For 1,097 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.8 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 48
Highest review score: 100 42
Lowest review score: 0 Maniac
Score distribution:
1,097 movie reviews
    • 39 Metascore
    • 60 Joe Neumaier
    Whether the young ensemble attains it remains to be seen. The standouts, though, are Naughton, Pennie and Perez De Tagle.
    • 50 Metascore
    • 60 Joe Neumaier
    Director Nimrod Antal’s grungy gang-of-thieves pic is tough and, for this genre, surprisingly ethical.
    • 70 Metascore
    • 60 Joe Neumaier
    You see the spark of 'this is cool!,' but you don't sense a purpose. The underconceived Public Enemies suffers from that lack of drive, though Johnny Depp is so urgent and charismatic as John Dillinger, he provides enough firepower to make the film legit.
    • 35 Metascore
    • 60 Joe Neumaier
    Hey, Michael: It's the robots, stupid. Despite all the mechanical mayhem, none of the Transformers stand out.
    • 54 Metascore
    • 60 Joe Neumaier
    For the first time since "The Nutty Professor," Eddie Murphy successfully mixes his adult and kid-film personas -- imagine that.
    • 78 Metascore
    • 60 Joe Neumaier
    Fascinating and, when you see Afghan versions of Simon Cowell and Co. reacting to tryouts, a reminder of how fame and the thirst for it is the same in any language.
    • 73 Metascore
    • 60 Joe Neumaier
    The action-comedy Zombieland works because it's played with an emphasis on the living, not the undead.
    • 66 Metascore
    • 60 Joe Neumaier
    Has two aces going for it: Soderbergh's poking at the maze­like holes in American business and Damon's whirling dervish performance.
    • 86 Metascore
    • 60 Joe Neumaier
    Trippy in the right way, and wholly enchanting.
    • 73 Metascore
    • 60 Joe Neumaier
    Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial.
    • 39 Metascore
    • 60 Joe Neumaier
    Challenging and thoughtful, but is also, like its characters, a prisoner of its own anger.
    • 76 Metascore
    • 60 Joe Neumaier
    What's cool and always kicky is seeing a country's irreverent movie trash being treated with such, well, reverence.
    • 69 Metascore
    • 60 Joe Neumaier
    Giamatti is one of the few guys who could take a joke about a chickpea-sized soul and make a meal of it.
    • 70 Metascore
    • 60 Joe Neumaier
    Even with all the inconvenient truths exposed, Stone's film is still, sadly, inescapably crucial.
    • 57 Metascore
    • 60 Joe Neumaier
    Sturgess is solid and Kingsley predictably sneaky, but the atmosphere -- scurries through the Catholic/Protestant border, tense stand-offs, spontaneous riots -- is what's genuinely gripping.
    • 62 Metascore
    • 60 Joe Neumaier
    The movie is filled with fun '50s Americana.
    • 58 Metascore
    • 60 Joe Neumaier
    Once it's high-concept plot kicks in, Gervais' hilariously self-deprecating persona is really all that keeps it grounded.
    • 83 Metascore
    • 60 Joe Neumaier
    Avatar clears the hurdle in terms of being optical candy. Its story, though, is pure cheese.
    • 69 Metascore
    • 60 Joe Neumaier
    A snapshot of several New York eras that coincide with the Internet's growing pains, We Live in Public focuses on entrepreneur, party-thrower and dot.com bubble participant Josh Harris.
    • 51 Metascore
    • 60 Joe Neumaier
    It's about watching two always-fine actors do a lot with very little.
    • 68 Metascore
    • 60 Joe Neumaier
    A "Blair Witch"-y creepshow that owes a lot to Japanese horror.
    • 62 Metascore
    • 60 Joe Neumaier
    A little more variation in the script, though, might have yielded something truly great.
    • 61 Metascore
    • 60 Joe Neumaier
    Writer-director James Mottern's drama has a lived-in feel, but is notable mainly for Michelle Monaghan's glam-less turn as Diane.
    • 55 Metascore
    • 60 Joe Neumaier
    Like a dime-store holiday card, this Christmas Carol is well-crafted but artless, detailed but lacking soul.
    • 58 Metascore
    • 60 Joe Neumaier
    Tries to capture that moment -- complete with air guitar-playing deejays -- and unapologetically rides a wave of nostalgia, but ultimately sinks due to a bloated, watery script.
    • 43 Metascore
    • 60 Joe Neumaier
    If you're going to pick the werewolf as your favorite monster, there's a lot to appreciate in the shaggy, imperfect but still fun new version of The Wolf Man.
    • 73 Metascore
    • 60 Joe Neumaier
    Overlong but ambitious, Woo proves he's as good at tactical maneuvers as he is at close-quarters combat.
    • 82 Metascore
    • 60 Joe Neumaier
    Haneke's superb cast provide beautifully measured hints at the disconnect between the ribbon's symbolism and the entire town's unspoken atrocities.
    • 67 Metascore
    • 60 Joe Neumaier
    The film isn't easy to watch, but its portrait of perseverance and ecological commitment is enlightening.