Joshua Rothkopf
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For 639 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Boyhood
Lowest review score: 20 The Human Centipede II (Full Sequence)
Score distribution:
  1. Negative: 43 out of 639
639 movie reviews
    • 71 Metascore
    • 80 Joshua Rothkopf
    No other filmmaker on the planet can touch Evans for long-take beatdowns and wildly inventive flourishes.
    • 77 Metascore
    • 80 Joshua Rothkopf
    The real richness of the movie, though, comes well in, as the improvised script gets around to deeper anxieties of aging and avoidance.
    • 87 Metascore
    • 80 Joshua Rothkopf
    Unusually moving (not only to stray film critics in your crowd), director Steve James's keen profile of the late, great Roger Ebert works both as a compact appreciation of the reviewer's vast public impact, as well as an unflinching peak into a cancer patient's final months, fraught with pain, hope and constant treatment.
    • 67 Metascore
    • 80 Joshua Rothkopf
    In its early scenes, Dinosaur 13 works nearly as well as a certain Steven Spielberg thriller, creating the giddy, ominous mood of past and present colliding in excitement.
    • 84 Metascore
    • 80 Joshua Rothkopf
    Whiplash scrapes the far edge of crazy passion. It never apologizes.
    • 65 Metascore
    • 80 Joshua Rothkopf
    Ruffalo, a master of rumpled befuddlement, finds his signature role here—it can't be overstated how deftly he eases into the tricky creation, a blue-blooded slacker who aches when the world won't hug him back.
    • 64 Metascore
    • 80 Joshua Rothkopf
    Cry foul, you documentary purists, but narration by Jena Malone and others pulls the gamble off. The film makes its point ingeniously.
    • 85 Metascore
    • 80 Joshua Rothkopf
    None of this is pushed into comic relief—the filmmaker lets his drama play out with gentleness — and you smile at the many evolutions.
    • 68 Metascore
    • 80 Joshua Rothkopf
    Land Ho! avoids schmaltz to get at that rarest of male timber: rekindled hearts.
    • 69 Metascore
    • 80 Joshua Rothkopf
    Though supported by Woodley’s subtle narration, The Fault in Our Stars is relentlessly outward. That’s part of the book’s inspiring touch, and even if some of the supporting cast comes off as merely functional onscreen, the core of the tragedy comes to life in a heartbreaking way.
    • 75 Metascore
    • 80 Joshua Rothkopf
    A full-bodied and mischievous autobiography in the spirit of Federico Fellini’s "Amarcord," Alejandro Jodorowsky’s return to filmmaking after 28 years of financial frustration explodes with great ideas.
    • 74 Metascore
    • 80 Joshua Rothkopf
    This is still one of his (Berlinger) most ambitious films, vibrating with the same municipal unease as "Chinatown."
    • 56 Metascore
    • 80 Joshua Rothkopf
    Director Samantha Grant scores an interview with Blair himself, whose too-little-too-late admissions (along with his reemergence as a postguilt life coach) might drive your crowd to hisses.
    • 79 Metascore
    • 80 Joshua Rothkopf
    The documentary is strongest during these conference-room brainstorms, similar to those of a political campaign. (It could have used more of Boies’s witness-demolishing courtroom eloquence.) The draw here is watching a careful process unfold, regardless of the outcome.
    • 65 Metascore
    • 80 Joshua Rothkopf
    You feel for the potential Wesleyan parent who asks an administrator if his daughter is going to have to move home after graduating: His question is met with an uneasy pause. Crucial stuff.
    • 72 Metascore
    • 80 Joshua Rothkopf
    It’s a movie about coming to peace with solitude, leagues beyond most biopics.
    • 76 Metascore
    • 80 Joshua Rothkopf
    For all its eye-opening material, The Dog still feels unfinished, but for students of New York scuzziness, it’s an essential addition.
    • 65 Metascore
    • 80 Joshua Rothkopf
    Indeed, the doc works best as a relationship study, filled with endearing moments of intimate bickering. Takei is a self-admitted ham but a playful one, projecting his confidence in increasingly meaningful directions.
    • 74 Metascore
    • 60 Joshua Rothkopf
    The movie isn’t adventurous, but I’m sure glad it exists.
    • 63 Metascore
    • 60 Joshua Rothkopf
    Shutter Island is slumming: minor but enjoyably nuts.
    • 34 Metascore
    • 60 Joshua Rothkopf
    The surprising thing here is how smoothly this over-iced cake goes down.
    • 83 Metascore
    • 60 Joshua Rothkopf
    A manufactured kid-in-jeopardy climax and Blake’s rehab stint blow the mood. Until then, this is great American acting.
    • 42 Metascore
    • 60 Joshua Rothkopf
    It’s a movie that tips toward overkill--even Ronan’s voice is amplified into a weird whisper. More quiet would have helped.
    • 76 Metascore
    • 60 Joshua Rothkopf
    Watching the new film is like getting upsettingly full on insubstantial tapas: You would never say no to just one more, but there’s better.
    • 73 Metascore
    • 60 Joshua Rothkopf
    The movie isn’t particularly scary--not a crime when your goal is laughs. More egregious is the niggling fact that this simply isn’t as witty as "Shaun of the Dead," forever the yuks-meet-yucks standard.
    • 73 Metascore
    • 60 Joshua Rothkopf
    Maybe this is a good time to mention that the director is Richard Linklater, usually a lot more versatile. Try to imagine a version of Linklater’s "School of Rock" that didn’t pivot on the manic music teacher played by Jack Black but instead, perhaps, on his boring roommate.
    • 61 Metascore
    • 60 Joshua Rothkopf
    Extract, for all its surface reminders of Judge’s 1999 cult hit, "Office Space" (it’s set around a suburban bottling plant), shows its maker taking the smallest step toward lesser comic matters of infidelity and bong abuse. It feels slightly beneath him. That’s not to say you should skip it.
    • 69 Metascore
    • 60 Joshua Rothkopf
    Though wildly uneven, the film sometimes comes within screaming distance of the sick ironies of "Heathers." That's how loudly Goldthwait still knows how to yell.
    • 47 Metascore
    • 60 Joshua Rothkopf
    The movie has a centerfold sheen to it--and some lesbianic soft-core flirtation to match--as its plot dives deeply into "Twilight"-esque heavy-melo meltdown in the last act. Cody throws one too many losses at Needy; the screenwriter loses her satiric way about halfway through. But for a while, this has real fangs.
    • 73 Metascore
    • 60 Joshua Rothkopf
    For all his brilliance with choreography, Woo is flummoxed by the thousands of actual human extras, though there’s no denying his commitment to the finer points of battle tactics (yawn).