Joshua Rothkopf
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For 683 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 A Prophet
Lowest review score: 20 The Back-up Plan
Score distribution:
  1. Negative: 44 out of 683
683 movie reviews
    • 51 Metascore
    • 60 Joshua Rothkopf
    The way forward, both in Caouette's real-life situation and his development as an artist, remains unclear, yet that frustration makes it to the screen, in spiky waves that signal a vital personal quest.
    • 50 Metascore
    • 20 Joshua Rothkopf
    Skip this one, even if your hipster significant other whines a blue streak.
    • 50 Metascore
    • 40 Joshua Rothkopf
    Please. If you're going to ask audiences to submit to a dim theater themselves, at least greet them with the proper monster they paid for.
    • 50 Metascore
    • 60 Joshua Rothkopf
    But you do take the film home with you - to all your own toys - and that's what decent horror is supposed to do.
    • 50 Metascore
    • 80 Joshua Rothkopf
    All of the performances are knockouts, especially The Visitor's Richard Jenkins as a damaged Texas spiritualist who steeps the movie in intimacy.
    • 50 Metascore
    • 60 Joshua Rothkopf
    There’s social satire for those who want it — don’t tell the rest of the neighborhood our daughter’s risen from the dead! — and a fine, simmering sense of apocalypse that turns this suburban community into a war zone. Still, it’s a lot of heavy lifting for what amounts to “he’s just not that into you,” mainly because you’re as ripe as a cadaver.
    • 50 Metascore
    • 60 Joshua Rothkopf
    There's no suspense, even as Galifianakis's bone-dry earnestness sometimes kicks the movie into a realm of stealth drama.
    • 50 Metascore
    • 20 Joshua Rothkopf
    Even on its own limited terms, the jokes are sub–"Friday" sequel, and a last-act grab for "Boyz n the Hood" pathos is seriously reaching.
    • 50 Metascore
    • 40 Joshua Rothkopf
    Judging from Sánchez's Lovely Molly, he'd like to get lost in the trees again, but now knows the path too well.
    • 50 Metascore
    • 40 Joshua Rothkopf
    When Mark Ruffalo shows up as a crumpled detective, you expect a dose of reality, yet on his heels come twin hams Michael Caine and Morgan Freeman, whose solemn presences (as Christopher Nolan knows well) prove wonderful distractions from silliness.
    • 50 Metascore
    • 40 Joshua Rothkopf
    Mainly, though, this is a humorless film that skimps on the delicious opportunity for spousal retribution.
    • 49 Metascore
    • 40 Joshua Rothkopf
    Some kind of napping for sure: The line between rigor and tedium is crossed in this Madrid-set home-invasion thriller, captured in a dozen or so claustrophobic shots but impoverished as a piece of drama.
    • 49 Metascore
    • 40 Joshua Rothkopf
    The set pieces are grand—gloriously dumb and never realistic enough to make you wince at the fact that billions of microscopic souls are dying before your eyes. Rather, you wince at everything else.
    • 49 Metascore
    • 60 Joshua Rothkopf
    The profusion of Dudes is - pardon the apt pun - game-changing. By turns a fierce megalomaniac and a Lebowskian monk, Bridges supplies more soul than any sci-fi sequel deserves.
    • 49 Metascore
    • 60 Joshua Rothkopf
    These filmmakers got halfway there, but Carpenter's genius was about more than just a look.
    • 49 Metascore
    • 60 Joshua Rothkopf
    Call it a strange and unintended benefit, then, that many of these generic characters work better as awkward adults than as teens.
    • 49 Metascore
    • 40 Joshua Rothkopf
    Cutesy and generic, New York, I Love You is almost colossally inept at capturing five-boroughs flavor.
    • 49 Metascore
    • 40 Joshua Rothkopf
    Adult children and friends watch nervously as Pippa reclaims a measure of spunk; too bad it all feels like one of those pharmaceutical ads for longer, healthier lifestyles.
    • 49 Metascore
    • 60 Joshua Rothkopf
    Younger audiences will see "The Fault in Our Stars’" Shailene Woodley once again excelling in an emotionally tricky role: Kat, a 17-year-old blooming into her wild years while reckoning with an increasingly unhinged mother, Eve (Eva Green, crazy-eyed and just this side of Faye Dunaway).
    • 49 Metascore
    • 20 Joshua Rothkopf
    The new movie is a joke, a toxic cocktail of banal psychobabble, laughably arty slo-mo flourishes and unmotivated sexual violence that only brain-in-jar types could take as a serious statement.
    • 49 Metascore
    • 60 Joshua Rothkopf
    Hollywood does this too; truth be told, Russia’s high-tech whitewash goes down smooth like vodka.
    • 49 Metascore
    • 60 Joshua Rothkopf
    Weaknesses from the original remain, including a mustache-twirling villain straight out of a Bond film (Sharlto Copley) and a Freudian master plan that unravels the more you think about it. Give credit to Lee for staying fresh, even if this feels like slumming.
    • 49 Metascore
    • 40 Joshua Rothkopf
    Cake chokes you on its self-seriousness, even as it trots out potentially interesting supporting players.
    • 48 Metascore
    • 40 Joshua Rothkopf
    One would be better off experiencing Woodley via her heartbreaking turn in last year's "The Spectacular Now," a drama that actually has more to say about nightmarish cliques and individuality than any lackadaisical slide into future schlock.
    • 48 Metascore
    • 80 Joshua Rothkopf
    Deeply irresponsible, this a film that will give parents seizures-and Roger Corman a big old smile.
    • 48 Metascore
    • 80 Joshua Rothkopf
    The new drama, best viewed as a church movie, is a return to the kind of corner-chat indie cinema Lee revolutionized, with an emphasis on a towering performance by The Wire's Clarke Peters as a local bishop inflamed with the Word.
    • 48 Metascore
    • 40 Joshua Rothkopf
    In our chatty "Game of Thrones" moment, you'll thirst for a sidekick: a sly dwarf, a wisecracking female warrior, a huggable wolf, anything. Solomon Kane has none of these, and even heavyweight speechifiers like Max von Sydow and the late Pete Postlethwaite (that's how old the film is) have little to gnaw on.
    • 48 Metascore
    • 40 Joshua Rothkopf
    Director Peter Webber, who once mined social unease from the painterly "Girl with a Pearl Earring," is out of his depth; this is a movie in desperate need of a no-nonsense Howard Hawks.
    • 48 Metascore
    • 20 Joshua Rothkopf
    This sex thriller is trapped in a tepid zone between quality trash and pretentious psychodrama.
    • 48 Metascore
    • 80 Joshua Rothkopf
    Lockout is the kind of manly nonsense no one wants to make anymore.

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