For 809 reviews, this critic has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 6.4 points higher than other critics. (0-100 point scale)

Joe Williams' Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Silver Linings Playbook
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
  1. Negative: 66 out of 809
809 movie reviews
    • 58 Metascore
    • 75 Joe Williams
    Too short and undisciplined to be a world-class comedy, but its chutzpah deserves respect.
    • 72 Metascore
    • 75 Joe Williams
    This thriller is both skillfully familiar and chillingly strange.
    • 80 Metascore
    • 75 Joe Williams
    Goodbye First Love is like a postcard from a lost Eden, a painfully pure oasis where we're not allowed to linger.
    • 57 Metascore
    • 75 Joe Williams
    It's the kind of movie that inspires word-of-mouth recommendations by speaking the international language of culture clash.
    • 65 Metascore
    • 75 Joe Williams
    The real stars here are Scott's behind-the-curtain crew, who fill every frame with tech-savvy details and take the sets to another dimension with immersive 3-D imagery.
    • 77 Metascore
    • 75 Joe Williams
    Mostly the movie is about process and perspective. Through the documentary lens, Richter's enigmatic paintings speak to us.
    • 74 Metascore
    • 75 Joe Williams
    Like "Gone, Baby, Gone," the French film Polisse succeeds by shifting the focus from the victims to the vigilant protectors.
    • 69 Metascore
    • 75 Joe Williams
    Just misses living up to its name.
    • 60 Metascore
    • 75 Joe Williams
    With elements of a musical, a melodrama and a multicultural romance, Where Do We Go Now? is as hard to define as the crossroads region where it's set. But even without a clear signal, it sometimes seems miraculous.
    • 80 Metascore
    • 75 Joe Williams
    Like a train, I Wish is slow to build momentum, then it carries us away in a wondrous rush.
    • 72 Metascore
    • 75 Joe Williams
    It's guilty of some sleight-of-hand hokum, but in pulling the rug from under the norm, Magic Mike turns a trick.
    • 63 Metascore
    • 75 Joe Williams
    Although there's a skeletal story, A Cat in Paris evokes a mood instead of a moral. Like a cat nap, it gives us a brief, refreshing dream with little to remember.
    • 61 Metascore
    • 75 Joe Williams
    It bodes well for the future of the franchise that Renner and Weisz share not only a gripping predicament but something more important: chemistry.
    • 59 Metascore
    • 75 Joe Williams
    To its credit, Celeste and Jesse Forever wants to be more than a formulaic farce. It succeeds to the extent that the neighbors keep up with Jones.
    • 73 Metascore
    • 75 Joe Williams
    Arbitrage is never the nail-biting thriller that it could have been.
    • 71 Metascore
    • 75 Joe Williams
    Notwithstanding its storytelling stumbles, Sleepwalk With Me points in a positive direction for this likable comedian's career.
    • 84 Metascore
    • 75 Joe Williams
    While Looper lacks the heft of a classic, this wayback machine is worth taking for a spin.
    • 66 Metascore
    • 75 Joe Williams
    The campus comedy Pitch Perfect harmonizes high-end performance with low-brow spoofery. It's like a National Lampoon parody where the targets write the jokes.
    • 55 Metascore
    • 75 Joe Williams
    Sticks to the syllabus of a decidedly minor movie, but its humanities faculty is first-rate.
    • 74 Metascore
    • 75 Joe Williams
    While the big-headed, spindly puppets don't evoke enough emotion to make the movie a must-see, Burton's 3-D design team pours its heart into the monochrome surroundings, from the suburban décor to Victor's laboratory to the carnival midway.
    • 69 Metascore
    • 75 Joe Williams
    If you root for documentaries with heart, The Other Dream Team is a slam dunk.
    • 63 Metascore
    • 75 Joe Williams
    Some may scoff when the boys exhibit traits and interests derived from the biological parents they never knew, but The Other Son is such a disarming feat that cynics will get left at the checkpoint.
    • 79 Metascore
    • 75 Joe Williams
    Few mainstream movies, let alone disability dramas, are so frank about sexual mechanics, yet notwithstanding the nudity, The Sessions isn't voyeuristic or sleazy.
    • 63 Metascore
    • 75 Joe Williams
    Even more than most versions of Anna Karenina, this chamber piece is heated by two combustible characters, not by the winds of war and peace.
    • 71 Metascore
    • 75 Joe Williams
    There will never be another Marilyn Monroe or Elizabeth Taylor, but Hollywood may have found a new Lee Remick in Mary Elizabeth Winstead.
    • 58 Metascore
    • 75 Joe Williams
    At nearly three hours long, "An Unexpected Journey" has moments when the caravan seems both overstuffed and out of balance, but it's such a scenic trip that only a stubborn homebody could complain.
    • 59 Metascore
    • 75 Joe Williams
    Apatow still hasn't set the table for a meaty drama, but making us laugh is a piece of cake.
    • 53 Metascore
    • 75 Joe Williams
    Some of the themes and the hallucinatory special effects are reminiscent of Cronenberg’s “Naked Lunch,” and there are cheeky allusions to “Dawn of the Dead” and even “Eyes Wide Shut,” but a viewer with an open mind might say that this midnight-style movie is more enjoyable than any of them.
    • 66 Metascore
    • 75 Joe Williams
    The several allusions to Thomas Mann’s forbidden-love novel “Death in Venice” are apt, but Yossi is also a standalone film and an extraordinary sequel.
    • 76 Metascore
    • 75 Joe Williams
    With a child’s perspective on war, Lore deserves comparisons with “Empire of the Sun” and “Hope and Glory,” and with a feisty female protagonist it stands virtually alone.

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