For 1,223 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Fruitvale Station
Lowest review score: 0 After Earth
Score distribution:
1,223 movie reviews
    • 74 Metascore
    • 70 Joe Neumaier
    Freeman is so in-tune with the former South African president's persona you can't take your eyes off him.
    • 43 Metascore
    • 70 Joe Neumaier
    Hawke - continuing an evolution toward stronger, more intense acting than anyone might've predicted from him 20 years ago - drives the movie. He makes Sal a jangled, edgy presence, his conscience torn several ways.
    • 76 Metascore
    • 70 Joe Neumaier
    The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.
    • 74 Metascore
    • 70 Joe Neumaier
    Makes the most of its format, soaring when its young hero rides on his winged reptilian pal, and full of heart and heroism even when its action is grounded.
    • 56 Metascore
    • 70 Joe Neumaier
    While the climactic dinner is a bit too much like a circus audition, Roach -- who helmed the "Austin Powers" movies as well as "Meet the Parents" and "Meet the Fockers" -- knows how to enjoy each sideshow.
    • 45 Metascore
    • 70 Joe Neumaier
    The three icons ham it up, do some verbal towel-snapping and have fun, which also describes most of this self-conscious adventure movie.
    • 58 Metascore
    • 70 Joe Neumaier
    Norton, too, keeps us guessing, though his pseudo-tough-guy line readings (and cornrowed hair) are initially distracting. But his scenes with De Niro -- who fills every twitch or glance with Jack's long-buried guilt -- are the guts of the movie.
    • 57 Metascore
    • 70 Joe Neumaier
    The film ends up wrestling itself into a corner, though it's saved by a corrosive central performance from Ryan Gosling and a disconcertingly hypnotic feel.
    • 69 Metascore
    • 70 Joe Neumaier
    The Company Men recalls 1946's great post-World War II drama "The Best Years of Our Lives," and the reason isn't simply its trio of protagonists.
    • 82 Metascore
    • 70 Joe Neumaier
    Once Franco's on his own, everything is played across this terrific actor's deceptively goofy face.
    • 57 Metascore
    • 70 Joe Neumaier
    This often-witty baby-of-"Broadcast News" tries hard to be liked, like the TV fluff it's built around. The news is that, often, it succeeds.
    • 65 Metascore
    • 70 Joe Neumaier
    A slow, solid movie that, like Rita, sneaks up on you with its intelligence and pluck.
    • 49 Metascore
    • 60 Joe Neumaier
    Director Chen Shi-Zheng's film has a graceful energy, and three strong performances help make this serene drama - and its shocking conclusion - quietly moving.
    • 55 Metascore
    • 60 Joe Neumaier
    In a pleasing contrast to Fey's sharpness, Poehler keeps her performance unpredictable and fuzzy. In this just-add-water comedy, a very funny movie star is born.
    • 70 Metascore
    • 60 Joe Neumaier
    Morris mixes piercing sit-downs with disturbing evidence. Though soldiers, including the notorious Lynndie England, express remorse, it's haunting to hear how several prisoners were "nice guys" or known to be innocent, yet no connection is made between those remarks and the images of torture.
    • 66 Metascore
    • 60 Joe Neumaier
    Luckily, Son of Rambow, a comedy that's part kid-buddy flick, part valentine to filmmaking - and full of heart - has both.
    • 37 Metascore
    • 60 Joe Neumaier
    The cast is generally game for playing cardboard cutouts, with Goodman having the most fun.
    • 85 Metascore
    • 60 Joe Neumaier
    Like a more personal, less pretentious version of Alejandro González Iñárritu's "Babel," this spiraling dissection of circumstance, choice and fate is more about thoroughness of vision than tricky storytelling.
    • 61 Metascore
    • 60 Joe Neumaier
    A taut drama that manages to be thoughtful without forgetting it's a creep-out.
    • 57 Metascore
    • 60 Joe Neumaier
    The cast hits the right notes. Fraser, switching between affable good sport and heroic goofball, clearly doesn't mind this stuff. He realized early on with "George of the Jungle," "Dudley Do-Right" and the "Mummy" movies that his B-movie build and persona is perfect for live-action cartoons.
    • 74 Metascore
    • 60 Joe Neumaier
    Every performer is tough and charismatic, especially Honglei Sun, who, as Jamukha, gives so many neck-cracks, guttural howls and conspiratorial smiles he's like a Chinese Marlon Brando.
    • 61 Metascore
    • 60 Joe Neumaier
    Well-acted and grounded in reality, Brick Lane is never overly emotional, even when it deals with the days after 9/11.
    • 59 Metascore
    • 60 Joe Neumaier
    Culminating in a high-scoring, exciting game, "Gunnin'" scores.
    • 71 Metascore
    • 60 Joe Neumaier
    Donald Sutherland's passionate rendition of a speech from Trumbo's 1971 film "Johnny Got His Gun" (based on his novel) is worth the price of admission.
    • 57 Metascore
    • 60 Joe Neumaier
    Writer-director Kari Skogland adapts a beloved Canadian novel gracefully and with plenty of spunk, the same way its main character moves through the world from cradle to grave.
    • 75 Metascore
    • 60 Joe Neumaier
    If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie about an early twentysomething.
    • 58 Metascore
    • 60 Joe Neumaier
    The result isn't bland, but it's not exactly Bond either.
    • 70 Metascore
    • 60 Joe Neumaier
    There are two stormy performances from Javier Bardem and Penelope Cruz that elevate Allen's melancholy thoughts on love and relationships.
    • 52 Metascore
    • 60 Joe Neumaier
    It also has another watchable turn from Ice Cube, and, as with his previous films, the rap artist-actor leads by example.
    • 56 Metascore
    • 60 Joe Neumaier
    The most pleasant surprise in the movie adaptation of "Watchmen" is the pop-art fusion set off by placing superheroes in a "real" world. The film's biggest challenge – and accomplishment – was making that plausible.

Top Trailers