For 328 reviews, this critic has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 2 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 Raze
Score distribution:
  1. Negative: 26 out of 328
328 movie reviews
    • 56 Metascore
    • 70 John DeFore
    A clever DIY comedy that could be this year's "Humpday" for art house audiences in search of characters they recognize from their own lives.
    • 63 Metascore
    • 70 John DeFore
    Entertaining and comprehensive in its account of the man's career.
    • 52 Metascore
    • 70 John DeFore
    Successful to a point (though seemingly unaware of the chuckles it produces in between shrieks), the movie has strong prospects with genre audiences but won't spawn a phenomenon resembling the filmmakers' previous franchise.
    • 55 Metascore
    • 70 John DeFore
    A portrait of the short-lived artist that will move fans while letting the uninitiated witness enough onstage highlights to leave them wanting more.
    • 60 Metascore
    • 70 John DeFore
    A risky bet that pays off solidly, Jodie Foster's much-delayed The Beaver survives its life/art parallels -- thanks to its star, Mel Gibson -- to deliver a hopeful portrait of mental illness that is quirky, serious and sensitive.
    • 76 Metascore
    • 70 John DeFore
    Writer-director Richard Ayoade's feature debut is witty and quirky, with a gripping performance by Paddy Considine.
    • 64 Metascore
    • 70 John DeFore
    One of the things making Goon so enjoyable is its fairy-tale suggestion that all humanity's violent impulses can be exorcized in a Zamboni-groomed ice rink.
    • 72 Metascore
    • 70 John DeFore
    Following up "Humpday" with another low-rent charmer, Lynn Shelton moves from two- to three-character dynamics.
    • 45 Metascore
    • 70 John DeFore
    Moves at an absurd pace and dares anyone above 25 to keep up, yet the stream of genre-hopping jokes and sight gags makes the movie an entertaining ride.
    • 62 Metascore
    • 70 John DeFore
    Nicholas Stoller and Jason Segel's latest collaboration offers a more relatable rom-com scenario while generating laughs that should still satisfy "Forgetting Sarah Marshall" fans.
    • 78 Metascore
    • 70 John DeFore
    Beautifully put together in just about every way, it will be potent stuff on the small screen but deserves its moment in theaters.
    • 64 Metascore
    • 70 John DeFore
    Following the template of documentaries bent on scaring viewers silly, Oasis winds up with a segment pointing to glimmers of hope, one of which addresses the marketing challenge of convincing citizens that recycled waste water is safe for drinking.
    • 70 Metascore
    • 70 John DeFore
    Portrait of Wally may be too narrowly focused for some viewers, but offers an engaging narrative and high-profile subject that should attract audiences at fests and in specialized theatrical bookings.
    • 54 Metascore
    • 70 John DeFore
    Redlegs marks the promising directorial debut of film critic Brandon Harris.
    • 66 Metascore
    • 70 John DeFore
    It's easy to imagine exhibitors running scared from the documentary, but audiences who find it will be rewarded with a serious and provocative film.
    • 66 Metascore
    • 70 John DeFore
    An eye-opener about what it's like to live with a variety of mental illnesses, including obsessive-compulsive disorder -- and, however tenuously, to recover from them.
    • 60 Metascore
    • 70 John DeFore
    Inevitable or not, it's fun watching two middle-aged lunkheads reverting to adolescent competitiveness, and the fun is compounded by secrecy.
    • 73 Metascore
    • 70 John DeFore
    Though the film sets out only to chronicle the group's life, not the history of the disease, some viewers will wish for a parting message making sense of where things stand today, with the disease mostly vanished from headlines but still destroying lives around the world.
    • 75 Metascore
    • 70 John DeFore
    A class-conscious Scandinavian crime film whose impact is dulled by some extraneous subplots, Daniél Espinosa's Easy Money nevertheless makes a solid vehicle for Joel Kinnaman.
    • 62 Metascore
    • 70 John DeFore
    The premise, and the hijinks that follow, are about as outrageous as anything in today's crop of raunchy comedies. But Nørgaard offers them with a much drier wit than Hollywood typically delivers.
    • 61 Metascore
    • 70 John DeFore
    Anne Émond's quietly raw Nuit #1 begins as a highbrow sex film but quickly becomes something much more interesting.
    • 53 Metascore
    • 70 John DeFore
    Burning Man takes its time getting us to feel for a troubled character but gets the hook in solidly once it decides to.
    • 59 Metascore
    • 70 John DeFore
    Jones is great in the part, even if this movie doesn't quite prove she should be carrying films on her own, and the actress makes her character's clumsy heartache feel like more than a plot point.
    • 57 Metascore
    • 70 John DeFore
    A solid primer that augments exposition with a powerful sensual streak, Mark Hall's Sushi: The Global Catch aims to be a comprehensive look at the raw-fish phenomenon.
    • 45 Metascore
    • 70 John DeFore
    A stunt-documentary whose conceit overlaps with the finding-yourself appeal of a road movie, Joseph Garner's Craigslist Joe is humbly charming.
    • 53 Metascore
    • 70 John DeFore
    A too-rare instance in which a gifted young actor signs on for a fright flick without coming away tainted, The Awakening places Rebecca Hall in a convincing historical setting and gives her more to do than widen her eyes in fear.
    • 68 Metascore
    • 70 John DeFore
    Warm-hearted and entertaining, if more sad than its quirky premise suggests.
    • 67 Metascore
    • 70 John DeFore
    Robot & Frank reminds quirk-hardened veterans that an odd premise and big heart don't have to add up to too-precious awards bait.
    • 65 Metascore
    • 70 John DeFore
    Well conceived and unmanipulative, it will play well with auds attuned to its social-justice themes.
    • 43 Metascore
    • 70 John DeFore
    The topic's appeal is broad, but Whitehair's tight focus on one activist family keeps this film from being the one to reach an audience beyond those already involved in the issue.