Joshua Rothkopf
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For 692 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Gett: The Trial of Viviane Amsalem
Lowest review score: 20 Antichrist
Score distribution:
  1. Negative: 44 out of 692
692 movie reviews
    • 100 Metascore
    • 100 Joshua Rothkopf
    Voyage to Italy is the kind of movie that makes those unhappily in love feel understood. And even if that’s not you (congratulations), it’s still possible to groove on Rossellini’s stranger-in-a-strange-land psychodrama.
    • 79 Metascore
    • 100 Joshua Rothkopf
    Phenomenally sad yet exhilarating.
    • 87 Metascore
    • 100 Joshua Rothkopf
    The final Harry Potter movie, above all others, supplies Radcliffe with the gravitas of not just an epic story come to completion, but some real dramatic heft. Not so bad for a Hogwarts dropout.
    • 79 Metascore
    • 100 Joshua Rothkopf
    In lesser hands, this could have easily been some seriously detestable John Wayne jingoism. But via Fiennes, the film is a spiky and complex counterweight to Hollywood sentiment and indie cynicism alike.
    • 90 Metascore
    • 100 Joshua Rothkopf
    Again, Granik has foregrounded a bold woman, expertly balanced between fearlessness and Ree's own private nervousness.
    • tbd Metascore
    • 100 Joshua Rothkopf
    Of all the things to be nostalgic about, warfare would seem the least likely candidate, but that's the unusual perspective of this one-of-a-kind 1943 landmark - maybe the most wonderfully British movie ever made.
    • 72 Metascore
    • 100 Joshua Rothkopf
    Amer could exist only as a movie, not as a novel or a pop song. If you give it a whirl, you won't simply get drunk on its immediacy; you may throw out plot and character altogether.
    • 79 Metascore
    • 100 Joshua Rothkopf
    See this film immediately.
    • 51 Metascore
    • 80 Joshua Rothkopf
    Phillips goes too far sometimes (border-jail breakout?), but his new direction is promising.
    • 79 Metascore
    • 80 Joshua Rothkopf
    The movie works on a bedrock level that many ostensible action films forget. Let New Age viewers in your crowd get misty-eyed - there's plenty here for anyone.
    • 75 Metascore
    • 80 Joshua Rothkopf
    By movie’s end, you see flocks of umbrella-adorned commuters in a different light; and what’s often viewed as Japanese humility becomes a doorway to something huge and eternal. Bring the kids.
    • 79 Metascore
    • 80 Joshua Rothkopf
    The attention to detail is fine-grained, especially on the slippery slope of plea bargaining. Missing are two pieces that might have turned this into an urban classic.
    • 61 Metascore
    • 80 Joshua Rothkopf
    Given the dreck we’ve seen this summer, it’s nice to be reminded of the virtues of clean storytelling and cultural curiosity.
    • 66 Metascore
    • 80 Joshua Rothkopf
    Indeed, the doc works best as a relationship study, filled with endearing moments of intimate bickering. Takei is a self-admitted ham but a playful one, projecting his confidence in increasingly meaningful directions.
    • 66 Metascore
    • 80 Joshua Rothkopf
    Another Earth is a movie you take home and write your own ending to.
    • 57 Metascore
    • 80 Joshua Rothkopf
    What might have been a long walk off a short pier becomes a valid, vital rethinking of a crime classic.
    • 88 Metascore
    • 80 Joshua Rothkopf
    The rich atmosphere of the movie may be the sexiest thing about it: It’s no wonder these women breathe in the air of possibility and find themselves imbued with boldness.
    • 63 Metascore
    • 80 Joshua Rothkopf
    Russell Crowe's pained vocal stylings (they sound more like barks) as relentless Inspector Javert can be forgiven after hearing Hugh Jackman's old-pro fluidity in the central role of Jean Valjean, hiding a criminal past.
    • 69 Metascore
    • 80 Joshua Rothkopf
    Though supported by Woodley’s subtle narration, The Fault in Our Stars is relentlessly outward. That’s part of the book’s inspiring touch, and even if some of the supporting cast comes off as merely functional onscreen, the core of the tragedy comes to life in a heartbreaking way.
    • 94 Metascore
    • 80 Joshua Rothkopf
    It's not an easy sit; we're never let off the hook with golden-hued memories or belated bits of wisdom. Maybe this is love after all.
    • 70 Metascore
    • 80 Joshua Rothkopf
    Inspiring heartbreaker of a documentary.
    • 70 Metascore
    • 80 Joshua Rothkopf
    This installment delivers a heavy and welcome dose of paranoia, administered between fleetly paced smackdowns.
    • 73 Metascore
    • 80 Joshua Rothkopf
    The spirit of the movie is nonjudgmental, an observational intimacy that, in turn, becomes inspiring.
    • 70 Metascore
    • 80 Joshua Rothkopf
    Arnold's vibrant, Malickian adaptation has another bold stroke worth mentioning: Heathcliff, a Gypsy in the original text, is now an Afro-Caribbean former slave, initially a bruised teen (Glave) and then an unusual, self-made man (Howson).
    • 67 Metascore
    • 80 Joshua Rothkopf
    There's still tremendous vitality here, and Wheatley's avoidance of yet another Guy Ritchie gabfest is a pleasure in itself.
    • 83 Metascore
    • 80 Joshua Rothkopf
    Blackfish, a troubling exposé of Sea World’s hazardous entertainment trade, does much to restore a realistic sense of danger, interviewing former park workers who detail their shoddy, nonscientific training, and chronicling the much-suppressed history of whale-on-human violence.
    • 66 Metascore
    • 80 Joshua Rothkopf
    Nothing here is new, but you can’t call expert craft like this warmed-over. Solidly satisfying with ruthless forward momentum, the film plays like a minor triumph.
    • 58 Metascore
    • 80 Joshua Rothkopf
    To the Wonder is arty for sure, but for the first time, its maker is working with anxieties we all feel. Let’s hope this Malick sticks around for a while.
    • 74 Metascore
    • 80 Joshua Rothkopf
    The man himself stares into Davis's lens, both confident and scared; for these moments alone, the movie is key.
    • 73 Metascore
    • 80 Joshua Rothkopf
    The pieces here are wonderful, even if the documentary fails to make any kind of overall analytical point.

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