For 1,191 reviews, this critic has graded:
  • 27% higher than the average critic
  • 2% same as the average critic
  • 71% lower than the average critic
On average, this critic grades 10.6 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Crazy Heart
Lowest review score: 0 The Last House on the Left
Score distribution:
1,191 movie reviews
    • 68 Metascore
    • 60 Joe Neumaier
    Director Craig Zobel's indie, based on real cases, has a sharp psychological point and a can't-look-away quality even as it turns horrifically dark.
    • 50 Metascore
    • 60 Joe Neumaier
    The boat rides and picnics we're privy to are an enjoyable way to get to a bittersweet conclusion. Yet it's hard not to feel like we've taken this trip before.
    • 55 Metascore
    • 60 Joe Neumaier
    This gorgeous-looking documentary is crying out to be remade as a family film feature.
    • 67 Metascore
    • 60 Joe Neumaier
    As this strong, moving documentary shows, for those who came to the U.S., reconnecting to their culture and blood relatives can result in a generation of young people who feel "somewhere between" Chinese and American. They're never fully one or the other, but in the best cases can feel part of both.
    • 61 Metascore
    • 60 Joe Neumaier
    In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.
    • 55 Metascore
    • 60 Joe Neumaier
    Fred Schepisi's sly, stately comedy-drama that will please fans of BBC melodramas. But even on its own merits, its mild manner has sneaky stings.
    • 62 Metascore
    • 60 Joe Neumaier
    Writer Sarah Koskoff's nuanced script and director Todd Louiso's ("Love, Liza") delicate tone follow indie terrain, but go the right way.
    • 73 Metascore
    • 60 Joe Neumaier
    Though it teeters at times on the edge between potboiler and melodrama, Arbitrage benefits from a notable lack of sympathy for Gere's Gordon Gekko-like Miller. Rather than seeming pat, Jarecki's straightforward cynicism is pointed and purposeful.
    • 58 Metascore
    • 60 Joe Neumaier
    Trouble With the Curve is easily digestible in chunks – if it were a CBS show, it'd be called "Postseason With Morrie" - and it has an affectionate view of grubby motels, greasy diners and small-town scoreboards.
    • 47 Metascore
    • 60 Joe Neumaier
    As a vampire might say, "Be- vaaare , all who enter here above the age of 7! What lies on the screen ... is not for you !"
    • 45 Metascore
    • 60 Joe Neumaier
    Though too much of this of-the-people, for-the-people chronicle is by necessity gummed up by clunky captions and explanations, it is an effective, and heartfelt, clarion call.
    • 48 Metascore
    • 60 Joe Neumaier
    Like its subject, the movie is not as calculating as it seems.
    • 71 Metascore
    • 60 Joe Neumaier
    Winstead and director James Ponsoldt add something gripping and modern to the cinema of recovery, a well-mined genre that can still, it seems, yield thoughtful surprises.
    • 79 Metascore
    • 60 Joe Neumaier
    It's strange to call a film with so much nudity and simulated sex "old-fashioned," but The Sessions nicely bridges that gulf.
    • 76 Metascore
    • 60 Joe Neumaier
    Writer-director Julia Loktev sustains the tension for long, Antonioni-esque passages that portend something momentous. The film delivers in unexpected ways, and then ponders what it means.
    • 63 Metascore
    • 60 Joe Neumaier
    This beautifully photographed drama is well-played throughout with great conscience without becoming heavy-handed.
    • 58 Metascore
    • 60 Joe Neumaier
    Toscanini plays a role in the tale, as does Einstein and a young Zubin Mehta. If director Josh Aronson tries to follow a few too many strands of the story, it's only because there's so many tantalizing ones.
    • 67 Metascore
    • 60 Joe Neumaier
    It's been a long, not always linear path to the opening of the new tower, planned for 2014. Yet, as one observer says here, the project has helped heal New York in a very New York way - acrimonious, messy and loud.
    • 73 Metascore
    • 60 Joe Neumaier
    Fearless nonfiction filmmaker Alex Gibney ("Taxi to the Dark Side," "Client 9: The Rise and Fall of Eliot Spitzer") details a history of horrific abuse by Catholic clergy in this tough-to-watch documentary.
    • 64 Metascore
    • 60 Joe Neumaier
    While McNairy and Mendelsohn are solid but almost too showy, Liotta, Jenkins, Sam Shepard and a chewy supporting cast beautifully fill in the blanks. Killing Them Softly adds each of its characters to a punchy, prosaic tale that believes in America, one way or another.
    • 91 Metascore
    • 60 Joe Neumaier
    A fascinating and informative, if sometimes stodgy, documentary about the most secret wing of Israel's anti-espionage unit.
    • 60 Metascore
    • 60 Joe Neumaier
    This crisp, involving South African drama comes at you in waves, changing course and tone expertly.
    • 45 Metascore
    • 60 Joe Neumaier
    Colorful folks and cool stunts abound, but casual viewers may still utter a big "Why?"
    • 55 Metascore
    • 60 Joe Neumaier
    Some of Hyde Park on Hudson feels like lost scenes from "The King's Speech," the 2010 Oscar-winner about King George. It doesn't help that "Hyde's" own rhythms, appealing as they are, are often soporific.
    • 48 Metascore
    • 60 Joe Neumaier
    Yelling is a prosaic look at a hard life. Like Sweetness, the movie finds its way by instinct.
    • 52 Metascore
    • 60 Joe Neumaier
    Writer-director David Riker's film is tough going, but worth it.
    • 54 Metascore
    • 60 Joe Neumaier
    Movies like this, from "Diner" to "Beautiful Girls" to "Garden State," have a standard trajectory, and this film's no different. But it has a nuance and a rumpled comfort with itself, which turns Fairhaven into an inviting place to visit.
    • 71 Metascore
    • 60 Joe Neumaier
    The politician who almost pathologically asked the question "How'm I doin'?" clearly never needed a view outside his own. Which is as New York as it gets.
    • 76 Metascore
    • 60 Joe Neumaier
    Australian director Cate Shortland’s straightforward approach to the blinders worn by Hitler Youth creates a disconcerting and eerie film, made even more memorable since it’s seen through the prism of childhood’s end.
    • 65 Metascore
    • 60 Joe Neumaier
    Owing a debt to Albert Brooks’ early comedies, Red Flag might be too much if it weren’t just right.