For 497 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 1.3 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Me and Earl and the Dying Girl
Lowest review score: 10 No One Lives
Score distribution:
  1. Negative: 38 out of 497
497 movie reviews
    • 66 Metascore
    • 80 John DeFore
    Berg's film is very tightly focused, examining just one arena of abuse and dutifully addressing only cases in which an accuser is willing to appear on camera.
    • 66 Metascore
    • 80 John DeFore
    The good-looking, easygoing doc settles in with its two subjects, offering not just an intimate perspective on the playwright's biography but some touching reflections on the comforts and perils of long-term friendship.
    • 73 Metascore
    • 80 John DeFore
    Nothing about the plot is novel, but the film easily maintains a low simmer that picks up in the final act, as Miller has to fight to keep his sinking ship staffed.
    • 72 Metascore
    • 80 John DeFore
    Aubrey Plaza proves she can carry a film with this multiplex-friendly comedy about time travel.
    • 68 Metascore
    • 80 John DeFore
    A thrill-stuffed sports doc whose daredevil subject will quickly endear himself even to viewers who've never heard his name.
    • 88 Metascore
    • 80 John DeFore
    Hersonski enriches this evidence by bringing in survivors of the ghetto, who tell stories of life there while watching the film themselves.
    • 61 Metascore
    • 80 John DeFore
    A quiet stunner of a drama.
    • 84 Metascore
    • 80 John DeFore
    Inherently unpreachy but making its point more effectively than many participants in the debate can, the film should find vocal advocates in a niche theatrical run.
    • 65 Metascore
    • 80 John DeFore
    The ritualized presentation of these disasters... adds up to a kind of unsettling spiritual experience, a communion with the dead that demands the quiet participation of a group
    • tbd Metascore
    • 80 John DeFore
    A loving biography of a guitarist whose work was "not folk, not blues, not gospel," but drew from and colored those genres and more.
    • 60 Metascore
    • 80 John DeFore
    RED
    Even the more cartoonish performances, like John Malkovich's acid-damaged paranoiac, fit the movie's vision of the vanished, wild-and-woolly heyday of spycraft.
    • 75 Metascore
    • 80 John DeFore
    Frederic Jardin's gripping Sleepless Night maintains a consistently high pitch without growing monotonous.
    • 76 Metascore
    • 80 John DeFore
    Following up on his lauded debut, Welcome to Pine Hill, Miller again blends fiction and reality to fine effect.
    • 82 Metascore
    • 80 John DeFore
    A pure-bliss celebration of Paul Simon's landmark album Graceland coupled with an interesting if not unbiased look at the controversy surrounding its release.
    • 80 Metascore
    • 80 John DeFore
    A deeply satisfying pop biopic whose subject's bifurcated creative life lends itself to an unconventional structure.
    • 73 Metascore
    • 80 John DeFore
    Maclean's screenplay is unshowy but keen.
    • 73 Metascore
    • 80 John DeFore
    A mournful testament to a vibrant piece of global film history almost entirely wiped out of existence.
    • 60 Metascore
    • 80 John DeFore
    Pure joy for Beatles fans and, one guesses, charming enough to seduce some viewers who wouldn't mind never hearing "She Loves You" ever again.
    • 73 Metascore
    • 80 John DeFore
    Exciting and enlightening, the still-timely film ranks with docs like The Weather Underground in its evocation of a more politically engaged era.
    • 71 Metascore
    • 80 John DeFore
    Steph Green's first feature has more going for it than a solid dramatic turn by Will Forte.
    • 57 Metascore
    • 80 John DeFore
    Choosing it for his debut as director, Bateman demonstrates the same knack for timing and fine shadings of attitude as he does onscreen.
    • 67 Metascore
    • 80 John DeFore
    Funny, dark, and riding a very fine line in its depiction of mental illness, it may be the best thing we could hope would emerge from the side of Wiig that gave us Gilly.
    • 73 Metascore
    • 80 John DeFore
    A disability-centric documentary that moves viewers without resorting to trite devices, Seung-Jun Yi's Planet of Snail takes a condition most of us would find unbearable and demystifies it while finding room for poetry.
    • 76 Metascore
    • 80 John DeFore
    A vital, gripping film.
    • 88 Metascore
    • 80 John DeFore
    The picture is fresh and frightening, a strong arthouse contender certain to leave audiences talking.
    • 75 Metascore
    • 80 John DeFore
    Cutting through many of the easy signifiers found in bad-behavior comedies to get at what it actually feels like to be an intimacy-phobic mess, Trainwreck finds Judd Apatow putting his directing chops in service of Amy Schumer's deeply felt but cracklingly funny screenplay.
    • 68 Metascore
    • 80 John DeFore
    Very funny at the outset and escalating steadily for most of its brisk running time, the film represents a big win for neophyte screenwriters Andrew J. Cohen and Brendan O'Brien.
    • 70 Metascore
    • 80 John DeFore
    Jaume BalabuerĂ³'s effective thriller Sleep Tight puts more value on slow-building bad vibes than on pulled-curtain shock, but its treatment of mental illness and voyeurism, lightly salted with pitch-black humor, will feel pleasingly familiar to fans of the older film.
    • 64 Metascore
    • 80 John DeFore
    As entertaining as any showbiz documentary in recent memory.

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