For 72 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

John Anderson's Scores

  • Movies
Average review score: 65
Highest review score: 100 Detective Dee and the Mystery of the Phantom Flame
Lowest review score: 10 I Give It a Year
Score distribution:
  1. Positive: 45 out of 72
  2. Negative: 6 out of 72
72 movie reviews
    • 51 Metascore
    • 50 John Anderson
    There aren't many bright spots in Lovelace, although one is Amanda Seyfried's intoxicating smile, and another is the retinal insult delivered by a 16mm projector flaring out at the audience during the movie's opening moments, and which feels like an accusation. It's the odd film that indicts you just for watching. But Lovelace is an eccentric piece of cinema, made by unlikely people.
    • 41 Metascore
    • 40 John Anderson
    The island locale rings with reggae music regardless of its proximity to Jamaica, and any action sequence is rendered in painfully deliberate slo-mo.
    • 59 Metascore
    • 40 John Anderson
    A documentary as messy as the movement it tries to portray, 99%: The Occupy Wall Street Collaborative Film possesses energy, passion and about a dozen documentaries inside it yearning to breathe free.
    • 56 Metascore
    • 30 John Anderson
    Pathetically unfunny most of the time.
    • 57 Metascore
    • 30 John Anderson
    As an experiment in Academy Award psychology, Albert Nobbs is fascinating. As drama? It is, forgive us, a drag.
    • 36 Metascore
    • 30 John Anderson
    Despite all the nervous tension, the central drama is flawed - Jonathan isn't trying to find a killer. He is the killer. Something is lacking in the dramatic equation.
    • 37 Metascore
    • 20 John Anderson
    The director's apparent blindness to the epic banality of her subjects suggests that the whole project is one royally misguided mess.
    • 50 Metascore
    • 10 John Anderson
    Shockingly, the kind of cringe-inducing material upon which Mr. Mazer has built a career as a writer for Sacha Baron Cohen ("Bruno," "Borat," "Da Ali G Show") doesn't work when rendered by types who could have been cast in "Notting Hill" (someone even makes a Hugh Grant joke). It's rather close to excruciating.
    • 31 Metascore
    • 10 John Anderson
    Fredrik Bond’s direction and Matt Drake’s screenplay deliver a charisma-free trip into a world of gratuitous violence, contrivances and tedium.