For 1,316 reviews, this critic has graded:
  • 27% higher than the average critic
  • 2% same as the average critic
  • 71% lower than the average critic
On average, this critic grades 11.1 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 The End of the Tour
Lowest review score: 0 Everly
Score distribution:
1,316 movie reviews
    • 75 Metascore
    • 60 Joe Neumaier
    The twists and turns involve a high-level assassination, corrupt cops, squint-inducing violence and plenty of fearlessness.
    • 58 Metascore
    • 60 Joe Neumaier
    There are dull spots, as with any other day, yet "Life" aims to be, and occasionally is, like a YouTube-y "Our Town," giving a sense of what it is to be alive on planet Earth.
    • 72 Metascore
    • 60 Joe Neumaier
    Like its antiheroes, this slacker tragedy has moments of calm and originality that are sadly obliterated by a tendency toward the extreme. Still, in a kind of reverse apocalypse, the movie's toughest stretch is its first two-thirds, a navel-gazing, semi-romantic nothing-a-thon that falls away in time for the movie to emerge from the ashes.
    • 55 Metascore
    • 60 Joe Neumaier
    Without pushing too heavily, Green makes the parallels between Enrique and Michael's situations genuine.
    • 79 Metascore
    • 60 Joe Neumaier
    His years of success aren't as gripping as Kapadia, and Senna's legend, would have us believe. He had no demons besides fame, and no hurdles besides a recklessness that went with the territory.
    • 70 Metascore
    • 60 Joe Neumaier
    Before going off in conventional directions, "Circus" is terrifically weird, funny and garish. Bozo and Clarabelle it ain't.
    • 33 Metascore
    • 60 Joe Neumaier
    This thought-provoking but overlong doc wins points for being all-inclusive.
    • 60 Metascore
    • 60 Joe Neumaier
    Despite a pleasantly laid-back demeanor, you wish it would just get focused.
    • 65 Metascore
    • 60 Joe Neumaier
    Keshavarz's vision is clear and heartfelt, and everyone has an urgency in their eyes.
    • 57 Metascore
    • 60 Joe Neumaier
    Though he has a true appreciation for detail, Joffe has the scar-faced Pinkie so scurvy that Rose ought to run the minute she sees him.
    • 44 Metascore
    • 60 Joe Neumaier
    The jokes are hit-and-miss, but the cast is uniformly game, with Labine stealing the show.
    • 61 Metascore
    • 60 Joe Neumaier
    Director Mateo Gill's autumnal movie has elements of other late-era Westerns in its blood, but it isn't easily pigeonholed. There are shootouts and standoffs, as well as great scenes like one between the grizzled, perfectly cast Shepard and Rea discussing the cost of criminality and the changing morals of old men.
    • 69 Metascore
    • 60 Joe Neumaier
    There's as much social history of L.A.'s racial divide as there is appreciation for the band's big, genre-crossing sound. It all comes together for a rollicking chronicle of verve and nerve.
    • 49 Metascore
    • 60 Joe Neumaier
    In terms of scares, this old-fashioned Thing is better than most new things.
    • 53 Metascore
    • 60 Joe Neumaier
    This one could have flown over the cuckoo's nest, or smacked into a glass pane, but instead lands in the middle of the road where quirky and popular meet.
    • 70 Metascore
    • 60 Joe Neumaier
    Almodovar makes some missteps in his icky mélange of melodrama and mischief, but the end result is playfully devious.
    • 67 Metascore
    • 60 Joe Neumaier
    One of the many beautiful things about this affecting, informative doc is the opportunity it gives to see the American college sports world through different eyes.
    • 49 Metascore
    • 60 Joe Neumaier
    Carla Gugino has yet to find the right movie that clicks with her spunky outsider appeal, but The Mighty Macs, a gauzy, inspiring true-life drama about a girls' basketball team, at least gets her close and provides a lot of assists.
    • 56 Metascore
    • 60 Joe Neumaier
    Luckily, the cast is comfortable going with the flow. Ribisi is amusingly corrosive, while Jenkins and Rispoli are sweaty, cigar-chomping movie-journalist archetypes.
    • 46 Metascore
    • 60 Joe Neumaier
    Director Nick Hamm's movie is sparky and fun, and full of affectionate pokes at the '80s music scene. It's also, in terms of music biopics, probably better than the real thing.
    • 58 Metascore
    • 60 Joe Neumaier
    This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.
    • 59 Metascore
    • 60 Joe Neumaier
    At least Leonardo DiCaprio, grounded and sure, has commitment to spare. His portrayal of Hoover is undeniably terrific.
    • 80 Metascore
    • 60 Joe Neumaier
    Lars von Trier's end-of-days drama Melancholia feels as if it's something from another world...but even by his standards this remote yet lovely funereal dirge is in its own orbit.
    • 59 Metascore
    • 60 Joe Neumaier
    It doesn't try too hard, but what The Lie is working at, in its unassuming, amusing way, is a mini-portrait of growing pains in a time of extended adolescence. The truth is, that kind of thing is never easy, no matter what age.

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