” adventure, it has some sharp vocal turns and remains fun even when its inventiveness runs out of gas.
    • 47 Metascore
    • 60 Joe Neumaier
    It’s never laugh-out-loud funny or inside-track smart, but in a summer full of bombastic failures, a lack of pretense is enough.
    • 89 Metascore
    • 60 Joe Neumaier
    Can’t-look-away stuff, though it’s tough to believe your eyes and ears.
    • 49 Metascore
    • 60 Joe Neumaier
    Think you know all about comedy? This thorough, funny and thoroughly funny chronicle of the Catskills Mountains resorts — that is, the Borscht belt — will still teach you a thing or two.
    • 68 Metascore
    • 60 Joe Neumaier
    Finally, a found-footage thriller that merits, and expands on, this irrationally popular format.
    • 53 Metascore
    • 60 Joe Neumaier
    Much like “La Belle Noiseuse,” the 1991 Jacques Rivette film it resembles, this contemplative drama washes over you.
    • 58 Metascore
    • 60 Joe Neumaier
    Filmed over six years, “Ashes” is joyous and uplifting, full of spirit, memorable athletes (including Olympian Adrien Niyonshuti) and remarkable achievements, both big and small.
    • 61 Metascore
    • 60 Joe Neumaier
    Unfortunately, Elysium devolves. It doesn’t address the ramifications of making everyone healthy for eternity, or what it is on Earth they’re making or digging up that fuels whatever economy is left on the space station. For such a well thought-out premise, there’s not a mention of how capitalism works in this futureworld.
    • 60 Metascore
    • 60 Joe Neumaier
    The film winds up as a chronicle of uneasy forgiveness.
    • 64 Metascore
    • 60 Joe Neumaier
    Farahani — seen in “Body of Lies” and “Chicken With Plums” — is equally vibrant in a performance, and a film, that dares us to listen.
    • 74 Metascore
    • 60 Joe Neumaier
    The shadow of Terrence Malick falls hard across this Texas crime drama, a beautiful-looking prose poem that starts strong but winds up with nowhere to go.
    • 82 Metascore
    • 60 Joe Neumaier
    Watching Ushio Shinohara and his wife Noriko make their art, we’re reminded of how much life is inside even the most abstract of pieces.
    • 59 Metascore
    • 60 Joe Neumaier
    A colorful account of the life and art of the recently retired Drew Struzan, whose amazing poster work from the 1970s onward still delights cineastes and casual observers.
    • 72 Metascore
    • 60 Joe Neumaier
    Wong’s visual grandeur is, as ever, all-encompassing.
    • 72 Metascore
    • 60 Joe Neumaier
    Pieced together, these behind-the-scenes moments are a thrill for history buffs. From the moon landing to the resignations, this is raw Nixon.
    • 34 Metascore
    • 60 Joe Neumaier
    The Lifeguard is one of those deceptive movies that, to its credit, winds up being about more than just an easy-to-describe tagline. In this case, that line would be: “Woman goes back to hometown, sleeps with high school boy.”
    • 57 Metascore
    • 60 Joe Neumaier
    This frisky late-’50s-set French comedy about a competitive typing contest hunts and pecks a bit for fun after its story gets rolling, but it’s visually vibrant throughout.
    • 74 Metascore
    • 60 Joe Neumaier
    Director Megumi Sasaki's film feels like a cozy visit with neighbors whose insights are priceless.
    • 77 Metascore
    • 60 Joe Neumaier
    Director Andrew Dosunmu’s film is big-hearted and rich, frequently using slow motion to underscore an artful intimacy.
    • 79 Metascore
    • 60 Joe Neumaier
    Enough Said doesn’t have the intimacy of Holofcener’s “Walking and Talking” or “Lovely & Amazing,” but it still cuts close the bone. Often so close we have to smile in self-defense.
    • 75 Metascore
    • 60 Joe Neumaier
    Howard, whose previous tales of men in professional peril include the topnotch “Apollo 13” as well as “Backdraft” and “Cinderella Man,” works with cinematographer Anthony Dod Mantle to create a style in the racing scenes that makes the most of every angle. By the time the final lap of Rush starts, we’re up for the ride.