Joshua Rothkopf

Select another critic »
For 940 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Voyage of Time: The IMAX Experience
Lowest review score: 20 Detention
Score distribution:
  1. Negative: 51 out of 940
940 movie reviews
    • 35 Metascore
    • 60 Joshua Rothkopf
    Watts’s work is extraordinary, sometimes keying off the same illicit register as "Mulholland Drive"; she risks being goofy, awkward and bratty.
    • 49 Metascore
    • 60 Joshua Rothkopf
    The profusion of Dudes is - pardon the apt pun - game-changing. By turns a fierce megalomaniac and a Lebowskian monk, Bridges supplies more soul than any sci-fi sequel deserves.
    • 46 Metascore
    • 60 Joshua Rothkopf
    Unfortunately, a new problem rears its head: It seems no young audience member can be trusted to enjoy a thoughtful story without a heroic, borderline-obnoxious surrogate (here, he's voiced by Zac Efron) zooming around on a scooter, bonking villainous heads and saving the day.
    • 71 Metascore
    • 60 Joshua Rothkopf
    A middling entry in the growing genre of tragic, never-quite-made-it rocker docs, this doesn't have a bona fide genius at its core (The Devil and Daniel Johnston), nor a compelling clash of Spinal Tap–ready egos (Anvil! The Story of Anvil).
    • 83 Metascore
    • 60 Joshua Rothkopf
    A manufactured kid-in-jeopardy climax and Blake’s rehab stint blow the mood. Until then, this is great American acting.
    • 59 Metascore
    • 60 Joshua Rothkopf
    A certain Hollywood self-absorption is on display here, but the family’s depressing story merits Mariel’s vigilant defensiveness.
    • 66 Metascore
    • 60 Joshua Rothkopf
    The Way Back then takes its time, creeping through gorgeous locations in Bulgaria, Morocco and Pakistan, and basically feeling like a two-hour-plus version of the desert scene from "The Good, the Bad and the Ugly."
    • 66 Metascore
    • 60 Joshua Rothkopf
    Cigarettes are sucked hungrily by all involved, old and young, in the trashscape of this depressing Australian crime film - a movie that heaps so much dank atmosphere on its suburbanites, you can't help but sigh with relief when events turn to serial killing (finally?).
    • 57 Metascore
    • 60 Joshua Rothkopf
    Zippy and saturated with soft-core nudity, The Look of Love isn’t hard to watch, especially when statuesque Tamsin Egerton enters the picture as a redheaded dancer who captures Raymond’s heart.
    • 65 Metascore
    • 60 Joshua Rothkopf
    Night Catches Us surges awkwardly in its latter third, suddenly aware that a promising setup isn't enough. Regardless, here is an honorable attempt to address a complex chapter of African-American pride, one that's usually hidden under hairdos and wah-wah pedals.
    • 69 Metascore
    • 60 Joshua Rothkopf
    What you will find is a film that toggles between impressive fury and a kind of made-for-TV blandness that does Nat Turner’s 1831 uprising — still controversial — no favors.
    • 36 Metascore
    • 60 Joshua Rothkopf
    The performances, especially from the bed partners, are complex; even if you weren’t wanting for an exposé of adult-entertainment violence, here it is.
    • 61 Metascore
    • 60 Joshua Rothkopf
    All the way back to "Donnie Darko," Jake Gyllenhaal has had an inchoate sense of evolution about him, a tricky quality that better actors can’t pull off half as well. So it’s hard to say if splitting the star into two doppelgängers — Adam, a mousy college professor, and Anthony, a rising actor with a healthy ego — is the best dramatic plan.
    • 65 Metascore
    • 60 Joshua Rothkopf
    So even though the science fair was something your other classmates did while you mastered Pitfall!, the sights in Whiz Kids will no doubt stir you.
    • 74 Metascore
    • 60 Joshua Rothkopf
    His rock music gets a decent airing, but you wish more of the man’s perversity came through: his intimidating ego, the way he could exhaust his bandmates. And seriously, where is “Valley Girl” and his amazing kids? Not bitchin’ at all.
    • 57 Metascore
    • 60 Joshua Rothkopf
    Bad Words soars in the bits of riotously offensive chitchat between Guy and a young Indian hopeful (Rohan Chand); it wobbles in plot developments involving the effortlessly starchy Allison Janney as the contest’s “queen bee”; and it splats in the I’m-secretly-hurting conclusion.
    • 74 Metascore
    • 60 Joshua Rothkopf
    If The Woodmans has something profound to say-and it does, unwittingly-it's that art can't raise a child solo.
    • 62 Metascore
    • 60 Joshua Rothkopf
    For all its updated bluster, this update still can’t escape the shadow of 1933’s magical King Kong.
    • 67 Metascore
    • 60 Joshua Rothkopf
    It all feels a touch schematic, trying to satisfy every audience type, when each haircut is different. Barbershop: The Next Cut actually ends up in the chair, with a highly symbolic snipping that could have come straight outta the 1950s.
    • 53 Metascore
    • 60 Joshua Rothkopf
    Only Julianne Moore, as the Bible-thumping mom, has an instinct to go softer — how couldn’t she, after Piper Laurie? — and paradoxically, it’s a move that feels wrong, the role requiring its cantatory bigness.
    • 32 Metascore
    • 60 Joshua Rothkopf
    You’re either awestruck, dumbstruck or just plain struck in the face.
    • 71 Metascore
    • 60 Joshua Rothkopf
    For all its timeliness, the movie works best when it’s echoing the 15-year-old The Rules of Attraction, upping the vapidity of Ingrid’s prey.
    • 66 Metascore
    • 60 Joshua Rothkopf
    As exposed as the actors allow themselves to be, their mostly improvised script never takes them anywhere, and the rough edge of their banter seems to acknowledge as much. At least they get to eat.
    • 73 Metascore
    • 60 Joshua Rothkopf
    Prince Avalanche — Green has admitted that the unrelated title came to him in a dream — evaporates after a while, although it’s never less than quizzical and charming.
    • 64 Metascore
    • 60 Joshua Rothkopf
    Cheadle is so good as the cryptic Davis—coiled to strike, soulful, wounded, boldly outspoken—that you wonder if a more traditionally structured biojazz picture à la Ray or Bird might have been a better showcase for what's obviously a passion project.
    • 57 Metascore
    • 60 Joshua Rothkopf
    This may be terrifying news to Rob Zombie fans, but after years mining the 1970s for gunky shock moments, the musician-turned-filmmaker has emerged as an unusually sensitive director of actors.
    • 65 Metascore
    • 60 Joshua Rothkopf
    For a sci-fi indie of vast ambition but limited means, Coherence does a sterling job with coherence.
    • 65 Metascore
    • 60 Joshua Rothkopf
    Saving Mr. Banks turns Travers’s tense collaboration with Walt and his team of Imagineers into — naturally — a schmaltzy journey of closure, climaxing in a teary screening of the finished musical.
    • 77 Metascore
    • 60 Joshua Rothkopf
    Resident turned filmmaker Ryan McGarry sometimes displays shrewd instincts for hardheaded vérité — there’s compelling stuff here, even if you shear away his occasional stabs at issues of bureaucratic overcrowding and corporate cost-cutting at the expense of intimacy.
    • 67 Metascore
    • 60 Joshua Rothkopf
    The mood of this movie will brew with you for a while, even if it swirls around characters who aren't quite persuasive.

Top Trailers