For 369 reviews, this critic has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 Raze
Score distribution:
  1. Negative: 28 out of 369
369 movie reviews
    • 44 Metascore
    • 60 John DeFore
    Ruffalo gives voice to the film's unironic point of view.
    • 45 Metascore
    • 60 John DeFore
    Too dark for a very broad audience, it will flummox some viewers drawn by its cast but will strike others with its more-than-prickly approach and standoffish humor.
    • 49 Metascore
    • 60 John DeFore
    The wild card in all this remains Seann William Scott's Steve Stifler, the rampaging id whose indignation at his peers' maturity provides most of the film's real laughs.
    • 48 Metascore
    • 60 John DeFore
    A fairy tale about parenting that stays kid-friendly without completely glossing over the darker themes of its premise.
    • 46 Metascore
    • 60 John DeFore
    Lightweight but likeably uncynical.
    • 72 Metascore
    • 60 John DeFore
    Twisty enough to please many arthouse patrons, though some will be rolling their eyes by the end.
    • 49 Metascore
    • 60 John DeFore
    Convincing in its depiction of late-20s romantic anxiety (if not of that age bracket's real estate realities), it is broadly appealing without bowing too deeply to formula.
    • 51 Metascore
    • 60 John DeFore
    Annette Bening captivates as the self-delusionist, with Ed Harris ruggedly irresistible as the object of her fantasy.
    • 75 Metascore
    • 60 John DeFore
    Matthew Akers' film is a personally revealing look at an artist most famous for maintaining stone-faced silence for three months.
    • 57 Metascore
    • 60 John DeFore
    Modest but revealing documentary.
    • 43 Metascore
    • 60 John DeFore
    Falling somewhere between the X Games and Jackass on the Knievel Scale of Senseless Self-Endangerment, the crew known as Nitro Circus offers more physical and technical prowess than Johnny Knoxville's crew without stooping to anything so disciplined it might accidentally be called a sport.
    • 57 Metascore
    • 60 John DeFore
    Charming at times but surprisingly cheap-feeling given the cast Heckerling has assembled.
    • 82 Metascore
    • 60 John DeFore
    Very much a work of its time, the documentary offers unique perspectives for fans of both the saxophonist and the pioneering filmmaker, but is unlikely to attract a broad audience beyond those camps.
    • 66 Metascore
    • 60 John DeFore
    In the absence of sympathetic characters, a little humor would have gone a long way here.
    • 42 Metascore
    • 60 John DeFore
    A timely look at an important issue that's getting more hotly contested every month, Electoral Dysfunction takes a mildly jocular tone to get viewers concerned about what it calls a "war on voting" in America.
    • 54 Metascore
    • 60 John DeFore
    A commendably restrained loser-turns-winner tale offering an unexpected second showcase for Terri star Jacob Wysocki, Matthew Lillard's Fat Kid Rules the World is less colorful than its grandeur-deluded title suggests.
    • 67 Metascore
    • 60 John DeFore
    Clearly intent on inspiring viewers, the informational film makes a fine sum-up for those who've found the last decade's geopolitics too much to keep track of, but isn't promising in commercial terms.
    • 61 Metascore
    • 60 John DeFore
    The documentary offers little to further the national discussion on this divisive topic, but its evenhandedness and unstrident tone will go down well with viewers accustomed to more heated treatments of it.
    • 49 Metascore
    • 60 John DeFore
    While Lee leaves some of Park's more memorable outrages behind, he and screenwriter Mark Protosevich find one or two ways to up the taboo-testing ante, small surprises that retain the tale's edge without pushing into the realm of exploitation.
    • 55 Metascore
    • 60 John DeFore
    Despite the story's elements of suspense, loss and determination, though, the picture has a mundane, low-stakes vibe that fails to make the most of its inspirational content.
    • 61 Metascore
    • 60 John DeFore
    Few would fail to be touched by these stories, or by the sight of these men having generations of kids and grandkids gather to celebrate their accomplishment.
    • 48 Metascore
    • 60 John DeFore
    Yelling to the Sky drips with a strange but sometimes moving nostalgia for environs its characters clearly want to escape.
    • 53 Metascore
    • 60 John DeFore
    Feel-good documentary gathers great interviews but isn't sure what they add up to.
    • 62 Metascore
    • 60 John DeFore
    The Source does hold enough anthropological value to please some audiences. Despite lacking the recognition factor and lurid tragedy of a phenomenon like Jonestown, the story should attract viewers on the small screen.
    • 53 Metascore
    • 60 John DeFore
    Diverting but not enough to expand Kevin Hart's fan base much.
    • 49 Metascore
    • 60 John DeFore
    Endearing performances buoy predictable film about love in the wake of divorce.
    • 49 Metascore
    • 60 John DeFore
    More a filmed haunted house than a movie, the picture is in love with the cobbled-together monsters on offer and will engender similar emotions in many horror buffs.
    • 67 Metascore
    • 60 John DeFore
    An ordinary look at four extraordinary kids, Scott Hamilton Kennedy's Fame High sticks firmly to convention but will please viewers who can't help but want the doc's sympathetic teens to escape the heartbreak most would-be artists face.
    • 48 Metascore
    • 60 John DeFore
    Director Daisy von Scherler Mayer and a strong cast do right by Neil LaBute's script (based on his play), but the soullessness of the story is a turnoff overpowering the intriguing moments scattered within these one-on-one encounters.
    • 68 Metascore
    • 60 John DeFore
    The easygoing comedy keeps a familiar story going despite minor plot hiccups.