For 1,148 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.4 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 49
Highest review score: 100 42
Lowest review score: 0 Ender's Game
Score distribution:
1,148 movie reviews
    • 39 Metascore
    • 60 Joe Neumaier
    Whether the young ensemble attains it remains to be seen. The standouts, though, are Naughton, Pennie and Perez De Tagle.
    • 51 Metascore
    • 60 Joe Neumaier
    It's about watching two always-fine actors do a lot with very little.
    • 61 Metascore
    • 60 Joe Neumaier
    Writer-director James Mottern's drama has a lived-in feel, but is notable mainly for Michelle Monaghan's glam-less turn as Diane.
    • 55 Metascore
    • 60 Joe Neumaier
    Like a dime-store holiday card, this Christmas Carol is well-crafted but artless, detailed but lacking soul.
    • 48 Metascore
    • 60 Joe Neumaier
    As a misanthropic guy in a dead-end job, Matthew Broderick is more engaging than when he has to be perky.
    • 70 Metascore
    • 60 Joe Neumaier
    Watch for a cameo by young animator Tim Burton.
    • 53 Metascore
    • 60 Joe Neumaier
    Affleck is playing someone split down the middle, but we're stuck seeing only one side of him.
    • 79 Metascore
    • 60 Joe Neumaier
    If you're looking for an incisive portrait of self-generated stardom, you won't do better than this.
    • 53 Metascore
    • 60 Joe Neumaier
    The problem with Russell Crowe's new take on the legend is that it has one muddy boot in history and the other in fantasy. The middling result is far from a bull's-eye.
    • 56 Metascore
    • 60 Joe Neumaier
    The trouble is, too much of director Shawn Levy's '80s-ish lark is filled with noise, when it really needed more quietly silly stuff.
    • 57 Metascore
    • 60 Joe Neumaier
    Writer-director Kari Skogland adapts a beloved Canadian novel gracefully and with plenty of spunk, the same way its main character moves through the world from cradle to grave.
    • 69 Metascore
    • 60 Joe Neumaier
    Only in its final scenes do the usual WKW themes emerge in full bloom, but purists shouldn't miss it.
    • 61 Metascore
    • 60 Joe Neumaier
    Utilizing copious film footage of her puckish subject and new interviews with Haring's contemporaries, gallerists and mentors, director Christina Clausen makes her fascinating movie as big-hearted, city-centric and energetic as its subject.
    • 64 Metascore
    • 60 Joe Neumaier
    It's amazing that in an era of oversharing and reality TV, a doc consisting mostly of cable TV clips and personal reminiscences can be so resonant.
    • 62 Metascore
    • 60 Joe Neumaier
    The movie is filled with fun '50s Americana.
    • 62 Metascore
    • 60 Joe Neumaier
    A little more variation in the script, though, might have yielded something truly great.
    • 67 Metascore
    • 60 Joe Neumaier
    The film isn't easy to watch, but its portrait of perseverance and ecological commitment is enlightening.
    • 85 Metascore
    • 60 Joe Neumaier
    There’s visual poetry here and haunted performances from Mezzogiorno and Timi -- who plays two roles, and is especially gripping as Dalser’s grown son.
    • 63 Metascore
    • 60 Joe Neumaier
    That truthfulness, along with the movie's emotional honesty and narrative polish, help tag this NY-grown indie as one to seek out.
    • 70 Metascore
    • 60 Joe Neumaier
    The scope of director Peter Chan's military drama is impressive, though this sometimes-rousing depiction of strategy and loyalty in mid-1800s China pales next to recent, similar historical epics like "Red Cliff" and "Mongol."
    • 59 Metascore
    • 60 Joe Neumaier
    Though there's too much movie-style self-deception, Sheridan is excellent, and his scenes with the consistently engaging, criminally underemployed Campbell Scott are subtle and serene.
    • 55 Metascore
    • 60 Joe Neumaier
    Here's a rough-and-tumble British drama that, despite a strong spine, ought to be more like its title character: quiet and deadly -- and less showy.
    • 35 Metascore
    • 60 Joe Neumaier
    The cast is uniformly appealing in out-of-left-field ways, but writer-director Brooks Branch lets the story amble lazily, which -- like Gabriel and almost every character like him you've ever seen -- gets a little tiring.
    • 51 Metascore
    • 60 Joe Neumaier
    Eisenberg - seemingly in every other movie nowadays - gives his best performance since 2005's "The Squid and the Whale" in a film that dramatizes a fascinating New York story.
    • 69 Metascore
    • 60 Joe Neumaier
    Michael Douglas in Solitary Man, has all the tools of the man who plays him at his disposal. At times in this often engaging, occasionally meandering movie, that's enough to score.
    • 46 Metascore
    • 60 Joe Neumaier
    A frenetic, overstuffed but imaginative fantasy.
    • 60 Metascore
    • 60 Joe Neumaier
    Unfortunately, the fantasy-thriller they're in eventually falls apart, becoming a much sillier, less substantial movie than its lead actors deserve.
    • 56 Metascore
    • 60 Joe Neumaier
    Where the film fails, ironically, is in the central love affair. Danish actor Mads Mikkelsen is undeniably gifted, but his Stravinsky is a blank, stoic presence only comfortable at a piano.
    • 90 Metascore
    • 60 Joe Neumaier
    Amid all the hokey hill stuff, Lawrence's hard eyes and manner draw us in.
    • 85 Metascore
    • 60 Joe Neumaier
    Even after experiencing the film, what they've gone through - and how they deal with it - deliberately remains a mystery.