The combination of a literate script, an adroit cast and an economical style is simple addition that achieves an alchemical feat: the best film of the year.

An exciting cloak-and-dagger thriller.

Winter's Bone is the best film of the year.

Beauty comes to us unexpectedly. That's the message of Poetry, a Korean movie about an aging housemaid that turns out to be one of the best films of the year.

The Tree of Life is a religious experience. Overtly. Audaciously. Unashamedly. No film has ever reached as high toward the face of God and, in our commodified future, few are likely to try.

With such supercharged material under the hood, a magnetic man behind the wheel and a nimble director manning the pits, Senna is simply the greatest sports film I have ever seen.

That action is bloody, but Fiennes' choices as director are unassailably apt and artful. Coriolanus is a triumph.

The best film of the year and perhaps the purest love story in cinematic history.

Not just a reboot - it's a rejuvenation. From the first image of sensory awakening to the final acceptance of adult responsibility, it pulses with the warm blood of a very human hero.

The conclusion of Christopher Nolan's superhero trilogy is a hugely ambitious mix of eye candy and brain food. If it doesn't have the haunting aftertaste of the previous serving, that's only because Nolan couldn't clone Heath Ledger. But beefy substitute Tom Hardy is a hell of a villain.

With a title taken from an American Indian word for "life out of balance," Godfrey Reggio's wordless documentary lured dreamers into the sacred cave of cinema, where they ingested the serial music of Philip Glass and the time-lapse imagery of cinematographer Ron Fricke.

It starts as a bittersweet parable about the cruelty of commerce, but the wonder of Searching for Sugar Man will not soon slip away.

The Master is not a schematic attack on a particular religion. It is a brilliantly conceived and powerfully realized work of art, with complex characters, exquisite images and ambiguously big ideas.

When films are good, actors and directors get a lot of the credit that should go to the screenwriters. In the case of Silver Linings Playbook, which is one of the best films of the year, there is a popcorn bowl of glory to go around.

With a fearless director and his mighty pen freeing a talented cast to attack a vital theme, Django Unchained is damnation unleashed.

Perilous incidents have riveted audiences since Pauline was tied to the railroad tracks, but in the hundred-year history of cinema, few thrillers have been as emotionally compelling as The Impossible.

Anyone suggesting that an Italian film could rival the style and grandeur of "The Godfather" might end up sleeping with the fishes. But Il Divo delivers.

It sustains a palpable fatalism in such recurring details as a whirring buzz saw and the cry of a loon, while the static camera and lack of musical cues enable some unforeseeable plot twists.

The reason District 9 reverberates so loudly is because its moral indignation is cranked to 11.

A movie that will be discovered, embraced and shared with friends like a favorite record album.

With exquisitely simple images and minimal dialogue, Seraphine is both haunting and humane.

For the many mavens who aren't familiar with Varda, this autobiographical documentary will be puzzling, in the best and most literal sense.

Soul Power is both a funk-tastic time capsule and a timeless celebration of the human spirit.

By turning a whistle-blower into a tragicomic figure, Soderbergh sustains our interest in a complicated financial scheme and rewards it with a kickback of ghastly laughs.

With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Although Precious is based on a novel, it's an act of truth-telling on behalf of a character in hellish enslavement.

A miniaturist's masterpiece, the ebb and flow of familial love distilled to its essence.

Near the two-minute warning, Big Fan becomes chillingly unpredictable.