For 725 reviews, this critic has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Before Midnight
Lowest review score: 0 The Trouble with Terkel
Score distribution:
  1. Negative: 67 out of 725
725 movie reviews
    • 81 Metascore
    • 90 John DeFore
    Rescued from decay after the director's 2011 death and looking radiant in a 2K restoration, this quiet gem is a time capsule whose potential audience may be small, but will be transported.
    • 81 Metascore
    • 80 John DeFore
    Though certainly not for everyone (and not for kids of any age), the regret-tinged film displays a distinctive voice and will be embraced by devotees of offbeat animation.
    • 81 Metascore
    • 80 John DeFore
    A moving and effective film whose subject may lack the hot-button boxoffice appeal of the director's "An Inconvenient Truth" but is at least a crisis practically everyone agrees actually exists.
    • 80 Metascore
    • 50 John DeFore
    The Queen of Versailles will prompt loathing not only among the so-called 99 Percent, but among those in the top 1 percent who would like someone more sane to represent them on camera.
    • 80 Metascore
    • 80 John DeFore
    Focused much more intently on video journals Gleason made as his illness progressed, the film both documents his rapid physical decline and ponders the many existential issues it raises — especially for a married couple expecting their first child in a few months.
    • 80 Metascore
    • 80 John DeFore
    A deeply satisfying pop biopic whose subject's bifurcated creative life lends itself to an unconventional structure.
    • 80 Metascore
    • 70 John DeFore
    [A] minor but enjoyable doc.
    • 80 Metascore
    • 70 John DeFore
    Thoughtful and less sensationalistic than its premise might suggest, it's made for arthouses and offers a fine showcase for costar Rutger Hauer.
    • 80 Metascore
    • 70 John DeFore
    Things head eventually in an abstract direction that may have played better onstage than it does here ("we must forget what we didn't see here," guests are eventually instructed), but a compelling atmosphere lingers.
    • 80 Metascore
    • 80 John DeFore
    Thorny, blood-boiling and finely made.
    • 79 Metascore
    • 80 John DeFore
    A highly entertaining documentary revealing a serious talent behind the one-note present-day reputation.
    • 79 Metascore
    • 80 John DeFore
    Straight history is not the whole point here, as Nelson enthusiastically conjures a sense of what it felt like to be a Panther and to be a young black person inspired by them.
    • 79 Metascore
    • 80 John DeFore
    Rising well above the typical making-of feature, the documentary will fascinate buffs when shown alongside the operas themselves.
    • 79 Metascore
    • 80 John DeFore
    Costa's inquiry into that life offers a deeply felt angle on the broader realities of life in Paraguay during the '80s; while the intimate film is unlikely to expand beyond niche theatrical bookings, it will affect many who see it.
    • 79 Metascore
    • 70 John DeFore
    Metalhead is uninterested in caricature or easy laughs, and its embodiment of guitar-hero obsession is one much more closely resembling someone you knew in high school, albeit someone who's had an exceptionally hard time dealing with childhood trauma.
    • 79 Metascore
    • 80 John DeFore
    The birds are not only gorgeous but, as they poke for food and rustle around, entertaining.
    • 79 Metascore
    • 80 John DeFore
    Throughout the film, a talent-rich gang of cinematographers (many doc-makers in their own right, like Approaching the Elephant's Amanda Rose Wilder and Beetle Queen Conquers Tokyo's Jessica Oreck) favor that intimacy over the big picture.
    • 78 Metascore
    • 70 John DeFore
    Though it doesn't answer every question it raises and may occasionally confuse the uninitiated, the polished film easily stirs indignation.
    • 78 Metascore
    • 70 John DeFore
    One of rock's underheralded pioneers gets his due in Beware of Mr. Baker, an affectionate but unfawning portrait that finds the drummer of Cream still keeping the beat despite hardships both institutional and self-inflicted (heavy on the latter).
    • 78 Metascore
    • 70 John DeFore
    Amanda Knox makes for succinct, involving viewing — a true-crime doc that acknowledges the lingering debates over its subject's guilt while prompting one to ask: Why did anyone ever believe this outrageous stuff in the first place, much less cling to it for years?
    • 78 Metascore
    • 80 John DeFore
    The result is uniquely powerful, putting faces and human consequences to a political dispute that seemingly will never end.
    • 78 Metascore
    • 70 John DeFore
    Catherine Gund's Born to Fly works very well as a portrait of a maverick artistic sensibility, even if it will leave some viewers wanting more in terms of performance footage.
    • 78 Metascore
    • 80 John DeFore
    Throughout, the film's subjects convince us they're doing nothing more than being themselves, so much so that a cynical advisor told Sutton he should market his film as a documentary. That label would prepare potential viewers for Pavilion's lack of story, but it would make a lie of the movie's patient, finely drawn loveliness.
    • 78 Metascore
    • 70 John DeFore
    Beautifully put together in just about every way, it will be potent stuff on the small screen but deserves its moment in theaters.
    • 78 Metascore
    • 80 John DeFore
    More than most adaptations, this is a film true to Shakespeare's practice of employing all means at hand to keep the crowd entertained.
    • 78 Metascore
    • 80 John DeFore
    Overall, though, the project brings enough good into this rough corner of the world that viewers can walk out with honest cause to be hopeful for its inhabitants.
    • 78 Metascore
    • 70 John DeFore
    Tracy Droz Tragos works to get beyond us-versus-them simplicity in Abortion: Stories Women Tell, focusing on personal narrative over politics in a humanistic look at an issue that promises to remain divisive for the foreseeable future.
    • 77 Metascore
    • 70 John DeFore
    Interspersing technical talk with a quick history of nuclear testing and other near-misses, the doc demonstrates how often situations like this arise.
    • 77 Metascore
    • 70 John DeFore
    Honest and well made but lacking a strong hook.
    • 77 Metascore
    • 80 John DeFore
    Visually ravishing, thought-provoking and benefitting from just enough playfulness to set it apart from the nature-doc herd, the film is eco-relevant without being at all dominated by climate change, which is only one of many subjects discussed.

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