For 1,160 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Blue Valentine
Lowest review score: 0 Ender's Game
Score distribution:
1,160 movie reviews
    • 64 Metascore
    • 60 Joe Neumaier
    A fairly gripping cautionary tale.
    • 44 Metascore
    • 60 Joe Neumaier
    With musical numbers and fight scenes as big as its heart, director Nikhil Advani's action-comedy really does sample it all.
    • 51 Metascore
    • 60 Joe Neumaier
    Even the youngest viewers, not to mention their parents, will appreciate the buffoonish villainy of the dogcatchers (still useful villains more than half a century after "Lady and the Tramp"), and the movie's nice anti-kill shelter message is as it should be.
    • 36 Metascore
    • 60 Joe Neumaier
    Martin starts at the outrageous accent and spins out from there, and that's fine for this. And there are a few snicker-worthy scenes.
    • 81 Metascore
    • 60 Joe Neumaier
    A pensive and searching drama that explores how deep into the national psyche these murders in the Katyn forest went.
    • 80 Metascore
    • 60 Joe Neumaier
    This unhurried, novelistic movie is worth looking into.
    • 80 Metascore
    • 60 Joe Neumaier
    Director Kiyoshi Kurosawa is better known for horror films; this is a movie where the horror is internalized, and hideously truthful.
    • 64 Metascore
    • 60 Joe Neumaier
    It's amazing that in an era of oversharing and reality TV, a doc consisting mostly of cable TV clips and personal reminiscences can be so resonant.
    • 76 Metascore
    • 60 Joe Neumaier
    Adventureland has the structure of a Tilt-a-Whirl ride: It goes where you expect, and may fill you with dread.
    • 82 Metascore
    • 60 Joe Neumaier
    A thoughtful drama about guys who have a moment in the big time before returning home to an odd reflected glory.
    • 54 Metascore
    • 60 Joe Neumaier
    More deft than it first appears, director John Crowley's gentle-but-not-sappy drama features another late-day masterpiece-in-miniature from Michael Caine.
    • 72 Metascore
    • 60 Joe Neumaier
    As a virtual tour of what Earth Day is about, kids ought to be entranced. If it helps them get greener, even better.
    • 78 Metascore
    • 60 Joe Neumaier
    A quiet, oddly serene movie with a curious soul.
    • 55 Metascore
    • 60 Joe Neumaier
    Something of a traffic jam--even with his usual restraint, Lee couldn't recount a key moment of the '60s without a blurry parade of personalities--and also lullingly dull.
    • 39 Metascore
    • 60 Joe Neumaier
    Whether the young ensemble attains it remains to be seen. The standouts, though, are Naughton, Pennie and Perez De Tagle.
    • 50 Metascore
    • 60 Joe Neumaier
    Director Nimrod Antal’s grungy gang-of-thieves pic is tough and, for this genre, surprisingly ethical.
    • 70 Metascore
    • 60 Joe Neumaier
    You see the spark of 'this is cool!,' but you don't sense a purpose. The underconceived Public Enemies suffers from that lack of drive, though Johnny Depp is so urgent and charismatic as John Dillinger, he provides enough firepower to make the film legit.
    • 35 Metascore
    • 60 Joe Neumaier
    Hey, Michael: It's the robots, stupid. Despite all the mechanical mayhem, none of the Transformers stand out.
    • 54 Metascore
    • 60 Joe Neumaier
    For the first time since "The Nutty Professor," Eddie Murphy successfully mixes his adult and kid-film personas -- imagine that.
    • 78 Metascore
    • 60 Joe Neumaier
    Fascinating and, when you see Afghan versions of Simon Cowell and Co. reacting to tryouts, a reminder of how fame and the thirst for it is the same in any language.
    • 73 Metascore
    • 60 Joe Neumaier
    The action-comedy Zombieland works because it's played with an emphasis on the living, not the undead.
    • 66 Metascore
    • 60 Joe Neumaier
    Has two aces going for it: Soderbergh's poking at the maze­like holes in American business and Damon's whirling dervish performance.
    • 86 Metascore
    • 60 Joe Neumaier
    Trippy in the right way, and wholly enchanting.
    • 73 Metascore
    • 60 Joe Neumaier
    Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial.
    • 39 Metascore
    • 60 Joe Neumaier
    Challenging and thoughtful, but is also, like its characters, a prisoner of its own anger.
    • 76 Metascore
    • 60 Joe Neumaier
    What's cool and always kicky is seeing a country's irreverent movie trash being treated with such, well, reverence.
    • 69 Metascore
    • 60 Joe Neumaier
    Giamatti is one of the few guys who could take a joke about a chickpea-sized soul and make a meal of it.
    • 70 Metascore
    • 60 Joe Neumaier
    Even with all the inconvenient truths exposed, Stone's film is still, sadly, inescapably crucial.
    • 57 Metascore
    • 60 Joe Neumaier
    Sturgess is solid and Kingsley predictably sneaky, but the atmosphere -- scurries through the Catholic/Protestant border, tense stand-offs, spontaneous riots -- is what's genuinely gripping.