For 1,263 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 The Way, Way Back
Lowest review score: 0 No Good Deed
Score distribution:
1,263 movie reviews
    • 61 Metascore
    • 60 Joe Neumaier
    In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.
    • 76 Metascore
    • 60 Joe Neumaier
    His story, like the current release "A Separation," shows a glimpse inside Iran of everyday reversals of fortune, and how easy it is to get caught in the crosshairs of bureaucracy, bad judgment and bad luck.
    • 67 Metascore
    • 60 Joe Neumaier
    Though every frame is great to look at, Bolt's script - by the co-writers of "Mulan" and "Cars" - lacks the wit of its closest Pixar relative, "The Incredibles." Rhino and some goofy pigeons provide the few laughs once the tale goes cross-country.
    • 61 Metascore
    • 60 Joe Neumaier
    Wallace layers on some era-specific meaning to Chenery, who seems to be simply following her lineage, thanks to Lane's quietly dignified performance. Malkovich is more fun, though Laurin isn't as outrageous as the movie thinks he is.
    • 58 Metascore
    • 60 Joe Neumaier
    There are dull spots, as with any other day, yet "Life" aims to be, and occasionally is, like a YouTube-y "Our Town," giving a sense of what it is to be alive on planet Earth.
    • 55 Metascore
    • 60 Joe Neumaier
    Fred Schepisi's sly, stately comedy-drama that will please fans of BBC melodramas. But even on its own merits, its mild manner has sneaky stings.
    • 73 Metascore
    • 60 Joe Neumaier
    This isn't a therapy session on film; it's a visually stark, lively, organically engrossing movie with a very real handle on the mental processes, and interpersonal demands, that come with issues of life and death.
    • 61 Metascore
    • 60 Joe Neumaier
    Utilizing copious film footage of her puckish subject and new interviews with Haring's contemporaries, gallerists and mentors, director Christina Clausen makes her fascinating movie as big-hearted, city-centric and energetic as its subject.
    • 81 Metascore
    • 60 Joe Neumaier
    A pensive and searching drama that explores how deep into the national psyche these murders in the Katyn forest went.
    • 54 Metascore
    • 60 Joe Neumaier
    More deft than it first appears, director John Crowley's gentle-but-not-sappy drama features another late-day masterpiece-in-miniature from Michael Caine.
    • 55 Metascore
    • 60 Joe Neumaier
    The serious-minded result has many super-cool moments. But when it gets clunky, it’s super-meh.
    • 83 Metascore
    • 60 Joe Neumaier
    Avatar clears the hurdle in terms of being optical candy. Its story, though, is pure cheese.
    • 51 Metascore
    • 60 Joe Neumaier
    What director Andrew Stanton has brought forth from Burroughs' limited, hoary source material is actually kind of fun.
    • 69 Metascore
    • 60 Joe Neumaier
    Giamatti is one of the few guys who could take a joke about a chickpea-sized soul and make a meal of it.
    • 61 Metascore
    • 60 Joe Neumaier
    Writer-director James Mottern's drama has a lived-in feel, but is notable mainly for Michelle Monaghan's glam-less turn as Diane.
    • 60 Metascore
    • 60 Joe Neumaier
    Often static and follows a familiar trajectory. Yet it has power, partly because Simmons does a fine job of showing how hurt Henry is that his taste didn't imprint on Gabe beyond grade school; what was their music became, simply, dad's music.
    • 80 Metascore
    • 60 Joe Neumaier
    Lars von Trier's end-of-days drama Melancholia feels as if it's something from another world...but even by his standards this remote yet lovely funereal dirge is in its own orbit.
    • 69 Metascore
    • 60 Joe Neumaier
    Riveting, especially since these animals' population has horrifyingly dropped from 450,000 to 20,000 in a half-century.
    • 58 Metascore
    • 60 Joe Neumaier
    Falls short of being revelatory, yet has a mysterious, sturdy power that grows on you.
    • 60 Metascore
    • 60 Joe Neumaier
    So with a wink, a nudge and a heaping portion of Midwestern charm, Thin Ice reels us in. Comparisons to "Fargo" and other convoluted little capers like "House of Games" are fair, but when taken on its own terms, this quirky drama thrums along in a low-blood-pressure way.
    • 71 Metascore
    • 60 Joe Neumaier
    Winstead and director James Ponsoldt add something gripping and modern to the cinema of recovery, a well-mined genre that can still, it seems, yield thoughtful surprises.
    • 46 Metascore
    • 60 Joe Neumaier
    Director Nick Hamm's movie is sparky and fun, and full of affectionate pokes at the '80s music scene. It's also, in terms of music biopics, probably better than the real thing.
    • 52 Metascore
    • 60 Joe Neumaier
    Real-life geopolitical blunders aside, The Interview generally hits its marks. And every time it does skid into juvenile idiocy — with too much scatological humor, for instance, and an overuse of “you-go-bro!” attitude — it follows it with a stride or two toward uproarious meta-satire.
    • 50 Metascore
    • 60 Joe Neumaier
    Like the politicians it skewers, it knows the real winner is the stupidity, stupid.
    • 74 Metascore
    • 60 Joe Neumaier
    As a wry, knowing narrator guides us in and out of their symphonic affair, there’s no doubt the trip is worth it.
    • 69 Metascore
    • 60 Joe Neumaier
    More serious-minded than expected, with a unique and savvy point of view.
    • 65 Metascore
    • 60 Joe Neumaier
    Owing a debt to Albert Brooks’ early comedies, Red Flag might be too much if it weren’t just right.
    • 65 Metascore
    • 60 Joe Neumaier
    Director Oliver Schmitz's rhythms take a while to ease into, and admittedly, there is never a bright moment.
    • 61 Metascore
    • 60 Joe Neumaier
    Well-acted and grounded in reality, Brick Lane is never overly emotional, even when it deals with the days after 9/11.
    • 58 Metascore
    • 60 Joe Neumaier
    This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.

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