For 1,199 reviews, this critic has graded:
  • 27% higher than the average critic
  • 2% same as the average critic
  • 71% lower than the average critic
On average, this critic grades 10.6 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Crazy Heart
Lowest review score: 0 Teenage Mutant Ninja Turtles
Score distribution:
1,199 movie reviews
    • 57 Metascore
    • 60 Joe Neumaier
    This frisky late-’50s-set French comedy about a competitive typing contest hunts and pecks a bit for fun after its story gets rolling, but it’s visually vibrant throughout.
    • 74 Metascore
    • 60 Joe Neumaier
    The shadow of Terrence Malick falls hard across this Texas crime drama, a beautiful-looking prose poem that starts strong but winds up with nowhere to go.
    • 74 Metascore
    • 60 Joe Neumaier
    The movie could have gone several ways, too — and it is heartbreaking to watch this ambitious story choose the wrong one and get lost in space.
    • 89 Metascore
    • 60 Joe Neumaier
    Can’t-look-away stuff, though it’s tough to believe your eyes and ears.
    • 73 Metascore
    • 60 Joe Neumaier
    As a wry, knowing narrator guides us in and out of their symphonic affair, there’s no doubt the trip is worth it.
    • 74 Metascore
    • 60 Joe Neumaier
    A gripping, personal examination of a seemingly unresolvable conflict.
    • 64 Metascore
    • 60 Joe Neumaier
    Farahani — seen in “Body of Lies” and “Chicken With Plums” — is equally vibrant in a performance, and a film, that dares us to listen.
    • 82 Metascore
    • 60 Joe Neumaier
    Watching Ushio Shinohara and his wife Noriko make their art, we’re reminded of how much life is inside even the most abstract of pieces.
    • 38 Metascore
    • 60 Joe Neumaier
    The actors make the raucousness feel as easy as the cinematic couples therapy.
    • 71 Metascore
    • 60 Joe Neumaier
    The laughs are what keep the film together, even when the conceit feels been-there-done-that.
    • 68 Metascore
    • 60 Joe Neumaier
    Finally, a found-footage thriller that merits, and expands on, this irrationally popular format.
    • 58 Metascore
    • 60 Joe Neumaier
    Filmed over six years, “Ashes” is joyous and uplifting, full of spirit, memorable athletes (including Olympian Adrien Niyonshuti) and remarkable achievements, both big and small.
    • 41 Metascore
    • 60 Joe Neumaier
    Director Cathryne Czubek’s well-researched, incredibly lively chronicle of the way guns are marketed to, coveted by, and portrayed with women is a vital glimpse into a cultural phenomenon.
    • 56 Metascore
    • 60 Joe Neumaier
    The best twist is how Neeson’s growly presence makes a bumpy ride enjoyable.
    • 53 Metascore
    • 60 Joe Neumaier
    Weixler is a delight, and director Tom Gammill captures the right level of deadpan to pull this off.
    • 68 Metascore
    • 60 Joe Neumaier
    Scenes of Favreau at the grill bantering with Leguizamo and Cannavale could almost sustain an entire movie.
    • 56 Metascore
    • 60 Joe Neumaier
    Some may still be surprised at this fun, well-informed chronicle of what was happening in the U.S. as lighted floors, boogie shoes and Saturday night fevers were the rage.
    • 56 Metascore
    • 60 Joe Neumaier
    A fascinating, alternate-universe look at the dawn of the music-sharing phenom — once a cause of concern in the industry, yet now a footnote to our all-digital music marketplace.
    • 60 Metascore
    • 60 Joe Neumaier
    For all the obviousness on the surface, and despite some forced last-act havoc, Breathe In works like a piece of chamber music. It goes up to the edge of emotion, circles it, then backs away. But the notes not hit seem as powerful as the ones that are.
    • 56 Metascore
    • 60 Joe Neumaier
    Director Jon S. Baird lets Welsh’s language fill up the room, even when it’s a wee bit hard to fathom.
    • 34 Metascore
    • 60 Joe Neumaier
    The Lifeguard is one of those deceptive movies that, to its credit, winds up being about more than just an easy-to-describe tagline. In this case, that line would be: “Woman goes back to hometown, sleeps with high school boy.”
    • 52 Metascore
    • 60 Joe Neumaier
    The fights are strong (though the 49-year-old director’s are slo-mo), and the surface is calm. Say “Whoa!” if you like, but it’s cool.
    • 72 Metascore
    • 60 Joe Neumaier
    Pieced together, these behind-the-scenes moments are a thrill for history buffs. From the moon landing to the resignations, this is raw Nixon.
    • 84 Metascore
    • 60 Joe Neumaier
    The film features plenty of elements that seem familiar from previous cinematic dystopian visions — class warfare, decrepit living, a feeling of terminal velocity — yet you can’t help but admire director Bong Joon-ho’s high-wire act.
    • 53 Metascore
    • 60 Joe Neumaier
    Much like “La Belle Noiseuse,” the 1991 Jacques Rivette film it resembles, this contemplative drama washes over you.
    • 70 Metascore
    • 60 Joe Neumaier
    A look into one of the most invisible, and crucial, of cinematic disciplines. Using the seminal casting director Marion Dougherty as a subject, the film walks us through the intricacies of casting, with insight from Woody Allen, Martin Scorsese, Robert Redford and others.
    • 78 Metascore
    • 60 Joe Neumaier
    Enough Said doesn’t have the intimacy of Holofcener’s “Walking and Talking” or “Lovely & Amazing,” but it still cuts close the bone. Often so close we have to smile in self-defense.
    • 49 Metascore
    • 60 Joe Neumaier
    Think you know all about comedy? This thorough, funny and thoroughly funny chronicle of the Catskills Mountains resorts — that is, the Borscht belt — will still teach you a thing or two.
    • 53 Metascore
    • 60 Joe Neumaier
    Best of all, we take a trip back to Depression-era New York and grasp its resonance more than 80 years later. Delicious.
    • 61 Metascore
    • 60 Joe Neumaier
    Michael Starrbury’s astute script draws us in slowly, depicting the realities of Mister and Pete’s lives in progressive reveals.

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