For 1,140 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 49
Highest review score: 100 The King's Speech
Lowest review score: 0 Battleship
Score distribution:
1,140 movie reviews
    • 54 Metascore
    • 60 Joe Neumaier
    Thor: The Dark World may not be thunder from the movie gods, but it is — shock! — an entertaining journey into mystery, action and fun.
    • 59 Metascore
    • 60 Joe Neumaier
    Falls short of being revelatory, yet has a mysterious, sturdy power that grows on you.
    • 79 Metascore
    • 60 Joe Neumaier
    His years of success aren't as gripping as Kapadia, and Senna's legend, would have us believe. He had no demons besides fame, and no hurdles besides a recklessness that went with the territory.
    • 58 Metascore
    • 60 Joe Neumaier
    To see these children of waitresses, salon workers and fathers on disability burdened because they stepped up is humanizing and heartbreaking.
    • 75 Metascore
    • 60 Joe Neumaier
    The twists and turns involve a high-level assassination, corrupt cops, squint-inducing violence and plenty of fearlessness.
    • 61 Metascore
    • 60 Joe Neumaier
    It's a shame neither actress can truly "go for the jugular," as Alan says at one point. This is a work that would allow for it.
    • 58 Metascore
    • 60 Joe Neumaier
    Families who have already raced to “Monsters University” and “Despicable Me 2” will find Turbo an acceptable third-place finisher. A sort-of escargot-meets-“Cars” adventure, it has some sharp vocal turns and remains fun even when its inventiveness runs out of gas.
    • 68 Metascore
    • 60 Joe Neumaier
    This is a mother's tale, and in Swinton's expert hands, Eva must ultimately deal with the fallout from an uncomfortable truth: She just never liked her kid.
    • 55 Metascore
    • 60 Joe Neumaier
    Without pushing too heavily, Green makes the parallels between Enrique and Michael's situations genuine.
    • 70 Metascore
    • 60 Joe Neumaier
    Before going off in conventional directions, "Circus" is terrifically weird, funny and garish. Bozo and Clarabelle it ain't.
    • 64 Metascore
    • 60 Joe Neumaier
    Parents should know that the ending makes the last moments of this family-friendly documentary as tough as "Bambi." But the lessons about friendship are gigantic, indeed.
    • 61 Metascore
    • 60 Joe Neumaier
    Director Mateo Gill's autumnal movie has elements of other late-era Westerns in its blood, but it isn't easily pigeonholed. There are shootouts and standoffs, as well as great scenes like one between the grizzled, perfectly cast Shepard and Rea discussing the cost of criminality and the changing morals of old men.
    • 49 Metascore
    • 60 Joe Neumaier
    Though Lorenz Knauer's film is as thoughtful as his subject - with a break for interviews with Pierce Brosnan and Goodall's fellow UN Goodwill Ambassador Angelina Jolie - the study of chimps is given short shrift.
    • 57 Metascore
    • 60 Joe Neumaier
    Transporting as it is, this doc leaves a bad taste in your mouth, if just for the ill will it drudges up.
    • 56 Metascore
    • 60 Joe Neumaier
    There's just some great imitations of what remains an acquired taste.
    • 73 Metascore
    • 60 Joe Neumaier
    The special effects here are wiry martial artists grunting their way through fight after fight. It's exhausting but exhilarating.
    • 69 Metascore
    • 60 Joe Neumaier
    There's as much social history of L.A.'s racial divide as there is appreciation for the band's big, genre-crossing sound. It all comes together for a rollicking chronicle of verve and nerve.
    • 67 Metascore
    • 60 Joe Neumaier
    One of the many beautiful things about this affecting, informative doc is the opportunity it gives to see the American college sports world through different eyes.
    • 58 Metascore
    • 60 Joe Neumaier
    Trouble With the Curve is easily digestible in chunks – if it were a CBS show, it'd be called "Postseason With Morrie" - and it has an affectionate view of grubby motels, greasy diners and small-town scoreboards.
    • 46 Metascore
    • 60 Joe Neumaier
    Director Nick Hamm's movie is sparky and fun, and full of affectionate pokes at the '80s music scene. It's also, in terms of music biopics, probably better than the real thing.
    • 58 Metascore
    • 60 Joe Neumaier
    This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.
    • 59 Metascore
    • 60 Joe Neumaier
    It doesn't try too hard, but what The Lie is working at, in its unassuming, amusing way, is a mini-portrait of growing pains in a time of extended adolescence. The truth is, that kind of thing is never easy, no matter what age.
    • 47 Metascore
    • 60 Joe Neumaier
    It’s never laugh-out-loud funny or inside-track smart, but in a summer full of bombastic failures, a lack of pretense is enough.
    • 35 Metascore
    • 60 Joe Neumaier
    This quirky indie has an off-kilter, shaggy appeal and a filling story.
    • 70 Metascore
    • 60 Joe Neumaier
    Harrelson though, is in every scene, and seeing him burn up Rampart is positively arresting.
    • 65 Metascore
    • 60 Joe Neumaier
    While the film becomes slightly redundant, the anger and strife its characters cannot overcome is awful, poetic and, frankly, astonishing.
    • 73 Metascore
    • 60 Joe Neumaier
    This isn't a therapy session on film; it's a visually stark, lively, organically engrossing movie with a very real handle on the mental processes, and interpersonal demands, that come with issues of life and death.
    • 44 Metascore
    • 60 Joe Neumaier
    There is also inspiration in watching her find herself by helping others.
    • 82 Metascore
    • 60 Joe Neumaier
    Acclaimed director Nuri Bilge Ceylan's meditative, at times maddening expression of human mystery and barren landscapes is gorgeous to look at, intriguing to think about and, at times, hard to sit through.
    • 55 Metascore
    • 60 Joe Neumaier
    Some of Hyde Park on Hudson feels like lost scenes from "The King's Speech," the 2010 Oscar-winner about King George. It doesn't help that "Hyde's" own rhythms, appealing as they are, are often soporific.