John Anderson

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For 191 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

John Anderson's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Get Low
Lowest review score: 0 Bio-Dome
Score distribution:
  1. Positive: 90 out of 191
  2. Negative: 27 out of 191
191 movie reviews
    • 72 Metascore
    • 70 John Anderson
    Helmers Mike Lerner and Maxim Pozdorovkin... don’t quite get to the issues behind the trio’s infamous performance at the historic Christ the Savior Cathedral in Moscow last year, but the young women’s vulnerability and defiance make for stirring viewing.
    • 65 Metascore
    • 70 John Anderson
    The screenwriter/playwrights have processed the characters’ last words in ways that imbue them with as much humanity as possible.
    • 54 Metascore
    • 70 John Anderson
    In addition to its terrifically bratty performance by the epically bratty Posey, House of Yes contains some of the smarter (and smarter-assed) writing of the year.
    • 81 Metascore
    • 70 John Anderson
    Likely to create considerable nervous tension among viewers who think they've seen this all before. They haven't.
    • 56 Metascore
    • 70 John Anderson
    Directors Shari Springer Berman and Robert Pulcini show the same appreciation for eccentrics and humanity they brought to "American Splendor" and Mr. Dano's Louis is a delicately wrought wonder.
    • 40 Metascore
    • 70 John Anderson
    The film grows increasingly mirthful as the characters come into focus, and the casting is the key: Ms. Garner, who also helped produce the film, has a gift for catty roles, and Ms. Wilde is so funny she should play hookers all the time.
    • 64 Metascore
    • 70 John Anderson
    Naturally, Mr. Murray is a joy to watch. And he has brought so much joy to so many grumpy people he deserves whatever accolades he can accrue, even for a career-assessment comedy like St. Vincent.
    • 51 Metascore
    • 70 John Anderson
    An effective and even affecting pop thriller.
    • 54 Metascore
    • 70 John Anderson
    Some parts of the film are drily academic, but much of it is quite beautiful and artfully put together by the director.
    • 61 Metascore
    • 70 John Anderson
    Mr. Damon brings both a weary optimism and convincing physicality to Max, who is no revolutionary. He just wants to live, and is willing to don an exoskeletal combat suit and fight robots to do it.
    • 51 Metascore
    • 70 John Anderson
    White Bird in a Blizzard is an alibi for Mr. Araki to flex his considerable muscle as a visual artist, using a palette that ranges from the blissful to the grotesque, and an atmospheric score by those eminences of the ambient, Harold Budd and Robin Guthrie.
    • 51 Metascore
    • 70 John Anderson
    It’s a nail-biter, a solid thriller, an immigration-themed takeoff on that old chestnut “The Most Dangerous Game,” in which humans are both predator and prey. It’s not particularly nuanced. In fact, its lack of nuance is its most distinguishing characteristic.
    • 54 Metascore
    • 70 John Anderson
    Odd, funny film.
    • 44 Metascore
    • 70 John Anderson
    While the movie's star -- and ruler, and ship's captain, and grand poobah -- is Haneke himself, his actors are sublime.
    • 64 Metascore
    • 70 John Anderson
    World War II is often called the “last good war,” which has also meant that it was the last global conflict out of which the studios could make an unabashedly heroic movie. Fury is not that movie. And because it is not, it provides a few psychic disturbances beyond its shocking gore, burning soldiers blowing their brains out, children hanged from trees by the SS and imminent rape.
    • 63 Metascore
    • 70 John Anderson
    What she finds is good for her and good for us -- a journey of realization for anyone who's ever felt lost in the crowd.
    • 34 Metascore
    • 70 John Anderson
    The special effects are effective and aggressive, although one might occasionally confuse a divine vortex with a flushed toilet.
    • 56 Metascore
    • 70 John Anderson
    The visuals are kinetic, the pacing frenetic; the violence, or at least its aftermath, doesn’t just border on the excessive, it makes major incursions. But given the criminal milieu at hand, nothing less would have seemed plausible, or equal to the heightened, sordid sensibility Mr. Johnson creates in the film’s opening moments and maintains right up to an ending that is among the more perverse in recent memory.
    • 72 Metascore
    • 70 John Anderson
    Noisy, frenetic, grandiose and essentially a soap opera, director J.J. Abrams's second contribution to the franchise has everything, including romance: Never before have Capt. James T. Kirk and his Vulcan antagonist, Mr. Spock, seemed so very much in love.
    • 55 Metascore
    • 70 John Anderson
    A virulent but thoroughly entertaining trilogy of tales about the besieged lower classes of Edinburgh, ripe with vulgarity, self-loathing, violence and economic disorder.
    • 55 Metascore
    • 70 John Anderson
    As pure comedy, The D Train is far more cringe-worthy than outright hilarious. But as a study in human nature, it’s beyond provocative — and maybe even instructive.
    • 58 Metascore
    • 70 John Anderson
    Consistently daffy, consistently amusing.
    • 58 Metascore
    • 70 John Anderson
    Lawless is one of those films that, through seeming serendipity, has a cast that defines its moment. There have been others - "The Breakfast Club," "The Godfather" and "Silverado," to name one irrelevant and two relevant examples. But Lawless really lucked out.
    • tbd Metascore
    • 70 John Anderson
    To resort to strictly ethnocentric references, Fanaa is equal parts MGM extravaganza, Shakespeare lite and James Bond. In their heart of hearts, isn't that what movie audiences really want?
    • 71 Metascore
    • 70 John Anderson
    Sleepwalk With Me makes the subject palatable, funny and maybe even touching.
    • 32 Metascore
    • 70 John Anderson
    The trick is getting from a conclusion made five minutes into a movie to an ending 90 minutes away. It can be a scary prospect. In The Sweetest Thing it is mostly a hoot.
    • 71 Metascore
    • 70 John Anderson
    People might have laughed at the old Jack Rebney, but they were laughing at themselves as well. And counting their blessings. Everyone has a cranky side. Unlike Mr. Rebney's, it isn't usually gawked at by 20 million people.
    • 60 Metascore
    • 70 John Anderson
    Following Woody Allen, Ang Lee and any number of sitcoms, Georgia Lee constructs her well-shot, well-written film around three daughters.
    • 49 Metascore
    • 63 John Anderson
    Despite a certain emotional chill, what holds this Mechanic together is - no surprise - the core Carlino story.
    • 52 Metascore
    • 60 John Anderson
    It's doubtful Milarepa will be opening in Beijing any time soon; all the more reason it deserves a look.

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