For 1,236 reviews, this critic has graded:
  • 27% higher than the average critic
  • 2% same as the average critic
  • 71% lower than the average critic
On average, this critic grades 10.6 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Captain Phillips
Lowest review score: 0 Hatchet III
Score distribution:
1,236 movie reviews
    • 66 Metascore
    • 60 Joe Neumaier
    Abe's day-to-day trials may eventually seem like cheap daytime TV, but Gelber and Solondz know how to nail the uncomfortably funny optimism shadowing American desperation.
    • 45 Metascore
    • 60 Joe Neumaier
    Peace, Love and Misunderstanding has a place for everybody in its heart-of-gold band.
    • 66 Metascore
    • 60 Joe Neumaier
    The faces and voices are endlessly compelling as they talk about what inspires them to lay down beats and recall the early days in New York. Ice-T, disentangled from acting, makes himself a fine focal point.
    • 74 Metascore
    • 60 Joe Neumaier
    This trip through the seminal performance artist's (often literal) body of work is sometimes too cozy, yet Abramovic might argue that objectivity is impossible if truth is the destination.
    • 55 Metascore
    • 60 Joe Neumaier
    Quirky, but infinitely more interesting than big-budget Hollywood cousins.
    • 69 Metascore
    • 60 Joe Neumaier
    Gorgeously animated and featuring a tapestry of real-looking wonders, Brave is certainly a thing of beauty. But its emotional layers don't yield the same depth.
    • 49 Metascore
    • 60 Joe Neumaier
    Its hard sell wears you down and draws you in, even as you know you're being manipulated.
    • 43 Metascore
    • 60 Joe Neumaier
    360
    The reason director Fernando Meirelles' intimate drama 360 succeeds where other adaptations of Arthur Schnitzler's 1897 sexual circle-back play "La Ronde" haven't is, ironically, because it puts less emphasis on body heat and more on intellectual coolness.
    • 50 Metascore
    • 60 Joe Neumaier
    Like the politicians it skewers, it knows the real winner is the stupidity, stupid.
    • 51 Metascore
    • 60 Joe Neumaier
    "2" works harder to land punches, but when it does, it provides the kind of fun it's fan base hopes for. But expectations, and targets, are lower all around.
    • 67 Metascore
    • 60 Joe Neumaier
    No one conveys late-life elegy and cool intellectual cunning like Langella.
    • 68 Metascore
    • 60 Joe Neumaier
    Director Craig Zobel's indie, based on real cases, has a sharp psychological point and a can't-look-away quality even as it turns horrifically dark.
    • 50 Metascore
    • 60 Joe Neumaier
    The boat rides and picnics we're privy to are an enjoyable way to get to a bittersweet conclusion. Yet it's hard not to feel like we've taken this trip before.
    • 55 Metascore
    • 60 Joe Neumaier
    This gorgeous-looking documentary is crying out to be remade as a family film feature.
    • 67 Metascore
    • 60 Joe Neumaier
    As this strong, moving documentary shows, for those who came to the U.S., reconnecting to their culture and blood relatives can result in a generation of young people who feel "somewhere between" Chinese and American. They're never fully one or the other, but in the best cases can feel part of both.
    • 61 Metascore
    • 60 Joe Neumaier
    In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.
    • 55 Metascore
    • 60 Joe Neumaier
    Fred Schepisi's sly, stately comedy-drama that will please fans of BBC melodramas. But even on its own merits, its mild manner has sneaky stings.
    • 62 Metascore
    • 60 Joe Neumaier
    Writer Sarah Koskoff's nuanced script and director Todd Louiso's ("Love, Liza") delicate tone follow indie terrain, but go the right way.
    • 73 Metascore
    • 60 Joe Neumaier
    Though it teeters at times on the edge between potboiler and melodrama, Arbitrage benefits from a notable lack of sympathy for Gere's Gordon Gekko-like Miller. Rather than seeming pat, Jarecki's straightforward cynicism is pointed and purposeful.
    • 58 Metascore
    • 60 Joe Neumaier
    Trouble With the Curve is easily digestible in chunks – if it were a CBS show, it'd be called "Postseason With Morrie" - and it has an affectionate view of grubby motels, greasy diners and small-town scoreboards.
    • 47 Metascore
    • 60 Joe Neumaier
    As a vampire might say, "Be- vaaare , all who enter here above the age of 7! What lies on the screen ... is not for you !"
    • 45 Metascore
    • 60 Joe Neumaier
    Though too much of this of-the-people, for-the-people chronicle is by necessity gummed up by clunky captions and explanations, it is an effective, and heartfelt, clarion call.
    • 48 Metascore
    • 60 Joe Neumaier
    Like its subject, the movie is not as calculating as it seems.
    • 71 Metascore
    • 60 Joe Neumaier
    Winstead and director James Ponsoldt add something gripping and modern to the cinema of recovery, a well-mined genre that can still, it seems, yield thoughtful surprises.
    • 79 Metascore
    • 60 Joe Neumaier
    It's strange to call a film with so much nudity and simulated sex "old-fashioned," but The Sessions nicely bridges that gulf.
    • 76 Metascore
    • 60 Joe Neumaier
    Writer-director Julia Loktev sustains the tension for long, Antonioni-esque passages that portend something momentous. The film delivers in unexpected ways, and then ponders what it means.
    • 63 Metascore
    • 60 Joe Neumaier
    This beautifully photographed drama is well-played throughout with great conscience without becoming heavy-handed.
    • 58 Metascore
    • 60 Joe Neumaier
    Toscanini plays a role in the tale, as does Einstein and a young Zubin Mehta. If director Josh Aronson tries to follow a few too many strands of the story, it's only because there's so many tantalizing ones.
    • 67 Metascore
    • 60 Joe Neumaier
    It's been a long, not always linear path to the opening of the new tower, planned for 2014. Yet, as one observer says here, the project has helped heal New York in a very New York way - acrimonious, messy and loud.
    • 73 Metascore
    • 60 Joe Neumaier
    Fearless nonfiction filmmaker Alex Gibney ("Taxi to the Dark Side," "Client 9: The Rise and Fall of Eliot Spitzer") details a history of horrific abuse by Catholic clergy in this tough-to-watch documentary.

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