For 572 reviews, this critic has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 7.1 points higher than other critics. (0-100 point scale)

Joe Williams' Scores

  • Movies
Average review score: 66
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 25
Score distribution:
  1. Negative: 45 out of 572
572 movie reviews
    • Metascore: 84
    • Joe Williams 50
    There are a few beguiling moments in Holy Motors, particularly a martial-arts sequence and an erotic dance while Mr. Oscar is dressed in a motion-capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.
    • Metascore: 63
    • Joe Williams 50
    Fans of the franchise will greet Les Misérables as a feast for the senses, but the rest of us are left with crumbs.
    • Metascore: 48
    • Joe Williams 50
    This is a brutal and stupid movie.
    • Metascore: 28
    • Joe Williams 50
    To paraphrase a classic of Reagan-era cinema, A Good Day to Die Hard is a bad day to stop sniffing glue.
    • Metascore: 52
    • Joe Williams 50
    The derivative script and skimpy effects don’t convey either the power or the problems of being a young witch.
    • Metascore: 34
    • Joe Williams 50
    Hallstrom (“Chocolat”) makes the mishmash palatable, and romance mainstay Duhamel provides some sweet-and-salty charm, but there’s not much they can do with Sparks’ canned dialogue and Hough’s undercooked acting.
    • Metascore: 52
    • Joe Williams 50
    The verdict on Snitch is that Johnson has attempted a career detour on a street marked Do Not Enter.
    • Metascore: 44
    • Joe Williams 50
    The more suitably antic Robert Downey Jr. and Johnny Depp were considered for the part before Franco wandered into the picture with his stoner grin.
    • Metascore: 41
    • Joe Williams 50
    As long as Hollywood keeps hitting us over the head with empty spectacles like G.I. Joe: Retaliation, regular Joes will be too numb to fight back.
    • Metascore: 61
    • Joe Williams 50
    The wrinkles between reality and illusion soon become irritating.
    • Metascore: 54
    • Joe Williams 50
    The questions raised by Oblivion aren’t especially deep, but the movie does answer a puzzler that has troubled humankind for generations: Can Tom Cruise build a concept so big that he himself can’t lift it?
    • Metascore: 62
    • Joe Williams 50
    Judged solely in comparison to its corporate cousins, Iron Man 3 is a defective model. It’s lightweight but slow, padded with cheap jokes to disguise how hollow it is.
    • Metascore: 40
    • Joe Williams 50
    The clichéd script doesn't develop the secondary characters or the critical theme of the mutants' alienation.
    • Metascore: 60
    • Joe Williams 50
    In getting so many of the Midwestern details wrong, worldly director Bahrani (“Chop Shop”) teaches an inadvertent lesson to aspiring filmmakers who want to follow his footsteps to the festival circuit: Grow where you’re planted.
    • Metascore: 61
    • Joe Williams 50
    How you feel about Fast & Furious 6 is a matter of perspective. While a middle-age egghead might note that a series that started out as a harmless cars-and-girls fantasy has devolved into a full-blown assault on human intelligence.
    • Metascore: 43
    • Joe Williams 50
    Congratulations, visitor. You have been randomly selected to beta test an entertainment-software product called “The Internship 2.0.”
    • Metascore: 39
    • Joe Williams 38
    Offers about as much flava as a Dr. Pepper commercial and about as much drama as a “Sesame Street” rerun.
    • Metascore: 34
    • Joe Williams 38
    This amateurish action flick is so lacking in personality or punch, it ought to be titled "V for Video Store Discount Bin."
    • Metascore: 19
    • Joe Williams 38
    Old Dogs is so oafish, when it tosses us a biscuit, it feels like we've been smacked with a newspaper.
    • Metascore: 55
    • Joe Williams 38
    Here most of the punishment is inflicted on the audience, which gets nailed to a cross of boredom.
    • Metascore: 39
    • Joe Williams 38
    In the new Clash of the Titans, the effects are computerized, the hero is questionable and, instead of an owl, we get a turkey.
    • Metascore: 33
    • Joe Williams 38
    Sadly, The Last Song is badly out of tune with real filmmaking.
    • Metascore: 44
    • Joe Williams 38
    Whether you're betting on action or laughs, this is a lose-lose scenario.
    • Metascore: 23
    • Joe Williams 38
    The message that needs to be posted at the theater door is "No trespassing."
    • Metascore: 43
    • Joe Williams 38
    A bland family-feud potboiler with no sign of the cook.
    • Metascore: 30
    • Joe Williams 38
    Nobody escapes unscathed, except, of course, for Sandler, who co-wrote the infantile screenplay.
    • Metascore: 20
    • Joe Williams 38
    A toxic potion that will put children to sleep and kill his (M. Night Shyamalan) career.
    • Metascore: 37
    • Joe Williams 38
    It's more like a shelved episode of "Touched by An Angel." The sappy script is a disservice to the naturally effervescent Efron, whose character is so mopey he makes Robert Pattinson seem like a song-and-dance man.
    • Metascore: 53
    • Joe Williams 38
    An utter shipwreck, a would-be adventure with meager rations of magic and a listless crew.
    • Metascore: 27
    • Joe Williams 38
    If instead of story and characters, your movie wish list includes projectile vomiting and erection gags, this lump of coal has your name on it.