Jonathan Foreman
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For 544 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Jonathan Foreman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Crouching Tiger, Hidden Dragon
Lowest review score: 0 The Master of Disguise
Score distribution:
544 movie reviews
    • 86 Metascore
    • 100 Jonathan Foreman
    The latest episode of this ongoing masterpiece of reality TV -- which every seven years revisits a group of English people first interviewed as 7-year-olds in 1964 -- is every bit as enthralling as the earlier ones.
    • New York Post
    • 85 Metascore
    • 100 Jonathan Foreman
    Essential viewing not just for those fascinated by adventure, exploration and survival, but for anyone interested in the magic of leadership.
    • 71 Metascore
    • 100 Jonathan Foreman
    Its superb performances, music, photography, dialogue, its rhythms of tone and theme all complement each perfectly.
    • 90 Metascore
    • 100 Jonathan Foreman
    The breathtaking visual and aural restoration by Coppola and Murch makes the film's original glories even more intense than you remember them.
    • 76 Metascore
    • 100 Jonathan Foreman
    It's hard to remember a film that mixes disparate, delicate ingredients with the subtlety and virtuosity of Sofia Coppola's brilliant The Virgin Suicides.
    • 90 Metascore
    • 100 Jonathan Foreman
    It ranks among Robert Altman's best work ever, and that its many satisfactions derive in large part from a superbly written screenplay by Julian Fellowes that has no equal this year.
    • 77 Metascore
    • 100 Jonathan Foreman
    Sheer delight. An ensemble comedy-drama that recalls Robert Altman's best work.
    • 82 Metascore
    • 100 Jonathan Foreman
    An extraordinary experience: an original and brilliant combination of comedy, action and sophisticated political comment -- the best American movie of the year thus far.
    • 85 Metascore
    • 100 Jonathan Foreman
    Rapturously elegant and deeply sexy in a deliciously restrained way. One of the most romantic movies I have ever seen, right up there with "Brief Encounter"and "Casablanca."
    • New York Post
    • 93 Metascore
    • 100 Jonathan Foreman
    You have never seen a movie like Crouching Tiger, Hidden Dragon because there has never been a movie like it.
    • New York Post
    • 64 Metascore
    • 88 Jonathan Foreman
    An exhilarating, sweeping epic that begs to be seen on the largest possible screen.
    • New York Post
    • 71 Metascore
    • 88 Jonathan Foreman
    A remarkable accomplishment. It takes one of the century's vast tragedies...and makes it heart-rendingly real and intimate.
    • New York Post
    • 57 Metascore
    • 88 Jonathan Foreman
    A delightful, fresh dark comedy.
    • 74 Metascore
    • 88 Jonathan Foreman
    East Is East is "The Full Monty" of 2000, a fresh, funny and poignant film filled with sparkling performances.
    • New York Post
    • 70 Metascore
    • 88 Jonathan Foreman
    An ideal antidote to the big-budget bores that studios put out in late summer, The Tao of Steve is a charming, funny and refreshingly smart Gen-X romantic comedy in the tradition of "When Harry Met Sally" - with the bonus of an engagingly laid-back Southwestern flavor.
    • 62 Metascore
    • 88 Jonathan Foreman
    A crowd-pleasing ensemble piece, whose story goes exactly where you want it to.
    • 61 Metascore
    • 88 Jonathan Foreman
    The movie that deserved to win the Oscar for foreign-language film, and one of the best movies ever made about life behind the Iron Curtain.
    • New York Post
    • 55 Metascore
    • 88 Jonathan Foreman
    Vastly superior to the small and independent films that have come out during the last six months.
    • New York Post
    • 86 Metascore
    • 88 Jonathan Foreman
    Atriumph on almost every level. It is breathtakingly stylish, wonderfully acted and its three interrelated tales of the "war" on drugs are brilliantly structured to form a cohesive, powerful whole.
    • 61 Metascore
    • 88 Jonathan Foreman
    The most effective moments in Taymor's gorgeous, surprisingly romantic Frida are those that evoke the visual world from which Kahlo's work was formed or the paintings themselves, often using clever animation and other special effects.
    • 64 Metascore
    • 88 Jonathan Foreman
    Uses the compelling true story of the triumph of the Enigma code-breakers as background for an invented but believable story of love, betrayal and heroism.
    • 50 Metascore
    • 88 Jonathan Foreman
    The marvelous Burtonic gothic/nightmare production design -- scenery, weaponry, costumes, etc. constantly pleases the eye without ever distracting you from the plot.
    • 43 Metascore
    • 88 Jonathan Foreman
    It's an even rarer pleasure to see a film that combines exciting action with a smart, well-informed script and vivid yet restrained performances.
    • 82 Metascore
    • 88 Jonathan Foreman
    This bizarre, original and brilliantly crafted documentary about the Sex Pistols is funny and at times moving -- despite all the ugliness and stupidity it depicts.
    • New York Post
    • 48 Metascore
    • 88 Jonathan Foreman
    Cheerful, slightly cheesy entertainment that uses the latest special-effects techniques to breathe life into a venerable film tradition.
    • 54 Metascore
    • 88 Jonathan Foreman
    Lacks the humor and charm that fills the book and makes it so much more than a catalog of suffering.
    • New York Post
    • 88 Metascore
    • 88 Jonathan Foreman
    It is not only an amazing technical accomplishment, it's also the wittiest and best-voiced animated movie to come along in years.
    • New York Post
    • 72 Metascore
    • 88 Jonathan Foreman
    Gripping, smart and moving, without falling prey to sentimentality, it shows what can be achieved when mainstream filmmakers like Howard and Goldsman are genuinely inspired and determined to be honest.
    • 61 Metascore
    • 88 Jonathan Foreman
    A reminder of just how good Hollywood storytelling can be.
    • New York Post
    • 82 Metascore
    • 88 Jonathan Foreman
    Isn't just scary, charming and delightfully unpredictable - it's also smarter and subtler than any new movie out there.

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