For 404 reviews, this critic has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 1.4 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 I Kissed a Vampire
Score distribution:
  1. Negative: 31 out of 404
404 movie reviews
    • 94 Metascore
    • 100 John DeFore
    The work Richard Linklater and company started in 1995's Before Sunrise retains a clarity of spirit undimmed by 18 years.
    • 74 Metascore
    • 90 John DeFore
    A mismatched-friends drama whose overall sensitivity is belied by a couple of clumsily contrived plot points, Sean Baker's Starlet pairs story and setting perfectly.
    • 82 Metascore
    • 90 John DeFore
    A genuinely moving look at life in a group foster home that avoids most of the usual routes into viewers' hearts.
    • 70 Metascore
    • 90 John DeFore
    The force of Darby's personality -- a rich stew of righteousness, arrogance and self-delusion -- gives the doc a psychological appeal independent of politics.
    • 81 Metascore
    • 90 John DeFore
    Rescued from decay after the director's 2011 death and looking radiant in a 2K restoration, this quiet gem is a time capsule whose potential audience may be small, but will be transported.
    • 75 Metascore
    • 90 John DeFore
    As funny as the first go-round, more beautiful to look at, and better conceived.
    • 72 Metascore
    • 90 John DeFore
    All but a must-see for anyone who knows enough to care about the way laws govern information transfer in the digital age, Brian Knappenberger's The Internet's Own Boy: The Story of Aaron Swartz is an inspiring account of the life of, and an infuriating chronology of the persecution of, one of the Internet's most impressive prodigies.
    • 79 Metascore
    • 80 John DeFore
    A highly entertaining documentary revealing a serious talent behind the one-note present-day reputation.
    • 74 Metascore
    • 80 John DeFore
    A thoroughly engaging film about an inimitable New York painter.
    • 88 Metascore
    • 80 John DeFore
    Hersonski enriches this evidence by bringing in survivors of the ghetto, who tell stories of life there while watching the film themselves.
    • 60 Metascore
    • 80 John DeFore
    RED
    Even the more cartoonish performances, like John Malkovich's acid-damaged paranoiac, fit the movie's vision of the vanished, wild-and-woolly heyday of spycraft.
    • 81 Metascore
    • 80 John DeFore
    A moving and effective film whose subject may lack the hot-button boxoffice appeal of the director's "An Inconvenient Truth" but is at least a crisis practically everyone agrees actually exists.
    • 78 Metascore
    • 80 John DeFore
    Overall, though, the project brings enough good into this rough corner of the world that viewers can walk out with honest cause to be hopeful for its inhabitants.
    • 58 Metascore
    • 80 John DeFore
    Finding smart ways to bring novelty to the franchise without forsaking what made the original so much fun (and in fact doubling down on some of those qualities), Barry Sonnenfeld's Men in Black 3 easily erases the second installment's vague but unpleasant memory and -- though we might hope producers will quit while they're ahead -- paves the way for future installments.
    • 64 Metascore
    • 80 John DeFore
    As entertaining as any showbiz documentary in recent memory.
    • 73 Metascore
    • 80 John DeFore
    A delightful romp whose varied pleasures should please kids all along the age spectrum.
    • 72 Metascore
    • 80 John DeFore
    Aubrey Plaza proves she can carry a film with this multiplex-friendly comedy about time travel.
    • 75 Metascore
    • 80 John DeFore
    Frederic Jardin's gripping Sleepless Night maintains a consistently high pitch without growing monotonous.
    • 82 Metascore
    • 80 John DeFore
    A pure-bliss celebration of Paul Simon's landmark album Graceland coupled with an interesting if not unbiased look at the controversy surrounding its release.
    • 78 Metascore
    • 80 John DeFore
    The result is uniquely powerful, putting faces and human consequences to a political dispute that seemingly will never end.
    • 73 Metascore
    • 80 John DeFore
    Nothing about the plot is novel, but the film easily maintains a low simmer that picks up in the final act, as Miller has to fight to keep his sinking ship staffed.
    • 79 Metascore
    • 80 John DeFore
    The birds are not only gorgeous but, as they poke for food and rustle around, entertaining.
    • 84 Metascore
    • 80 John DeFore
    Inherently unpreachy but making its point more effectively than many participants in the debate can, the film should find vocal advocates in a niche theatrical run.
    • 79 Metascore
    • 80 John DeFore
    Rising well above the typical making-of feature, the documentary will fascinate buffs when shown alongside the operas themselves.
    • 58 Metascore
    • 80 John DeFore
    Park's unsettling visuals and his handling of the cast make the occasional holes in Wentworth Miller's script practically irrelevant.
    • 73 Metascore
    • 80 John DeFore
    A disability-centric documentary that moves viewers without resorting to trite devices, Seung-Jun Yi's Planet of Snail takes a condition most of us would find unbearable and demystifies it while finding room for poetry.
    • 62 Metascore
    • 80 John DeFore
    Carol Morley's sadly fascinating Dreams of a Life, which plays like a more artful cousin to TV's true-crime documentaries, slowly assembles a portrait of Vincent, unfolding in a way that should earn fans in its niche theatrical run.
    • 80 Metascore
    • 80 John DeFore
    Thorny, blood-boiling and finely made.
    • 88 Metascore
    • 80 John DeFore
    The picture is fresh and frightening, a strong arthouse contender certain to leave audiences talking.
    • 82 Metascore
    • 80 John DeFore
    A truly moving meditation on identity, family and (as the title of his previous short immodestly put it) the meaning of life, Hertzfeldt's magnum opus is more cosmically satisfying than "The Tree of Life."