For 1,333 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 11.3 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Victim
Score distribution:
1,333 movie reviews
    • 51 Metascore
    • 60 Joe Neumaier
    Those who only know Chiwetel Ejiofor from his quietly powerful work in the Best Picture-winning “12 Years a Slave” should see him here — to experience his range.
    • 63 Metascore
    • 60 Joe Neumaier
    Johnson's feel for the rhythms of reconnection are steady, and she and her fine actors make Return one of only a handful of films to honestly address what to many is heartbreaking reality.
    • 60 Metascore
    • 60 Joe Neumaier
    This fantasy adventure lacks focus when it should be laser-sharp, and stumbles when it could soar.
    • 57 Metascore
    • 60 Joe Neumaier
    It's not a lightning show, but "Flash" still shines.
    • 47 Metascore
    • 60 Joe Neumaier
    As a vampire might say, "Be- vaaare , all who enter here above the age of 7! What lies on the screen ... is not for you !"
    • 47 Metascore
    • 60 Joe Neumaier
    Every generation gets the time travel it deserves. Project Almanac isn’t “Time After Time” (1979) or “Back to the Future” (1985) or “12 Monkeys” (1996), but the new release does turn out to be a surprisingly jaunty trip for jaded Gen-Y kids.
    • 45 Metascore
    • 60 Joe Neumaier
    Peace, Love and Misunderstanding has a place for everybody in its heart-of-gold band.
    • 74 Metascore
    • 60 Joe Neumaier
    Their mundane meetings underscore how easily secrets are leaked, but unfortunately, scenes of meetings between Presidents Reagan (Fred Ward) and Mitterrand seem hollow and naive. Kusturica and Canet are strong, though, as is Willem Dafoe as an American intel officer.
    • 63 Metascore
    • 60 Joe Neumaier
    A cool documentary that pivots adroitly between viewpoints and ambitions.
    • 80 Metascore
    • 60 Joe Neumaier
    This quiet drama is not for everyone. It may not even be for fans of Hungarian auteur Bela Tarr, whose spare, naturalistic films can be, well, trying. (The director has said that "Horse" will be his final film.)
    • 67 Metascore
    • 60 Joe Neumaier
    The film isn't easy to watch, but its portrait of perseverance and ecological commitment is enlightening.
    • 70 Metascore
    • 60 Joe Neumaier
    The scope of director Peter Chan's military drama is impressive, though this sometimes-rousing depiction of strategy and loyalty in mid-1800s China pales next to recent, similar historical epics like "Red Cliff" and "Mongol."
    • 49 Metascore
    • 60 Joe Neumaier
    Director Malcolm Venville, who made the British gangster flick "44 Inch Chest," has a strong handle on the tone, so even the familiar twists feel fresh.
    • 77 Metascore
    • 60 Joe Neumaier
    This terrific, full-meal chronicle of the men and their mouths lets us hear from them not only during debates, but also in subsequent interviews, memoirs and articles.
    • 58 Metascore
    • 60 Joe Neumaier
    Trouble With the Curve is easily digestible in chunks – if it were a CBS show, it'd be called "Postseason With Morrie" - and it has an affectionate view of grubby motels, greasy diners and small-town scoreboards.
    • 69 Metascore
    • 60 Joe Neumaier
    Through it all, Tatum and Hill are totally winning.
    • 71 Metascore
    • 60 Joe Neumaier
    The politician who almost pathologically asked the question "How'm I doin'?" clearly never needed a view outside his own. Which is as New York as it gets.
    • 74 Metascore
    • 60 Joe Neumaier
    The shadow of Terrence Malick falls hard across this Texas crime drama, a beautiful-looking prose poem that starts strong but winds up with nowhere to go.
    • 62 Metascore
    • 60 Joe Neumaier
    The movie is filled with fun '50s Americana.
    • 56 Metascore
    • 60 Joe Neumaier
    A fascinating, alternate-universe look at the dawn of the music-sharing phenom — once a cause of concern in the industry, yet now a footnote to our all-digital music marketplace.
    • 57 Metascore
    • 60 Joe Neumaier
    Writer-director Kari Skogland adapts a beloved Canadian novel gracefully and with plenty of spunk, the same way its main character moves through the world from cradle to grave.
    • 74 Metascore
    • 60 Joe Neumaier
    The movie sometimes has the feel of an Olympic sprinter running in place. There’s so much energy expended to get to one spot. Constant searches beget more searches. It all gets exhausting.
    • 74 Metascore
    • 60 Joe Neumaier
    A gripping, personal examination of a seemingly unresolvable conflict.
    • 40 Metascore
    • 60 Joe Neumaier
    The modern stuff is undeniably fawning. But given the eye-popping visuals, you understand the enthusiasm. Especially if you left your heart, and thousands of dollars in quarters, in an arcade.
    • 60 Metascore
    • 60 Joe Neumaier
    Oddly engrossing, off-kilter drama.
    • 69 Metascore
    • 60 Joe Neumaier
    Talk about style over substance: The sheer volume of musical, comic-strip and video-game influences, riffs and licks in "Scott Pilgrim vs. the World" can get exhausting, but they also are what lift this romantic coming-of-age tale from this world to someplace totally ... else.
    • 75 Metascore
    • 60 Joe Neumaier
    The movie grips us partly because Bakri’s performance is alternately casual and calculated.
    • 76 Metascore
    • 60 Joe Neumaier
    Jodorowsky turns his own youth into an odd, hypnotic mishmash.
    • 61 Metascore
    • 60 Joe Neumaier
    It's a shame neither actress can truly "go for the jugular," as Alan says at one point. This is a work that would allow for it.

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