For 629 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
Average review score: 62
Highest review score: 100 Stories We Tell
Lowest review score: 20 R.I.P.D.
Score distribution:
  1. Negative: 42 out of 629
629 movie reviews
    • 58 Metascore
    • 60 Joshua Rothkopf
    Too much of the movie feels predestined - down to the rainstorm on opening day - and subplots involving budding romance end up forcing what's implicit. Crowe, meanwhile, still can't stop abusing his vinyl collection; the aural wallpapering of Bob Dylan, Cat Stevens and others will surely please postboomer fans who haven't quite gotten the hang of silence.
    • 68 Metascore
    • 60 Joshua Rothkopf
    Into Eternity has the grandeur of ominous suggestion, but might have benefitted from a director more creatively unbound-an Errol Morris ready to play around at the end of the world.
    • 74 Metascore
    • 60 Joshua Rothkopf
    The movie's first hour happens to be its most absorbing. Director Alexei Popogrebsky sets up the quiet tensions between his two generationally divided characters like a chess match pocked with occasional power grabs.
    • 68 Metascore
    • 60 Joshua Rothkopf
    The middle section of the story is where Rise truly takes off, perhaps in ways that will have viewers forgiving the rest.
    • 49 Metascore
    • 60 Joshua Rothkopf
    These filmmakers got halfway there, but Carpenter's genius was about more than just a look.
    • 67 Metascore
    • 60 Joshua Rothkopf
    The mood of this movie will brew with you for a while, even if it swirls around characters who aren't quite persuasive.
    • 72 Metascore
    • 60 Joshua Rothkopf
    The Grandmaster, five years in the making, feels like a waste of Wong’s talents.
    • 70 Metascore
    • 60 Joshua Rothkopf
    You never feel the burn in The Skin I Live In, certainly not the way you do in an immortal shocker like "Eyes Without a Face." It's almost as if Almodóvar wanted to reach out into a gory genre, but couldn't do so without wearing prissy gloves.
    • 75 Metascore
    • 60 Joshua Rothkopf
    No matter how predictable his arc is, writer-director Thomas McCarthy (The Station Agent) never loses sight of the difficulties of cashflow and making one's weekly nut. You'll want to give his movie-and his secret weapon, the lovably neurotic Bobby Cannavale, as a recent divorcé hoping to co-coach the team-a pass for sweetness.
    • 56 Metascore
    • 60 Joshua Rothkopf
    Executive-produced by Steven Spielberg, the movie's special effects are seamless and far more cleanly cut than any of Michael Bay's hash. But the element that lingers longest is a subtle strand - also woven into last week's "Take Shelter" - of recessionary anxiety.
    • 76 Metascore
    • 60 Joshua Rothkopf
    Escalation is the main thing Margin Call has going for it, as more substantial actors are trotted out to have their way with Chandor's realistic-sounding boardroom dialogue.
    • 72 Metascore
    • 60 Joshua Rothkopf
    The story is an autobiographical one from screenwriter Will Reiser's own ordeal; you smile with the thought that he had such women in his life, tough yet supportive, giving him the license to be funny again.
    • 85 Metascore
    • 60 Joshua Rothkopf
    Meek's Cutoff has found its passionate defenders, those who admire it almost because of its meandering, heavily politicized nature. Yet you might try it-and try it again-and still only grab a handful of dust.
    • 62 Metascore
    • 60 Joshua Rothkopf
    Given the keys to the franchise and a role in the writing, Black has massively upped the verbal sparring and kept the broad inventiveness of comic-book malleability in mind. “I’m a mechanic,” Stark says to the boy in a moment of self-doubt. That’s 100% Black, that line, a tidy code of craft, and the jitters pass.
    • 67 Metascore
    • 60 Joshua Rothkopf
    Ultimately, the returns of the film's premise can't justify a nearly two-and-a-half-hour squirm. The savagery is honest, raw and hardly entertainment.
    • 71 Metascore
    • 60 Joshua Rothkopf
    With unexpected supernatural restraint, the movie approaches a religious parable; am I being unfair in wishing it had a touch more apocalyptic hysteria to it?
    • 75 Metascore
    • 60 Joshua Rothkopf
    As brought to life in the stentorian tones of Ben Kingsley, the curator comes off like a driven visionary, but his actual efforts aren't dramatized enough. The paintings speak more articulately: doomy, dank colors and oppressive shapes.
    • 85 Metascore
    • 60 Joshua Rothkopf
    The movie skips along episodically; it's not quite as sharp as a war narrative needs to be, even if its nightmarish psychology feels spot-on.
    • 46 Metascore
    • 60 Joshua Rothkopf
    Unfortunately, a new problem rears its head: It seems no young audience member can be trusted to enjoy a thoughtful story without a heroic, borderline-obnoxious surrogate (here, he's voiced by Zac Efron) zooming around on a scooter, bonking villainous heads and saving the day.
    • 61 Metascore
    • 60 Joshua Rothkopf
    Renner and scientist Rachel Weisz are sympathetic enough (although lacking in Matt Damon's all-American approachability), and the movie flies along briskly.
    • 86 Metascore
    • 60 Joshua Rothkopf
    Cave of Forgotten Dreams feels stuck in a middling zone of too much conjecture and not enough scholarship.
    • 78 Metascore
    • 60 Joshua Rothkopf
    Redemptively, the cast goes a long way: Jean Desailly is perfect as a jowly literary celeb deep in midlife crisis, while the aloof Françoise Dorléac is magnetic as his airline stewardess and all-too-scrutable love object.
    • 65 Metascore
    • 60 Joshua Rothkopf
    Tyrannosaur won't translate into entertainment, nor as a wake-up call to the dark side of humanity - though it does work nicely as a tart slice of hard-bitten acting; the entire cast is superb.
    • 54 Metascore
    • 60 Joshua Rothkopf
    Illegal has caused a stir in Belgium, and the sincerity of the movie can't be denied. But there's little emotion to hold on to, apart from a mother's impotent concern about her wayward teenage son (Gontcharov), still on the outside.
    • 65 Metascore
    • 60 Joshua Rothkopf
    The script, partly credited to Lost's Damon Lindelof, is so filled with talky lectures about divinity (and boner plot holes) that you realize, with embarrassment, that Scott, at age 74, wants to join the cosmic company of Terrence Malick. Does he not think that making a drum-tight horror film was ambitious enough?
    • 40 Metascore
    • 60 Joshua Rothkopf
    Knuckleheaded though this faculty-member-turned-MMA-fighter comedy is, there's no denying the plot's lefty credentials, snuck in like Raisinets among the popcorn.
    • 65 Metascore
    • 60 Joshua Rothkopf
    The sincere director, Oliver Schmitz, injects too much movie into his movie; life (above all) would have been enough.
    • 61 Metascore
    • 60 Joshua Rothkopf
    As with so many modern fantasy films, the sequences here seem designed to go viral on YouTube in a flash of coolness, not necessarily linger in the mind or heart.
    • 59 Metascore
    • 60 Joshua Rothkopf
    When Sarah's Key leans into the horror (as it should), it's harrowing. Alas, that's only half the time.
    • 67 Metascore
    • 60 Joshua Rothkopf
    Swaddled with a lacquer of nostalgia that passes for cultural insight, this one-night-in-sweatpants drama will make you yearn for a moratorium on teen movies-at least ones so aggressively dewy-eyed.