For 482 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.5 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Me and Earl and the Dying Girl
Lowest review score: 10 Hot Tub Time Machine 2
Score distribution:
  1. Negative: 36 out of 482
482 movie reviews
    • 75 Metascore
    • 70 John DeFore
    The doc happily devotes most of its time to a stylish, energetic account of Hanna's career to date and the impact it has had on a generation of women.
    • 75 Metascore
    • 90 John DeFore
    As funny as the first go-round, more beautiful to look at, and better conceived.
    • 75 Metascore
    • 80 John DeFore
    A trove of great stills and movie footage accompanies the colorful anecdotes, but the film's most consistent pleasure is the way interviewees recall the moments before the tape rolled on an immortal recording.
    • 75 Metascore
    • 70 John DeFore
    A documentary so stuffed with eye-soothing images one prays it can seduce a climate-change skeptic or two.
    • 75 Metascore
    • 60 John DeFore
    Benefitting from likeable, good-natured subjects and the peculiar pastimes with which they fill their cooped-up hours, the doc certainly gets us interested in and rooting for the Angulo boys.
    • 75 Metascore
    • 70 John DeFore
    A deceptively slight film that strikes the right balance between realist family drama and earnestness.
    • 75 Metascore
    • 80 John DeFore
    A very funny Kiwi take on vampire lore and its application to the modern world.
    • 75 Metascore
    • 70 John DeFore
    The tale is surprising, and directors Carlos Aguilo and Mandy Jacobson blaze right through it -- recounting ins and outs across an entire continent in ways that will challenge most viewers in the West.
    • 74 Metascore
    • 60 John DeFore
    Matthew Akers' film is a personally revealing look at an artist most famous for maintaining stone-faced silence for three months.
    • 74 Metascore
    • 70 John DeFore
    A broken-family melodrama with a minimum of histrionics, Scott McGehee's and David Siegel's What Maisie Knew begins from scenes that will be familiar to most viewers who've witnessed a custody battle. Things get pretty orchestrated from that familiar scenario onward, but never to the point of unbelievability.
    • 74 Metascore
    • 80 John DeFore
    A thoroughly engaging film about an inimitable New York painter.
    • 74 Metascore
    • 70 John DeFore
    The ironies of Plimpton's life are handled delicately, made just obvious enough for viewers to mull themselves.
    • 74 Metascore
    • 60 John DeFore
    The doc's structure is a countdown to opening night, but planning goes smoothly enough that little drama accompanies that ticking clock.
    • 74 Metascore
    • 70 John DeFore
    What might have been annoyingly solipsistic proves mostly charming and poignant instead, largely thanks to Nance's cinematic ingenuity, but also because of his ability to both probe his feelings and hold them at a distance.
    • 74 Metascore
    • 80 John DeFore
    Shari Springer Berman and Robert Pulcini's Ten Thousand Saints offers both a premise and a setting ripe for nostalgic sentimentality but indulges in little of it.
    • 74 Metascore
    • 50 John DeFore
    Crude production values are a stumbling block for bare-bones tale.
    • 74 Metascore
    • 50 John DeFore
    Unfocused, overly long documentary raises provocative questions.
    • 74 Metascore
    • 90 John DeFore
    A mismatched-friends drama whose overall sensitivity is belied by a couple of clumsily contrived plot points, Sean Baker's Starlet pairs story and setting perfectly.
    • 73 Metascore
    • 80 John DeFore
    Exciting and enlightening, the still-timely film ranks with docs like The Weather Underground in its evocation of a more politically engaged era.
    • 73 Metascore
    • 80 John DeFore
    Nothing about the plot is novel, but the film easily maintains a low simmer that picks up in the final act, as Miller has to fight to keep his sinking ship staffed.
    • 73 Metascore
    • 70 John DeFore
    Horror and cold humor commingle in Dogtooth, a Greek import whose screenwriters approach scenario construction like misanthropic social scientists planning an experiment -- one whose result suggests that governments might want to rethink policies allowing parents to home-school their children.
    • 73 Metascore
    • 70 John DeFore
    Though the film sets out only to chronicle the group's life, not the history of the disease, some viewers will wish for a parting message making sense of where things stand today, with the disease mostly vanished from headlines but still destroying lives around the world.
    • 73 Metascore
    • 80 John DeFore
    A delightful romp whose varied pleasures should please kids all along the age spectrum.
    • 73 Metascore
    • 70 John DeFore
    Less a rock-doc than a surprisingly affecting look at sibling dynamics in a creative family where one brother is vastly more successful than the other.
    • 73 Metascore
    • 80 John DeFore
    A mournful testament to a vibrant piece of global film history almost entirely wiped out of existence.
    • 73 Metascore
    • 80 John DeFore
    Few who see the picture will fail to be charmed.
    • 73 Metascore
    • 80 John DeFore
    A disability-centric documentary that moves viewers without resorting to trite devices, Seung-Jun Yi's Planet of Snail takes a condition most of us would find unbearable and demystifies it while finding room for poetry.
    • 73 Metascore
    • 40 John DeFore
    Despite its apparently sincere identification with its protagonist, Entertainment feels like a sick joke.
    • 73 Metascore
    • 70 John DeFore
    Damning documentary pairs an individual sex-abuse case with analysis of institutional dysfunction at the Vatican.
    • 73 Metascore
    • 50 John DeFore
    Though not novel enough to attract non-devotees of America's Pastime, the film should please fans on the small screen.

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