John Anderson
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For 153 reviews, this critic has graded:
  • 52% higher than the average critic
  • 1% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

John Anderson's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Hard Eight
Lowest review score: 0 Bio-Dome
Score distribution:
  1. Positive: 68 out of 153
  2. Negative: 25 out of 153
153 movie reviews
    • 60 Metascore
    • 70 John Anderson
    Despite its dubious inhabitants, the film consistently entertains by throwing the kinds of curves one should see coming but doesn’t.
    • 54 Metascore
    • 70 John Anderson
    Some parts of the film are drily academic, but much of it is quite beautiful and artfully put together by the director.
    • 66 Metascore
    • 70 John Anderson
    Guaranteed to fan antigovernment sentiments among its audiences, Dinosaur 13 is less about paleontology than it is about prosecutorial overreach, political gamesmanship, dinosaur swindlers and true crime — if in fact crimes were even committed, and/or committed by the people accused.
    • 65 Metascore
    • 70 John Anderson
    The screenwriter/playwrights have processed the characters’ last words in ways that imbue them with as much humanity as possible.
    • 55 Metascore
    • 70 John Anderson
    The taste with which one is left is not savory, exactly, but it certainly lingers.
    • 49 Metascore
    • 63 John Anderson
    Despite a certain emotional chill, what holds this Mechanic together is - no surprise - the core Carlino story.
    • 72 Metascore
    • 60 John Anderson
    Veber, also responsible for "The Dinner Game," apparently has a finger on the pulse of French audiences and Gallic-minded Americans, but there's just not a lot of freshness in this Closet.
    • 68 Metascore
    • 60 John Anderson
    Although Born Romantic is sweetly intentioned and staunchly on the side of love, it meanders long to enough to alienate whatever affection it otherwise earns.
    • 50 Metascore
    • 60 John Anderson
    A trashy little movie about drinking, football and drinking, is also one of those films that pretends to moralize about the very behavior it milks for every giggle it can get.
    • 55 Metascore
    • 60 John Anderson
    Hyams the director ("Sudden Death," "Timecop," "The Star Chamber") operates at too much of a fevered pitch for things not to eventually get out of hand -- accelerating violence and horror eventually hit maximum velocity and warp into nonsense, no matter how erudite the script.
    • 54 Metascore
    • 60 John Anderson
    It's not that the movie is never funny. It's just that you don't feel very good when it is.
    • 54 Metascore
    • 60 John Anderson
    But as Isaac, Rifkin is simply transcendent, giving what is the most accomplished performance of the year. He does not, however, have a completely successful movie around him.
    • 57 Metascore
    • 60 John Anderson
    Exposes director Khan's stage roots -- he has no feel for the close-up, although his use of the frame itself, and negative space, is occasionally thrilling.
    • 52 Metascore
    • 60 John Anderson
    It's doubtful Milarepa will be opening in Beijing any time soon; all the more reason it deserves a look.
    • 58 Metascore
    • 60 John Anderson
    What may feel like Mr. Sfar's indulgences are sometimes just that, but one could hardly make an honest movie about Gainsbourg that wasn't as recklessly ambitious as this.
    • 40 Metascore
    • 60 John Anderson
    The ending, for instance, is so ridiculously tidy it squeaks. But en route to its kitchen-sink climax, "Man" manages to both amuse and provoke, to cleave to convention and promote ideas.
    • 62 Metascore
    • 60 John Anderson
    The landscape is dire, the architecture is haunted, children disappear by the dozens and antique toys inexplicably spark to life. That Mr. Radcliffe doesn't is part of the problem.
    • 45 Metascore
    • 60 John Anderson
    Less magical is the blind adherence to formula evident in most of Taken 2. As they might say in the advertising department, it's an adrenaline-fueled thrill ride. But it could have been much more.
    • 60 Metascore
    • 60 John Anderson
    It is Mr. Kinnear's slippery charm that keeps Thin Ice from sinking into the frosty Wisconsin slush toward which it seems to be heading from the start.
    • 59 Metascore
    • 60 John Anderson
    Writer-director Andrew Okpeaha MacLean, who in his feature debut has lashed together a sturdy vehicle for unadorned morality and pragmatic justice.
    • 76 Metascore
    • 60 John Anderson
    What keeps Ain’t in It for My Health from being a really satisfying portrait isn’t a lack of access, but a lack of intimacy.
    • 59 Metascore
    • 60 John Anderson
    One of the brighter aspects of Life of Crime, which otherwise ambles along good naturedly, is the casting.
    • 36 Metascore
    • 50 John Anderson
    Likké should be applauded for tackling a subject that's bristling with sociopolitical thorns and that raises some provocative questions, particularly about what we find attractive in other people and why.
    • 55 Metascore
    • 50 John Anderson
    While Amma's teachings of love, inner peace and Karma, or action, resonate in the film -- obviously, Amma is a woman called to God -- her background remains pretty much a mystery. Less National Geographic and more personal history would have added a dimension to "Darshan."
    • 51 Metascore
    • 50 John Anderson
    Subtle it is not. Well-intentioned it certainly is. No one but the youngest in the family will care very much about it, though. And they may well be filled with wonderment trying to figure out what this big Babe person is all about.
    • 37 Metascore
    • 50 John Anderson
    Not as bad as it sounds nor as good as it might have been.
    • 41 Metascore
    • 50 John Anderson
    A movie that commits sins of excess, except regarding Thornton. There's not nearly enough of him.
    • 47 Metascore
    • 50 John Anderson
    Go see it. But you'll feel cheap in the morning.
    • 43 Metascore
    • 50 John Anderson
    A greatest-hits collection of plot devices and emotional cues from such films as "Gorillas in the Mist" and "One Flew Over the Cuckoo's Nest," making it something of a trained chimp, one that apes a lot of good movies while making itself look ridiculous.
    • 60 Metascore
    • 50 John Anderson
    The difficulty is that Brassed Off operates at an emotional pitch that starts at a crescendo and never relents--rendering almost everything equally inconsequential.